Showing posts with label shortlist. Show all posts
Showing posts with label shortlist. Show all posts

Saturday, 18 July 2020

Hugo Novella Round-up, 2020

I'm a bit late in posting this, even though I finished reading all the Hugo novellas weeks ago. As for many people, I'm sure, life has been a bit exhausting lately.

Anyway, below are brief summaries links to my full reviews of the Hugo novellas. The only exception is for the Ted Chiang because that's in a collection that I haven't finished reading, so I've included my full (not especially long) review in this post. Order is that used by  , out of laziness.

~

Anxiety Is the Dizziness of Freedom
, Ted Chiang (Exhalation)


I really enjoyed this novella. It is possibly my favourite take on the manyworlds hypothesis/parallel timelines. The story follows a few different people as they interact with a new technology that allows them to communicate (via digital information only) with parallel timelines. The character driven story is interspersed with explanations of the technology, which I thought worked well and were not at all boring infodumps (though others might disagree). Overall, a very interesting and enjoyable read.


The Deep
, Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes


A key idea explored in The Deep is that if societal memory and specifically memory of trauma. The situation when the story opens is like this: one member of the wajinru people is the historian and only that person holds all the memories of past wajinru and events. ... As well as exploring how intergenerational trauma should be remembered, and by whom, The Deep questions whether it should be remembered at all, as Yetu grapples with some of these issues.

The Deep was a good read, though I found it was a little slow to start and not the sort of book I could read quickly. I recommend it to people interested in the premise and, perhaps, to fans of merpeople.

The Haunting of Tram Car 015
, P. Djèlí Clark


In this story, a couple of public servants are tasked with fixing the problem of a haunted tram car in an alternate-world Cairo. Hijinks ensue. In this world, djinn exist and have helped cement Cairo and Egypt's significance on the world stage, including from a technological standpoint. (The steampunky cover is a pretty good representation of the setting, in my opinion.) Our put-upon agents have to contend with identifying the possibly dangerous being possessing the tram and then have to safely remove it. And all this is set against the backdrop of a Cairo-centred campaign to give women the vote.

In an Absent Dream
, Seanan McGuire


Lundy was a mildly unhappy child before she found her door and her particular fairyland wasn't everyone's idea of a good time. But she liked it and she made friends and she felt like she belonged. She even made several trips between the two worlds, which isn't something we've seen close up before. The story spans years as Lundy goes back and forth and is more the story of her transitions than the story of adventures had on the other side of a door. It's the story of choices made, of fair value — because that's what the Goblin Market is all about — and of family.

This Is How You Lose the Time War
, Amal El-Mohtar & Max Gladstone


This is a remarkable book, told in a very poetic style, with chapters alternating between snippets of our characters’ lives and the letters they send each other. Although it is written as prose, one feels as though one is reading poetry. The use of imagery and metaphor is strong and frequent and the relationship between the characters shifts as they become more obsessed with each other as they learn more about the other.

... It is the kind of book that demands your full attention to properly take in its words and worlds.

To Be Taught, If Fortunate
, Becky Chambers


The premise of To Be Taught, If Fortunate is quite straightforward: a small group of scientist-astronauts are on a multi-year mission to investigate four habitable planets and catalogue whatever lifeforms and other interesting things they find. The novella is basically a chronicle of their journey and the main interest in the book is the explanations of science and discovery. ... 

I wouldn't call it fast-paced, by any stretch of the imagination, but it worked for me.

Wednesday, 1 May 2019

Hugo Short Story Round-up

Those of you who have been following along with my blog and my #ReadShortStories posts will have seen my mini-reviews of the Hugo-nominated short stories as I read them. But I did not read them in a group, so I am collecting them here together in a single blog post.

I found this to be a strong category and there were no stories I actively disliked. "STET" is definitely the story I have the most mixed feelings about, and that is mainly due to its structure, which is also sort of the point. The ranking of the rest of the stories felt a lot more subjective to me; none of the stories stood out as especially better or worse than the others and my ordering of time comes down to personal preference more than anything else. So, although the voting is not yet open, I include the stories and my mini reviews of them in the order I expect I will put them on my ballot. Although I reserve the right to change my mind, especially if I end up engaging in some interesting discussions about them that change my mind.

If you've already read the stories, what's your opinion of them? How much do you disagree with my ranking?

(Story title links below go to where they can be freely read online.)


The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat” by Brooke Bolander — I found this dinosaur-esque fairytale very entertaining. I even laughed a few times. From the chatter in the podcast around it, I gather the rest of the Uncanny dinosaur issue, which I haven’t read, is set in a shared world. But this story absolutely stood alone. It also wasn’t what I expected, since it also contained humans, not just raptors. And a witch. Anyway, very entertaining.

A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies” by Alix E. Harrow — A lovely story about a witchy librarian, who just wants to help her patrons, and one patron in particular who hasn’t been dealt the best hand by fate. I quite enjoyed it.

"The Court Magician" by Sarah Pinsker — An unexpected but interesting story about a poor boy, street magic and the more powerful real magic he eventually learns about. I liked it.

"The Secret Lives of the Nine Negro Teeth of George Washington" by P. Djèlí Clark — A story told in nine snippets pertaining to the lives of nine black slaves, set in a parallel world where magic and magical creatures exist. It was an interesting read, but felt a little long because of its structure.

"The Rose MacGregor Drinking and Admiration Society" by T. Kingfisher — An amusing story about the tables turning on a group of fairies who usually get their way and enjoy leaving humans to pine after them. Short and sweet.

STET” by Sarah Gailey — Hands down, the most interesting thing about this story is the form in  which it’s presented. The actual story is sad and all, but I do think the impact is lessened by the format. An interesting experiment but I didn’t feel as drawn into the story as I would a more conventional narrative, though it was still heartbreaking.




Sunday, 24 March 2019

More Awards News - Aurealis Series and Tiptree


I am a little slow posting this news, but I didn't want it to pass without mention. Not long ago, I posted about the Aurealis Awards short list. The shortlist for the Sara Douglass series award came out a bit later and, though I missed it at the time, I wanted to share it with you all. This is only the second time the Best Series Aurealis will be awarded, so it's very interesting to look at the composition of the shortlist. (You can see the first shortlist at the bottom of this page.) I've included this year's shortlist below, and you can also see it here.

The other award which was recently announced is the Tiptree Award. This one is a bit unusual in that they announce the winner, an honour list and a long list all in one go. The winner this year is Gabriela Damián Miravete for her short story “They Will Dream In the Garden”. You can read the Honour and Long List at the Tiptree website.

2018 Sara Douglass Book Series Award shortlist


Blackthorn & Grim [Dreamer’s Pool (2014), Tower of Thorns (2015), Den of Wolves (2016)], Juliet Marillier (Pan Macmillan Australia)

Captive Prince [Captive Prince (2014), Prince’s Gambit (2014), Kings Rising (2016)], C S Pacat (Penguin Random House)

Electric Empire [The Diabolical Miss Hyde (2015), The Devious Dr Jekyll (2015), The Dastardly Miss Lizzie (2017)], Viola Carr (HarperCollins Publishers)

The Fire Sermon [The Fire Sermon (2015), The Map of Bones (2016), The Forever Ship (2017)], Francesca Haig (HarperCollins Publishers)

Zeroes [Zeroes (2015), Swarm (2016), Nexus (2017)], Deborah Biancotti, Margo Lanagan & Scott Westerfeld (Allen & Unwin)


Thursday, 21 February 2019

Aurealis Awards Shortlist Announced

It's that time of year when the Aurealis Awards finalists are announced. You can read the official announcement here, and I have reproduced the lists below. The links below go to my reviews where those exist (albeit a little sparse this year). A lot of books already on my TBR and some new ones to add.

(PS If you're interested, the Nebula Award Finalists have also been announced.)

Best Science Fiction Novel

Scales of Empire (Kylie Chan, Voyager)
Obsidio (Amie Kaufman & Jay Kristoff, A&U)
Lifel1k3 (Jay Kristoff, A&U)
Dyschronia (Jennifer Mills, Picador)
A Superior Spectre (Angela Meyer, Ventura Press)
The Second Cure (Margaret Morgan, Vintage)

Best Fantasy Novel

Devouring Dark (Alan Baxter, Grey Matter Press)
Lady Helen and the Dark Days Deceit (Alison Goodman, HarperCollins)
City of Lies (Sam Hawke, Bantam)
Lightning Tracks (Alethea Kinsela, Plainspeak Publishing)
The Witch Who Courted Death (Maria Lewis, Piatkus)
We Ride the Storm (Devin Madson, self-published)

Best Horror Novel

The Bus on Thursday (Shirley Barrett, A&U)
Years of the Wolf (Craig Cormick, IFWG Publishing Australia)
Tide of Stone (Kaaron Warren, Omnium Gatherum)

Best Graphic Novel/Illustrated Work

Deathship Jenny (Rob O’Connor, self-published)
Cicada (Shaun Tan, Lothian)
Tales from The Inner City (Shaun Tan, A&U)

Best Children’s Fiction

The Relic of the Blue Dragon (Rebecca Lim, A&U)
The Slightly Alarming Tales of the Whispering Wars (Jaclyn Moriarty, A&U)
The Endsister (Penni Russon, A&U)
Secret Guardians (Lian Tanner, A&U)
Ting Ting the Ghosthunter (Gabrielle Wang, Puffin)
Ottilie Colter and the Narroway Hunt (Rhiannon Williams, Hardie Grant Egmont)

Best Young Adult Novel

Small Spaces (Sarah Epstein, Walker)
Lifel1k3 (Jay Kristoff, A&U)
Catching Teller Crow (Ambelin Kwaymullina & Ezekiel Kwaymullina, A&U)
His Name was Walter (Emily Rodda, HarperCollins)
A Curse of Ash and Embers (Jo Spurrier, Voyager)
Impostors (Scott Westerfeld, A&U)

Best Collection

Not Quite the End of the World Just Yet (Peter M Ball, Brain Jar Press)
Phantom Limbs (Margo Lanagan, PS Publishing)
Tales from The Inner City (Shaun Tan, A&U)
Exploring Dark Short Fiction #2: A Primer to Kaaron Warren (Kaaron Warren, Dark Moon Books)

Best Anthology

Sword and Sonnet (Aiden Doyle, Rachael K Jones & E Catherine Tobler, Ate Bit Bear)
Aurum (Russell B Farr, Ticonderoga Publications)
Mother of Invention (Rivqa Rafael & Tansy Rayner Roberts, Twelfth Planet Press)
Infinity’s End (Jonathan Strahan, Solaris)
The Best Science Fiction & Fantasy of the Year (Jonathan Strahan, Solaris)

Best Science Fiction Novella

‘I Almost Went To The Library Last Night’ (Joanne Anderton, Aurum, Ticonderoga Publications)
The Starling Requiem (Jodi Cleghorn, eMergent Publishing)
Icefall (Stephanie Gunn, Twelfth Planet Press)
‘Pinion’ (Stephanie Gunn, Aurum, Ticonderoga Publications)
‘Singles’ Day’ (Samantha Murray, Interzone #277, TTA Press)
Static Ruin (Corey J White, Tor.com)

Best Science Fiction Short Story

‘The Sixes, The Wisdom and the Wasp’ (E J Delaney, Escape Pod)
‘The Fallen’ (Pamela Jeffs, Red Hour, Four Ink Press)
‘On the Consequences of Clinically-Inhibited Maturation in the Common Sydney Octopus’ (Simon Petrie & Edwina Harvey, A Hand of Knaves, CSFG)
‘A Fair Wind off Baracoa’ (Robert Porteous, A Hand of Knaves, CSFG)
‘The Astronaut’ (Jen White, Aurealis)

Best Fantasy Novella

‘This Side of the Wall’ (Michael Gardner, Metaphorosis Magazine, January 2018)
‘Beautiful’ (Juliet Marillier, Aurum, Ticonderoga Publications)
‘The Staff in the Stone’ (Garth Nix, The Book of Magic, Voyager)
Merry Happy Valkyrie (Tansy Rayner Roberts, Twelfth Planet Press)
‘The Dressmaker and the Colonel’s Coat’ (David Versace, Mnemo’s Memory and Other Fantastic Tales, self-published)
The Dragon’s Child (Janeen Webb, PS Publishing)

Best Fantasy Short Story

‘Crying Demon’ (Alan Baxter, Suspended in Dusk 2, Grey Matter Press)
‘Army Men’ (Juliet Marillier, Of Gods and Globes, Lancelot Schaubert)
‘The Further Shore’ (J Ashley Smith, Bourbon Penn #15)
‘Child of the Emptyness’ (Amanda J Spedding, Grimdark Magazine #17)
‘A Moment’s Peace’ (Dave Versace, A Hand of Knaves, CSFG Publishing)
‘Heartwood, Sapwood, Spring’ (Suzanne J Willis, Sword and Sonnet, Ate Bit Bear)

Best Horror Novella

‘Andromeda Ascends’ (Matthew R Davis, Beneath the Waves – Tales from the Deep, Things In The Well)
‘Kopura Rising’ (David Kuraria, Cthulhu: Land of the Long White Cloud, IFWG Publishing Australia)
‘The Black Sea’ (Chris Mason, Beneath the Waves – Tales from the Deep, Things In The Well)
Triquetra (Kirstyn McDermott, Tor.com)
‘With This Needle I Thee Thread’ (Angela Rega, Aurum, Ticonderoga Publications)
Crisis Apparition (Kaaron Warren, Dark Moon Books)

Best Horror Short Story

‘The Offering’ (Michael Gardner, Aurealis #112)
‘Slither’ (Jason Nahrung, Cthulhu Deep Down Under Volume 2, IFWG Publishing Australia)
‘By Kindle Light’ (Jessica Nelson-Tyers, Antipodean SF #235)
‘Hit and Rot’ (Jessica Nelson-Tyers, Breach #08)
‘Sub-Urban’ (Alfie Simpson, Breach #07)
‘The Further Shore’ (J Ashley Smith, Bourbon Penn #15)

Best Young Adult Short Story

‘A Robot Like Me’ (Lee Cope, Mother of Invention, Twelfth Planet Press)
‘The Moon Collector’ (D K Mok, Under the Full Moon’s Light, Owl Hollow Press)
‘The Sea-Maker of Darmid Bay’ (Shauna O’Meara, Interzone #277, TTA Press)
‘Eight-Step Koan’ (Anya Ow, Sword and Sonnet, Ate Bit Bear)
‘For Weirdless Days and Weary Nights’ (Deborah Sheldon, Breach #08).

Sunday, 22 April 2018

Hugo Ballot Discussion: Short Stories

Hugo Award logo; a stylised rocket ship
I've been making good progress on my Hugo reading, especially given that the voter packet is not out yet. Of course, having been focussing on reading more short stories over the past sixish months has helped a lot there. Nevertheless, I had only read two of the shortlisted short stories before the ballot came out.

Since linking to a bunch of short story reviews is kind of annoying, I'm just going to reproduce them for you below, to augment the short story ballot. You can, by the way, see the full Hugo Ballot at the official website, if you feel so inclined. Venue links go to the page where you can read each story online. The discussion follows the shortlist and mini-reviews.


Best Short Story


“Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)

A lovely story about mechanical toy people who live out their lives based on the number of “turns” they get. A metaphor for energy and disability/chronic illness that, I suppose, makes more sense than spoon theory — and in fact for that very reason I’d actually heard of this story before I got to reading it. The main character has more turns than average and the story follows her life from childhood through adulthood, partnering up, and having a child. And focuses on how many turns the people around her have or don’t have.

“Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)

Not a terrible story but not to my taste. (I say this in light of it’s Hugo nomination.) It had an interesting vibe and the second person narration worked well but I didn’t think the end came with sufficient pay-off (for a Hugo nomination...).

“Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)

An adorable story about the world’s only sentient robot who was created in the 1950s and now lives in a museum. One day, someone recommends and anime to him and things spiral out from there. Such an adorable and fun read.

“The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)

A story about hubris and hope in a post apocalyptic world. I found the main premise, of instructing AIs to build an obelisk on Mars, a bit odd, for all that it made sense in the context. The story didn’t completely grab me, however, which is unfortunate because I think the ending would have had more impact if I’d connected more with the protagonist.

“Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)

A cute story about a man who inherits a magic sword from his warrior grandmother, inhabited by spirits that can train him to fight. But all he wants to do is farm potatoes. I enjoyed the subversion of the magic sword trope, the goat and the tentative queer love story.

“Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)

An eerie story that starts out as one type of science fiction, exploring (Native American) race through a commercialised lens... then turns into a different sort of horrific story. I enjoyed it and didn’t see the second half coming from the vantage point of the first half. Certainly an interesting read and I can see why it made the Hugo shortlist.


Brief Discussion 


It's an interesting mix of stories, half of which directly engage with disability or racism, which is great to see coming out of the Sad Puppy years. They're all strong stories, even if they're not all for me.

For me the clear winner is the story I've loved the longest: "Fandom For Robots" by Vina Jie-Min Prasad. I have a soft spot for adorable AIs. After that, the stories rank themselves rather easily, from my point of view. “Carnival Nine” by Caroline M. Yoachim was very good and just pips "Sun, Moon, Dust" by Ursula Vernon by being a little meatier. "Welcome to your Authentic Indian Experience™" by Rebecca Roanhorse is also a strong contender while "The Martian Obelisk" by Linda Nagata and "Clearly Lettered in a Mostly Steady Hand" by Fran Wilde didn't really work for me.

Monday, 28 April 2014

Ditmar Ballot (aka Shortlist)

The final Ditmar ballot has been announced! (If this sounds like slightly old news, it's because the preliminary ballot went up on Saturday, but I wanted to wait until the final one was ready.) The Ditmars are the fan-nominated and -voted Australian awards. The winners will be announced at the Natcon — Continuum X in Melbourne over the Queen's Birthday weekend. I've reproduced the ballot below but if you want to see the original (and if you're eligible to vote) you can do so here. Links in the shortlist go to my reviews.

Best Novel

  • Ink Black Magic, Tansy Rayner Roberts (FableCroft Publishing)
  • Fragments of a Broken Land: Valarl Undead, Robert Hood (Wildside Press)
  • The Beckoning, Paul Collins (Damnation Books)
  • Trucksong, Andrew Macrae (Twelfth Planet Press)
  • The Only Game in the Galaxy (The Maximus Black Files 3), Paul Collins (Ford Street Publishing) 
So as you can see, I've only read two of these and, other than Trucksong which is in my TBR, I haven't really heard much about the others. The other Paul Collins book is a bit of a surprise, not because I don't think it's a good read, but because it's unusual to see a YA (or younger?) book 3 make an appearance. Also notable is that Tansy is the only woman on the list and that only two Aurealis-shortlisted stories made the list (Ink Black Magic and Trucksong). It will be interesting to see how this one plays out.

Best Novella or Novelette

  • "Prickle Moon", Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
  • "The Year of Ancient Ghosts", Kim Wilkins, in The Year of Ancient Ghosts (Ticonderoga Publications)
  • "By Bone-Light", Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
  • "The Home for Broken Dolls", Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)
  • "What Amanda Wants", Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press) 
I haven't read any of these, unfortunately. Caution: Contains Small Parts is in my TBR but keeps being pushed back by review books. The other two are also collections I'm keen to read when I get the chance.

Best Short Story

  • "Mah Song", Joanne Anderton, in The Bone Chime Song and Other Stories (FableCroft Publishing)
  • "Air, Water and the Grove", Kaaron Warren, in The Lowest Heaven (Jurassic London)
  • "Seven Days in Paris", Thoraiya Dyer, in Asymmetry (Twelfth Planet Press)
  • "Scarp", Cat Sparks, in The Bride Price (Ticonderoga Publications)
  • "Not the Worst of Sins", Alan Baxter, in Beneath Ceaseless Skies 133 (Firkin Press)
  • "Cold White Daughter", Tansy Rayner Roberts, in One Small Step (FableCroft Publishing) 
 So I've read half of this category and I'm familiar with the authors in the other half, if not those particular stories. A very strong category; it would be hard to rank.




Best Collected Work

  • The Back of the Back of Beyond, Edwina Harvey, edited by Simon Petrie (Peggy Bright Books)
  • Asymmetry, Thoraiya Dyer, edited by Alisa Krasnostein (Twelfth Planet Press)
  • Caution: Contains Small Parts, Kirstyn McDermott, edited by Alisa Krasnostein (Twelfth Planet Press)
  • The Bone Chime Song and Other Stories, Joanne Anderton, edited by Tehani Wesseley (FableCroft Publishing)
  • The Bride Price, Cat Sparks, edited by Russell B. Farr (Ticonderoga Publications) 
An interestingly similar list to the previous two categories. This category theoretically also includes anthologies, so it's interesting to see that none have made the cut, only single-author collections. Most notably absent, I'd say, is One Small Step, since it won (drew) the Aurealis and had a shortlisted story in the previous category.

Best Artwork

  • Cover art, Eleanor Clarke, for The Back of the Back of Beyond by Edwina Harvey (Peggy Bright Books)
  • Illustrations, Kathleen Jennings, for Eclipse Online (Nightshade Books)
  • Cover art, Shauna O'Meara, for Next edited by Simon Petrie and Rob Porteous (CSFG Publishing)
  • Cover art, Cat Sparks, for The Bride Price by Cat Sparks (Ticonderoga Publications)
  • Rules of Summer, Shaun Tan (Hachette Australia)
  • Cover art, Pia Ravenari, for Prickle Moon by Juliet Marillier (Ticonderoga Publications) 
Rules of Summer by Shaun Tan, is a book filled with illustrations while the others are more one-off things apart from the Kathleen Jennings illustrations. It definitely feels like comparing apples and oranges.

Best Fan Writer (!!!)

  • Tsana Dolichva, for body of work, including reviews and interviews in Tsana's Reads and Reviews
  • Sean Wright, for body of work, including reviews in Adventures of a Bookonaut
  • Grant Watson, for body of work, including reviews in The Angriest
  • Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
  • Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
  • Tansy Rayner Roberts, for body of work, including essays and reviews at www.tansyrr.com
Well this category, as you might imagine, contained a pleasant surprise. And I'm in impressive company too. Tansy won the Hugo and the Ditmar for Fan Writer last year and Foz is shortlisted for the Hugo this year as well. The others have all been at least shortlisted for this Ditmar before. I am grateful to be included in this category and very flattered that people like my blog enough to nominate me.

Best Fan Artist

Links above to the relevant arts online. The only disappointment in this category is that it's so small, albeit three times the size of last year.

Best Fan Publication in Any Medium

  • Dark Matter Zine, Nalini Haynes
  • SF Commentary, Bruce Gillespie
  • The Writer and the Critic, Kirstyn McDermott and Ian Mond
  • Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, and Mark Webb
  • The Coode Street Podcast, Gary K. Wolfe and Jonathan Strahan
  • Galactic Suburbia, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts 
A strong category. Again, comparing podcasts and fanzines feels a bit odd, but I see how it makes sense in this category. Another one that would be hard to rank.

Best New Talent

  • Michelle Goldsmith
  • Zena Shapter
  • Faith Mudge
  • Jo Spurrier
  • Stacey Larner 
A great list. (And all female.) I would personally be putting Jo Spurrier first, because I absolutely adore her books. Zena Shapter and Faith Mudge have been doing some interesting things, but I'm not as familiar with the other two writers.


William Atheling Jr Award for Criticism or Review

  • Reviews in Randomly Yours, Alex, Alexandra Pierce
  • "Things Invisible: Human and Ab-Human in Two of Hodgson's Carnacki stories", Leigh Blackmore, in Sargasso: The Journal of William Hope Hodgson Studies #1 edited by Sam Gafford (Ulthar Press)
  • Galactic Suburbia Episode 87: Saga Spoilerific Book Club, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts
  • The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely
  • "A Puppet's Parody of Joy: Dolls, Puppets and Mannikins as Diabolical Other", Leigh Blackmore, in Ramsey Campbell: Critical Essays on the Master of Modern Horror edited by Gary William Crawford (Scarecrow Press)
  • "That was then, this is now: how my perceptions have changed", George Ivanoff, in Doctor Who and Race edited by Lindy Orthia (Intellect Books) 
Another interesting field. Almost none of which I've read (well, I've read some of Alex Pierce's reviews and some of the Reviewing New Who reviews). I haven't even listened to that specific Galactic Suburbia episode because I haven't read Saga. No commentary on this one.

Saturday, 15 February 2014

Aurealis Awards Shortlists Announced

The shortlists/finalists for the Aurealis Awards have just been announced! And so spec fic awards season begins! (Well, unless you count things like Hugos being open for nominations as awards season, which, eh.)

You can read the official press release on the Conflux website (who are the convenors this year) and I'm sure it will soon appear on the Aurealis Awards website too. Also, if you're in or near Canberra, you can attend the ceremony on the 5th of April (details at previous links).

On to the actual shortlists! Links go to my reviews of those books where they exist. No commentary this time, thought I'd save it for the Ditmars.


Aurealis Finalists


BEST ILLUSTRATED BOOK OR GRAPHIC NOVEL
Savage Bitch by Steve Carter and Antoinette Rydyr (Scar Studios)
Mr Unpronounceable Adventures by Tim Molloy (Milk Shadow Books)
Burger Force by Jackie Ryan (self-published)
Peaceful Tomorrows Volume Two by Shane W Smith (Zetabella Publishing)
The Deep Vol. 2: The Vanishing Island by Tom Taylor and James Brouwer (Gestalt Publishing)

BEST CHILDREN’S BOOK
Kingdom of the Lost, book 2: Cloud Road by Isobelle Carmody (Penguin Group Australia)
Refuge by Jackie French (Harper Collins)
Song for a scarlet runner by Julie Hunt (Allen & Unwin)
The four seasons of Lucy McKenzie by Kirsty Murray (Allen & Unwin)
Rules of Summer by Shaun Tan (Hachette Australia)
Ice Breaker: The Hidden 1 by Lian Tanner (Allen & Unwin)

BEST YOUNG ADULT SHORT FICTION

“Mah Song” by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)
“By Bone-light” by Juliet Marillier (Prickle Moon, Ticonderoga Publications)
“Morning Star” by D.K. Mok (One Small Step, an anthology of discoveries, FableCroft Publishing)
“The Year of Ancient Ghosts” by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

BEST YOUNG ADULT NOVEL
The Big Dry by Tony Davies (Harper Collins)
Hunting by Andrea Host (self-published)
These Broken Stars by Amie Kaufman and Meagan Spooner (Allen & Unwin)
Fairytales for Wilde Girls by Allyse Near (Random House Australia)
The Sky So Heavy by Claire Zorn (University of Queensland Press)


BEST HORROR SHORT FICTION
“Fencelines” by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)
“The Sleepover” by Terry Dowling (Exotic Gothic 5, PS Publishing)
“The Home for Broken Dolls” by Kirstyn McDermott (Caution: Contains Small Parts, Twelfth Planet Press)
“The Human Moth” by Kaaron Warren (The Grimscribe’s Puppets, Miskatonic Press)
“The Year of Ancient Ghosts” by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

BEST HORROR NOVEL
The Marching Dead by Lee Battersby (Angry Robot Books)
The First Bird by Greig Beck (Momentum)
Path of Night by Dirk Flinthart (FableCroft Publishing)
Fairytales for Wilde Girls by Allyse Near (Random House Australia)

BEST FANTASY SHORT FICTION
“The Last Stormdancer” by Jay Kristoff (Thomas Dunne Books)
“The Touch of the Taniwha” by Tracie McBride (Fish, Dagan Books)
“Cold, Cold War” by Ian McHugh (Beneath Ceaseless Skies, Scott H Andrews)
“Short Circuit” by Kirstie Olley (Oomph: a little super goes a long way, Crossed Genres)
“The Year of Ancient Ghosts” by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

BEST FANTASY NOVEL
Lexicon by Max Barry (Hachette Australia)
A Crucible of Souls by Mitchell Hogan (self-published)
These Broken Stars by Amie Kaufman and Meagan Spooner (Allen & Unwin)
Newt's Emerald by Garth Nix (Jill Grinberg Literary Management)
Ink Black Magic by Tansy Rayner Roberts (FableCroft Publishing)

BEST SCIENCE FICTION SHORT FICTION
“The Last Tiger” by Joanne Anderton (Daily Science Fiction)
“Mah Song” by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)
“Seven Days in Paris” by Thoraiya Dyer (Asymmetry, Twelfth Planet Press)
“Version 4.3.0.1” by Lucy Stone (Andromeda Spaceways Inflight Magazine #57)
“Air, Water and the Grove” by Kaaron Warren (The Lowest Heaven, Pandemonium Press)

BEST SCIENCE FICTION NOVEL
Lexicon by Max Barry (Hachette)
Trucksong by Andrew Macrae (Twelfth Planet Press)
A Wrong Turn At The Office Of Unmade Lists by Jane Rawson (Transit Lounge)
True Path by Graham Storrs (Momentum)
Rupetta by Nike Sulway (Tartarus Press)

BEST ANTHOLOGY
The Year's Best Australian Fantasy and Horror 2012 by Liz Grzyb and Talie Helene (Eds), (Ticonderoga Publications)
One Small Step, An Anthology Of Discoveries by Tehani Wessely (Ed) (FableCroft Publishing)
Dreaming Of Djinn by Liz Grzyb (Ed) (Ticonderoga Publications)
The Best Science Fiction And Fantasy Of The Year: Volume Seven by Jonathan Strahan (Ed) (Night Shade Books)
Focus 2012: Highlights Of Australian Short Fiction by Tehani Wessely (Ed) (FableCroft Publishing)

BEST COLLECTION
The Bone Chime Song and Other Stories by Joanne Anderton (FableCroft Publishing)
Asymmetry by Thoraiya Dyer (Twelfth Planet Press)
Caution: Contains Small Parts by Kirstyn McDermott (Twelfth Planet Press)
The Bride Price by Cat Sparks (Ticonderoga Publications)
The Year of Ancient Ghosts by Kim Wilkins (Ticonderoga Publications)