Short stories 11 to 17 are late and disorderly

This batch of stories is an unusual number because I feel bad for posting them so late. I had plans to do a proper Hugo round-up post as I did for novellas, but for various reasons that didn't happen. So here are some of the short stories and novelettes that were shortlisted for Hugo awards.

~

The Blur in the Corner of Your Eye by Sarah Pinsker — An enjoyable mystery-ish story about a mystery writing a in cabin in the woods. Things inevitably go wrong, but it wasn’t quite the horror scenario I was expecting. I enjoyed it. Source: https://uncannymagazine.com/article/the-blur-in-the-corner-of-your-eye

The Archronology of Love by Caroline M. Yoachim — A long story about interesting far-future alien tech which records history. People interacting with said tech while trying to work out what happened to a failed colony planet. Also a sad love story. It was OK, but it didn’t really grab me. Source: http://www.lightspeedmagazine.com/fiction/the-archronology-of-love/

Omphalos by Ted Chiang — An unexpected story told in an unusual way. Almost an epistolary story, but told through prayers rather than letters. Set in a world a bit less technologically developed than ours, and following a scientist who knows exactly how long ago the world was created. And that it was created by a divine being. I enjoyed it more than I expected. Source: Exhalation by Ted Chiang

Emergency Skin by NK Jemisin — An entertaining read partially depicting a society sitting somewhere between Athos (Bujold, Ethan of Athos) and the alt-right. It’s also told in an unusual way, which works very efficiently to tell the story and highlight the horrors of that particular society. We actually only get half the story, but it’s more than enough. Source: Amazon Forward Collection

As the Last I May Know by SL Huang — An intriguing premise: weapons of mass destruction can only be set off if the president first murders a little girl. I enjoyed the story and was quite taken by both the power play and the moral questions raised. Source: https://www.tor.com/2019/10/23/as-the-last-i-may-know-s-l-huang/

For He Can Creep by Siobhan Carroll — An amusing story about a cat fighting Satan for a poet’s soul. It was not what I expected from the title, and was certainly entertaining enough. Source: https://www.tor.com/2019/07/10/for-he-can-creep-siobhan-carroll/

Blood is Another Word for Hunger by Rivers Solomon — A very weird story. Not sure what to make of it, to be honest. I didn’t hate it, but I also didn’t love it. I'm sorry that I have failed to adequately describe the weirdness of murder resulting in spontaneous births. Source: https://www.tor.com/2019/07/24/blood-is-another-word-for-hunger-rivers-solomon/

Hugo Novella Round-up, 2020

I'm a bit late in posting this, even though I finished reading all the Hugo novellas weeks ago. As for many people, I'm sure, life has been a bit exhausting lately.

Anyway, below are brief summaries links to my full reviews of the Hugo novellas. The only exception is for the Ted Chiang because that's in a collection that I haven't finished reading, so I've included my full (not especially long) review in this post. Order is that used by  , out of laziness.

~

Anxiety Is the Dizziness of Freedom, Ted Chiang (Exhalation)

I really enjoyed this novella. It is possibly my favourite take on the manyworlds hypothesis/parallel timelines. The story follows a few different people as they interact with a new technology that allows them to communicate (via digital information only) with parallel timelines. The character driven story is interspersed with explanations of the technology, which I thought worked well and were not at all boring infodumps (though others might disagree). Overall, a very interesting and enjoyable read.

The Deep, Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes

A key idea explored in The Deep is that if societal memory and specifically memory of trauma. The situation when the story opens is like this: one member of the wajinru people is the historian and only that person holds all the memories of past wajinru and events. ... As well as exploring how intergenerational trauma should be remembered, and by whom, The Deep questions whether it should be remembered at all, as Yetu grapples with some of these issues.

The Deep was a good read, though I found it was a little slow to start and not the sort of book I could read quickly. I recommend it to people interested in the premise and, perhaps, to fans of merpeople.

The Haunting of Tram Car 015, P. Djèlí Clark

In this story, a couple of public servants are tasked with fixing the problem of a haunted tram car in an alternate-world Cairo. Hijinks ensue. In this world, djinn exist and have helped cement Cairo and Egypt's significance on the world stage, including from a technological standpoint. (The steampunky cover is a pretty good representation of the setting, in my opinion.) Our put-upon agents have to contend with identifying the possibly dangerous being possessing the tram and then have to safely remove it. And all this is set against the backdrop of a Cairo-centred campaign to give women the vote.

In an Absent Dream, Seanan McGuire

Lundy was a mildly unhappy child before she found her door and her particular fairyland wasn't everyone's idea of a good time. But she liked it and she made friends and she felt like she belonged. She even made several trips between the two worlds, which isn't something we've seen close up before. The story spans years as Lundy goes back and forth and is more the story of her transitions than the story of adventures had on the other side of a door. It's the story of choices made, of fair value — because that's what the Goblin Market is all about — and of family.

This Is How You Lose the Time War, Amal El-Mohtar & Max Gladstone

This is a remarkable book, told in a very poetic style, with chapters alternating between snippets of our characters’ lives and the letters they send each other. Although it is written as prose, one feels as though one is reading poetry. The use of imagery and metaphor is strong and frequent and the relationship between the characters shifts as they become more obsessed with each other as they learn more about the other.

... It is the kind of book that demands your full attention to properly take in its words and worlds.

To Be Taught, If Fortunate, Becky Chambers

The premise of To Be Taught, If Fortunate is quite straightforward: a small group of scientist-astronauts are on a multi-year mission to investigate four habitable planets and catalogue whatever lifeforms and other interesting things they find. The novella is basically a chronicle of their journey and the main interest in the book is the explanations of science and discovery. ... 

I wouldn't call it fast-paced, by any stretch of the imagination, but it worked for me.

The Deep by Rivers Solomon

The Deep by Rivers Solomon is a novella that I bought just before the Hugo finalists were announced, with this novella among them. The premise was what particularly grabbed my attention: the horrible and fascinating premise that pregnant slaves thrown overboard birthed a new species of merpeople.

Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.

Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.

Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.

As is explained in the afterword, this novella is a piece of art in conversation with two previous pieces of art. Building on and reinterpreting the same mythology. You don’t really need to know any other background to understand the story, since each retelling (for lack of a better term) is entirely self-contained. That said, I think my understanding of events in The Deep was aided with having remembered the premise from the blurb, included above. (Regular readers may remember that I rarely pay much attention to blurbs, but this is one case where I was glad to at least remember the premise.) A key aspect of worldbuilding/history is revealed slowly in the book and I think it helped me to have an idea of the characters’ origins a bit earlier. Your mileage may vary, however.

A key idea explored in The Deep is that if societal memory and specifically memory of trauma. The situation when the story opens is like this: one member of the wajinru people is the historian and only that person holds all the memories of past wajinru and events. Everyone else has a strong tendency not to dwell on or remember anything for very long. Our protagonist, Yetu, is the designated historian and not terribly happy with the role. Apart from anything else, she finds it difficult to be the repository of historical trauma for her entire species. She also finds it hard to interact with others who have such short memories, even about their own lives. As well as exploring how intergenerational trauma should be remembered, and by whom, The Deep questions whether it should be remembered at all, as Yetu grapples with some of these issues.

The Deep was a good read, though I found it was a little slow to start and not the sort of book I could read quickly. I recommend it to people interested in the premise and, perhaps, to fans of merpeople.

4 / 5 stars

First published: 2019, Saga Press
Series: Not really, but in conversation with other works
Format read: ePub
Source: Purchased from Kobo