The Haunting of Tram Car 015 by P Djèlí Clark

The Haunting of Tram Car 015 by P Djèlí Clark is a Hugo finalist novella this year. That is the main reason I read it. I didn't especially love the author's earlier novella, The Black God's Drums, and probably would have otherwise overlooked this one.

The Haunting of Tram Car 015 returns to the alternate Cairo of Clark's short fiction, where humans live and work alongside otherworldly beings; the Ministry of Alchemy, Enchantments and Supernatural Entities handles the issues that can arise between the magical and the mundane. Senior Agent Hamed al-Nasr shows his new partner Agent Onsi the ropes of investigation when they are called to subdue a dangerous, possessed tram car. What starts off as a simple matter of exorcism, however, becomes more complicated as the origins of the demon inside are revealed.

In this story, a couple of public servants are tasked with fixing the problem of a haunted tram car in an alternate-world Cairo. Hijinks ensue. In this world, djinn exist and have helped cement Cairo and Egypt's significance on the world stage, including from a technological standpoint. (The steampunky cover is a pretty good representation of the setting, in my opinion.) Our put-upon agents have to contend with identifying the possibly dangerous being possessing the tram and then have to safely remove it. And all this is set against the backdrop of a Cairo-centred campaign to give women the vote.

I really enjoyed this novella. It was entertaining and fairly amusing the whole way through. Even though I read it in lots of small chunks, I didn't have any difficulty getting back into the story when I picked it up again. I don't think I've read any other stories set in the same world, but now that I know they exist I will keep an eye out. (I have already added "A Dead Djinn in Cairo" to my Pocket reading list, which is actually the only other story I found. If you know of others, please let me know in the comments.)

I highly recommend this novella to fans of gas lamp fantasy and alternate (fantastical) history. Especially if non-European/US settings are a draw. This novella was a great read and, for me, caps off a difficult-to-judge Hugo category.

4.5 / 5 stars

First published: Tor.com, 2019
Series: Yes, other stories set in the same world exist.
Format read: ePub
Source: Hugo voter packet

The Order of the Pure Moon Reflected in Water by Zen Cho

The Order of the Pure Moon Reflected in Water by Zen Cho is a standalone novella set in an asian fantasy world with, I think, Malaysian and Chinese influences. It is a delight, like most of Zen Cho's work.

Zen Cho returns with a found family wuxia fantasy that combines the vibrancy of old school martial arts movies with characters drawn from the margins of history.

A bandit walks into a coffeehouse, and it all goes downhill from there. Guet Imm, a young votary of the Order of the Pure Moon, joins up with an eclectic group of thieves (whether they like it or not) in order to protect a sacred object, and finds herself in a far more complicated situation than she could have ever imagined.

This story is about a disenfranchised nun joining a group of bandits on a smuggling job. Amusing hijinks ensue, as is to be expected from Zen Cho. I'm not sure I can say much more about the plot without spoilers, but it includes secrets, temples and a background war.

The characters are particularly excellent, with the nun forcing her way into the team of bandits and the bandits coming around to her presence in their own different ways. This is a novella that successfully has a detailed plot and strong characterisation.

I enjoyed it very much. I laughed and was delighted and it was exactly what I needed to lift my mood during pandemic lockdown times. I highly recommend it to all fantasy fans, especially readers who enjoy a bit of humour in their stories. Fans of Zen Cho should not hesitate to pick this one up and I hope it will make more readers into fans.

5 / 5 stars

First published: June 2020, Tor.com
Series: No
Format read: eARC
Source: Publisher via NetGalley

Short Stories #6–10, mostly Hugo shortlisted

I have not "officially" read very many short stories this year. As I think I mentioned in my last short story post, this is in large part because of reading submissions for Rebuilding Tomorrow, my new anthology, coming out by the end of the year if no more apocalypses hit. Since I, of course, can't mention those on the blog, my other reading has been rather slow. This latest batch were partly inspired by the Hugo short list, except for the first one, which just jumped out at me for being a cool story.

I plan to do some proper Hugo round ups when I've read all the relevant things, but for now, here are some of them, in the random order I read them in:

Little Free Library by Naomi Kritzer — A very cute story about a woman who built a tiny community library. It has a nice mystery and a compelling ending. I liked it a lot and I won’t be surprised if it makes next year’s Hugo ballot. Source: https://www.tor.com/2020/04/08/little-free-library-naomi-kritzer/

A Catalogue of Storms by Fran Wilde — A surreal but sweet/sad (sort of) story set in a world where storms have some degrees of sentience and certain people become incorporeal to fight them. I enjoyed it. It felt quite poetic. Source: https://uncannymagazine.com/article/a-catalog-of-storms/

Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island by Nibedita Sen — An interesting story told in snippets from the points of view of a variety of people. It explores colonialism, diaspora and a few other issues, with an additional off-putting layer of cannibalism. I generally find stories told through snippets interesting, but I’m not sure I can easily like them as much as traditional narratives. Source: http://www.nightmare-magazine.com/fiction/ten-excerpts-from-an-annotated-bibliography-on-the-cannibal-women-of-ratnabar-island/

And Now His Lordship Is Laughing by Shiv Ramdas — A satisfying story of revenge against colonisers, after a detailed description of some of their atrocities. I was not a fan of the narration from the Strange Horizons podcast. Source: http://strangehorizons.com/fiction/and-now-his-lordship-is-laughing/

Away With the Wolves by Sarah Gailey — An engaging enough story about a werewolf who suffers from chronic pain when human. The story was more or less about the idea that one need not torture oneself just to find acceptance in the community. I found it got a little preachy at the very end, but overall it was fine. Source: https://uncannymagazine.com/article/away-with-the-wolves

To Be Taught, If Fortunate by Becky Chambers

To Be Taught, If Fortunate by Becky Chambers is a novella that I read because it's on the Hugo shortlist. I considered picking it up a few times before (most notably when tempted with a hard cover at Dublin Worldcon) but held back because I didn't enjoy Record of a Spaceborn Few and I thought this novella was set in the same universe. It is not, but if it were, then it would be set much earlier than the Wayfarer books (aside from the one event that distinguishes it as a separate universe).

In her new novella, Sunday Times best-selling author Becky Chambers imagines a future in which, instead of terraforming planets to sustain human life, explorers of the solar system instead transform themselves.

Ariadne is one such explorer. As an astronaut on an extrasolar research vessel, she and her fellow crewmates sleep between worlds and wake up each time with different features. Her experience is one of fluid body and stable mind and of a unique perspective on the passage of time. Back on Earth, society changes dramatically from decade to decade, as it always does.

Ariadne may awaken to find that support for space exploration back home has waned, or that her country of birth no longer exists, or that a cult has arisen around their cosmic findings, only to dissolve once more by the next waking. But the moods of Earth have little bearing on their mission: to explore, to study, and to send their learnings home.

The premie of To Be Taught, If Fortunate is quite straightforward: a small group of scientist-astronauts are on a multi-year mission to investigate four habitable planets and catalogue whatever lifeforms and other interesting things they find. The novella is basically a chronicle of their journey and the main interest in the book is the explanations of science and discovery. The background science did get a little tedious at times — especially at the start when the scene was being set — but overall there was a reasonable balance between duller background and exciting discoveries of weird things.

In coming to write this review I realised what, to me, set it apart from Record of a Spaceborn Few. Both books lack a fast-paced plot but To Be Taught, If Fortunate quickly establishes itself as an exploration log, whereas Record of a Spaceborn Few felt like things were about to happen, but then didn't. My favourite aspect of To Be Taught, If Fortunate is that just as I assumed nothing especially exciting would happen, something unexpected did happen. I wouldn't call it fast-paced, by any stretch of the imagination, but it worked for me. Because of this novella, I will consider reading more books from this author, which was not my stance before reading it.

Overall I enjoyed To Be Taught, If Fortunate, despite a bit of a slow start. I recommend it to readers who enjoy exploration narratives, and slower-paced stories. I think fans of Long Way To a Small Angry Planet will also enjoy To Be Taught, If Fortunate, although they are quite different books when it comes to the depth of characters (since there is less time in a novella to develop and evolve an ensemble of characters). I have not finished reading the Hugo novellas, but I expect this one will rate well.

4 / 5 stars

First published: 2019, Hodder & Stoughton / Harper Voyager
Series: No (not yet?)
Format read: PDF
Source: Hugo voter packet

The Deep by Rivers Solomon

The Deep by Rivers Solomon is a novella that I bought just before the Hugo finalists were announced, with this novella among them. The premise was what particularly grabbed my attention: the horrible and fascinating premise that pregnant slaves thrown overboard birthed a new species of merpeople.

Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.

Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.

Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.

As is explained in the afterword, this novella is a piece of art in conversation with two previous pieces of art. Building on and reinterpreting the same mythology. You don’t really need to know any other background to understand the story, since each retelling (for lack of a better term) is entirely self-contained. That said, I think my understanding of events in The Deep was aided with having remembered the premise from the blurb, included above. (Regular readers may remember that I rarely pay much attention to blurbs, but this is one case where I was glad to at least remember the premise.) A key aspect of worldbuilding/history is revealed slowly in the book and I think it helped me to have an idea of the characters’ origins a bit earlier. Your mileage may vary, however.

A key idea explored in The Deep is that if societal memory and specifically memory of trauma. The situation when the story opens is like this: one member of the wajinru people is the historian and only that person holds all the memories of past wajinru and events. Everyone else has a strong tendency not to dwell on or remember anything for very long. Our protagonist, Yetu, is the designated historian and not terribly happy with the role. Apart from anything else, she finds it difficult to be the repository of historical trauma for her entire species. She also finds it hard to interact with others who have such short memories, even about their own lives. As well as exploring how intergenerational trauma should be remembered, and by whom, The Deep questions whether it should be remembered at all, as Yetu grapples with some of these issues.

The Deep was a good read, though I found it was a little slow to start and not the sort of book I could read quickly. I recommend it to people interested in the premise and, perhaps, to fans of merpeople.

4 / 5 stars

First published: 2019, Saga Press
Series: Not really, but in conversation with other works
Format read: ePub
Source: Purchased from Kobo