Showing posts with label max gladstone. Show all posts
Showing posts with label max gladstone. Show all posts

Saturday, 18 July 2020

Hugo Novella Round-up, 2020

I'm a bit late in posting this, even though I finished reading all the Hugo novellas weeks ago. As for many people, I'm sure, life has been a bit exhausting lately.

Anyway, below are brief summaries links to my full reviews of the Hugo novellas. The only exception is for the Ted Chiang because that's in a collection that I haven't finished reading, so I've included my full (not especially long) review in this post. Order is that used by  , out of laziness.

~

Anxiety Is the Dizziness of Freedom
, Ted Chiang (Exhalation)


I really enjoyed this novella. It is possibly my favourite take on the manyworlds hypothesis/parallel timelines. The story follows a few different people as they interact with a new technology that allows them to communicate (via digital information only) with parallel timelines. The character driven story is interspersed with explanations of the technology, which I thought worked well and were not at all boring infodumps (though others might disagree). Overall, a very interesting and enjoyable read.


The Deep
, Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes


A key idea explored in The Deep is that if societal memory and specifically memory of trauma. The situation when the story opens is like this: one member of the wajinru people is the historian and only that person holds all the memories of past wajinru and events. ... As well as exploring how intergenerational trauma should be remembered, and by whom, The Deep questions whether it should be remembered at all, as Yetu grapples with some of these issues.

The Deep was a good read, though I found it was a little slow to start and not the sort of book I could read quickly. I recommend it to people interested in the premise and, perhaps, to fans of merpeople.

The Haunting of Tram Car 015
, P. Djèlí Clark


In this story, a couple of public servants are tasked with fixing the problem of a haunted tram car in an alternate-world Cairo. Hijinks ensue. In this world, djinn exist and have helped cement Cairo and Egypt's significance on the world stage, including from a technological standpoint. (The steampunky cover is a pretty good representation of the setting, in my opinion.) Our put-upon agents have to contend with identifying the possibly dangerous being possessing the tram and then have to safely remove it. And all this is set against the backdrop of a Cairo-centred campaign to give women the vote.

In an Absent Dream
, Seanan McGuire


Lundy was a mildly unhappy child before she found her door and her particular fairyland wasn't everyone's idea of a good time. But she liked it and she made friends and she felt like she belonged. She even made several trips between the two worlds, which isn't something we've seen close up before. The story spans years as Lundy goes back and forth and is more the story of her transitions than the story of adventures had on the other side of a door. It's the story of choices made, of fair value — because that's what the Goblin Market is all about — and of family.

This Is How You Lose the Time War
, Amal El-Mohtar & Max Gladstone


This is a remarkable book, told in a very poetic style, with chapters alternating between snippets of our characters’ lives and the letters they send each other. Although it is written as prose, one feels as though one is reading poetry. The use of imagery and metaphor is strong and frequent and the relationship between the characters shifts as they become more obsessed with each other as they learn more about the other.

... It is the kind of book that demands your full attention to properly take in its words and worlds.

To Be Taught, If Fortunate
, Becky Chambers


The premise of To Be Taught, If Fortunate is quite straightforward: a small group of scientist-astronauts are on a multi-year mission to investigate four habitable planets and catalogue whatever lifeforms and other interesting things they find. The novella is basically a chronicle of their journey and the main interest in the book is the explanations of science and discovery. ... 

I wouldn't call it fast-paced, by any stretch of the imagination, but it worked for me.

Tuesday, 9 July 2019

This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone is a short novel about two time-travelling agents who start corresponding with each other. It's written in a poetic style and is half-epistolary, half-prose.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading.

And thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more.

Except discovery of their bond would be death for each of them. There’s still a war going on, after all. And someone has to win that war. That’s how war works. Right?

This is a remarkable book, told in a very poetic style, with chapters alternating between snippets of our characters’ lives and the letters they send each other. Although it is written as prose, one feels as though one is reading poetry. The use of imagery and metaphor is strong and frequent and the relationship between the characters shifts as they become more obsessed with each other as they learn more about the other.

At first I had difficulty keeping the characters straight in my mind — Red and Blue, from futures Garden and Agency, wait, which was which again? — but then it became clearer as they obtained more identifying characteristics. There was [the one that had happened to] and [the one that did this thing], to keep it spoiler-free. I started reading this book while travelling and I don’t recommend reading it in a noisy environment. It was easier to enjoy at home, calmly. Or at least with noise-cancelling headphones on. It is the kind of book that demands your full attention to properly take in its words and worlds.

I don't generally like spending too much time comparing books to other things, but it feels particularly topical in this case. This Is How You Lose the Time War is a book that pushes many if the same buttons as Good Omens by Terry Pratchett and Neil Gaiman or Killing Eve but with a more poetic writing style than Good Omens and more emphasis on the relationship between enemy agents than Killing Eve. (I speak of the TV show Killing Eve, here — the books it’s based on look dreadful.) Also, in the struggle for a better future, no one side is clearly better than the other, which is not how most oppositional relationships are portrayed. In Killing Eve, Villanelle is the assassin so MI6 agent Eve clearly has the moral high ground. And things are both more and less ambiguous in Good Omens, where the two sides are literally heaven and hell. But if you liked either of those stories for their protagonist relationships, this is the book for you. Especially if you wished there was more time travel in them.

Actually, before I wrap up, I will say a few words on the time travel aspect. It's both integral to the story and sort of minimally done. No mechanics are explained, which makes sense for the style of the book, and all the time travel feats are basically magic, as far as we mere time-bound mortals are concerned. Sometimes that sort of thing bothers me, but in this case it fits in perfectly with the style of the book. The time travel is absolutely not the point, the letters between Blue and Red are, and doing it any other way would have been bizarre. For all that I've said the prose is very poetic, it's also very sparse (in the way of poetry, now that I think about it). For this reason, it took me a little while at the start of the book to feel grounded in the story (or as grounded as one can be in such a story) but, again, it makes perfect sense for what it is.

I really liked this book. I highly recommend it to fans of doomed and/or oppositional romance (is that the right term?), poetic letters and magical time travel. It's a quick read but a powerful one. If you're not sure whether the style is right for you, I think it's something you could quickly determine by reading the sample chapters on your favourite ebook store. In any case, I highly recommend This Is How You Lose the Time War.

5 / 5 stars

First published: July 2019, Jo Fletcher Books
Series: No, I don't think so
Format read: eARC
Source: Publisher via NetGalley