Showing posts with label greg egan. Show all posts
Showing posts with label greg egan. Show all posts

Saturday, 6 April 2019

Perihelion Summer by Greg Egan

Perihelion Summer by Greg Egan is a standalone science fiction novella from Tor.com. The combination of author I like and imprint of consistently good novellas meant that I was definitely going to read this at some point. Happily I got an early copy, so I can share this review just before release.

Greg Egan's Perihelion Summer is a story of people struggling to adapt to a suddenly alien environment, and the friendships and alliances they forge as they try to find their way in a world where the old maps have lost their meaning.

Taraxippus is coming: a black hole one tenth the mass of the sun is about to enter the solar system.

Matt and his friends are taking no chances. They board a mobile aquaculture rig, the Mandjet, self-sustaining in food, power and fresh water, and decide to sit out the encounter off-shore. As Taraxippus draws nearer, new observations throw the original predictions for its trajectory into doubt, and by the time it leaves the solar system, the conditions of life across the globe will be changed forever.

The premise of this book is a fairly technical apocalypse, involving black holes. There are some maths and physics details near the start, but it’s not opaquely technical, in my opinion. Most of the story focuses on the characters dealing with the disaster and its aftermath and observing and interacting with others doing the same. There were a lot of thoughtful little bits included, which made the read more delightful. For example the headlines from various newspapers (which will be most appreciated by Australian and British readers, I think) and comments about Australian spying in Timor-Leste.

I found Matt’s relationship with his mother both interesting, in the difficulties it added to the book, and a bit incomprehensible, with regards to her attitude. I ended up thinking about her attitude a lot and I think it comes down to this: I can understand apocalypse-denial, but not once the apocalypse is actually happening. As a child of refugees, the idea of not leaving a doomed home to save yourself when you have the ability to just baffles me. I know the mother character’s feelings are reflecting real people’s attitudes but somehow it’s even worse when shown in such an extreme situation. Anyway, that part — Matt’s interactions with his family — gave me a lot of feelings, in the way that good books often do.

This was an excellent read and I couldn’t put it down, even though I had to sleep. I highly recommend it to fans of realistic (ish) apocalypse fiction and Greg Egan’s other books. It’s a brilliant combination of character dynamics and accessible science. I really must get around to reading more Greg Egan.

5 / 5 stars

First published: April 2019, Tor.com
Series: No.
Format read: Paper ARC *gasp*
Source: Won in a Twitter competition

Thursday, 18 January 2018

A second batch of stories

It's possible that I need to think of a better blog post naming scheme for these series of posts, but since they don't pertain to a specific challenge, I don't have any ideas. I do have an update on my short story recording/organisation, however. Now I have a script that will automatically extract story details (title, author, mini-review, link) from my spreadsheet so that I can copy the output directly to a blog post. All I have to do is add the bolding (which might become automated too...). This was easy enough to do inside the spreadsheet itself, but for reasons I won't bore you with having a script is less fiddly, especially as I tick stories off as being blogged about. (This setup works using Apple's Numbers and Applescript, so it's probably not for everyone.)

My favourite story in this batch is hands down "The Cartographer Wasps and the Anarchist Bees" by E Lily Yu, which was apparently short listed for ALL the awards, and I can see why. Definitely recommend reading it if you haven't already. The longest story in this batch, which actually took me a few days of reading (in between novel reading) to get through. I didn't actively dislike it, but it didn't really grab me and is probably my least favourite Greg Egan read to date. Oh well.


Waiting Out the End of the World in Patty's Place Cafe by Naomi Kritzer — A story about the imminent end of the world at the hands of an asteroid, and the friendships made along the way. A mostly good story, but the science was silly; they kept complaining that they couldn’t map the trajectory because Arecibo got defunded, but that is entirely the wrong sort of telescope for asteroid tracking (and even if it wasn’t, it’s also not the only telescope in the world). Source: http://clarkesworldmagazine.com/kritzer_03_17/

Dragon Brides by Nghi Vo — A story about a queen who, in her youth, had been rescued from a Dragon by her now-husband. A nice story but a little slow and I saw the end coming. Source: http://www.lightspeedmagazine.com/fiction/dragon-brides/

The Cartographer Wasps and the Anarchist Bees by E Lily Yu — A delightful story about educated wasps who can make paper, write in Mandarin and make maps. Source: http://clarkesworldmagazine.com/yu_04_11/

Uncanny Valley by Greg Egan — A long story about a realistic android made in the image of a Hollywood screenwriter with all his memories loaded in after he died. Or almost all his memories, which is where the story lies. An OK read but I didn’t love it nor connect with the protagonist. Source: http://www.tor.com/2017/08/09/uncanny-valley/

An Age of Ice by Zhang Ran — A story about a near future when cryonic freezing and thawing have become reality. Thoughtful but not excessively so. (And not as extreme as, say, Cryoburn by Lois McMaster Bujold, but certainly tending in that direction.) Source: http://clarkesworldmagazine.com/zhang_07_17/

Thursday, 10 August 2017

Dichronauts by Greg Egan

Dichronauts by Greg Egan is a story of exploration and, by some definitions of the word, adventure. The two protagonists are surveyors in a society that puts a high priority in knowing what land lies ahead of it, because it is a constantly migrating society. It has to migrate constantly because it is based on a geometrically very strange world.

Seth is a surveyor, along with his friend Theo, a leech-like creature running through his skull who tells Seth what lies to his left and right. Theo, in turn, relies on Seth for mobility, and for ordinary vision looking forwards and backwards. Like everyone else in their world, they are symbionts, depending on each other to survive.

In the universe containing Seth's world, light cannot travel in all directions: there is a “dark cone” to the north and south. Seth can only face to the east (or the west, if he tips his head backwards). If he starts to turn to the north or south, his body stretches out across the landscape, and to rotate as far as north-north-east is every bit as impossible as accelerating to the speed of light.

Every living thing in Seth’s world is in a state of perpetual migration as they follow the sun’s shifting orbit and the narrow habitable zone it creates. Cities are being constantly disassembled at one edge and rebuilt at the other, with surveyors mapping safe routes ahead.

But when Seth and Theo join an expedition to the edge of the habitable zone, they discover a terrifying threat: a fissure in the surface of the world, so deep and wide that no one can perceive its limits. As the habitable zone continues to move, the migration will soon be blocked by this unbridgeable void, and the expedition has only one option to save its city from annihilation: descend into the unknown.

There are so many ideas that shape this world into being different from ours, that when I first started reading it seemed like any one of these premises would have been enough for a perfectly interesting story. However, having finished the book, I can see how all the weirdness, for lack of a better word, is interlinked. No one key premise would have worked rigorously without the other elements holding it together. The geometry of the world requires the migration and begets the alien configuration of the beings we follow in the story. The not-human beings can only see in two directions (forwards and backwards, though they don't refer to them like that) and have a symbiotic relationship with intelligent leech like beings. The Walkers have holes in their heads and the Siders live inside these holes and, through supersonic "pinging" can see sideways and share that information with their Walkers. The Walkers and Siders can also silently communicate, and Siders can speak in the Walker language and also among themselves in their own higher-pitched language that Walkers can't hear. And I've barley scraped the surface of the geometry aspect.

The story follows the investigation of a looming crisis. The river our protagonists' city follows is going to run out as the city continues migrating. Seth and Theo are sent to survey a new region and hopefully find a new river or other means for the city to sustain itself in the future. As they make various discoveries, the situation escalates and they learn more about their world than they bargained for.

This book was a little baffling to read, in a way not foreign to a reader who has read a few Greg Egan books before (ie me). I have a degree in pure maths and one in physics and while some of the geometric ideas were a little familiar to me, I found it difficult to picture some of what happened or predict the effects of some actions. Ultimately, I found the book enjoyable enough if I just went with the flow and didn't overthink it. When I got to the end and read the afterword on geometry (not a spoiler if you want to jump ahead to it), I discovered that I hadn't been thinking of things in quite the right way, which explained some of my confusion. I don't think that knowledge would have helped me all that much if I'd read it earlier, however, since I think a proper representation would be more or less impossible without writing out some equations.

Maths aside, I was also put in mind of Flatland (but without he weird chauvinism), for the exploration of a world with foreign geometrical properties. The main story was more a exploration and discovery yarn, albeit not an exploration of Earth or anything in our universe.

I recommend Dichronauts to fans of Greg Egan and people who are not afraid of unconventional mathematics. Readers who enjoy exploration stories and don't mind not understanding exactly how the physics of the world works should also enjoy this book.

4 / 5 stars

First published: June 2017, Nightshade Books
Series: No
Format read: eARC
Source: Publisher via Edelweiss
Challenges: Aussie Science Fiction Reading Challenge

Tuesday, 31 January 2017

The Four Thousand, the Eight Hundred by Greg Egan

The Four Thousand, the Eight Hundred by Greg Egan is a science fiction novella set on two large asteroids out in the asteroid belt: Vesta and Ceres. It is a quick and compelling read more about morality than technology, although of course there is technology in it.

Camille is desperate to escape her home on colonized asteroid Vesta, journeying through space in a small cocoon pod covertly and precariously attached to a cargo ship. Anna is a newly appointed port director on asteroid Ceres, intrigued by the causes that have led so-called riders like Camille to show up at her post in search of asylum.

Conditions on Vesta are quickly deteriorating—for one group of people in particular. The original founders agreed to split profits equally, but the Sivadier syndicate contributed intellectual property rather than more valued tangible goods. Now the rest of the populace wants payback. As Camille travels closer to Ceres, it seems ever more likely that Vesta will demand the other asteroid stop harboring its fugitives.

I enjoyed this book and found it interesting, but I wouldn’t call it a happy read. The story follows a few characters on Vesta where something akin to racial tensions are coming to a head. Of the founding families, one has been singled out as having not pulled their weight (because they contributed intellectual property rather than physical technology to the settlement) and their descendants are being are now targeted. The main characters on Vesta are some of these descendants and their friends/sympathisers mounting a resistance against the bigotry targeting them.

The Ceres sections of the novella are set a few years later than the Vestan parts and mainly follow the Director of the Ceres colony as she interacts with Vestan refugees. In both settings there is discussion of morality, from different perspectives, and a few different moral questions are faced by the characters. The story doesn’t really resolve these questions — mostly because there are no right answers, I suspect — and leaves us only with a chapter in the characters’ lives closing. We do not know all the details of what happens next.

I enjoyed The Four Thousand, the Eight Hundred and found it a compelling read, especially after I got past the first chapter and got a better idea of what the story was about. I recommend it to fans of science fiction and political stories. As I mentioned, aside from being set on asteroids and taking the relevant environmental factors into account in the background, there isn’t very much science (or, well, technobabble) in this story. If that’s something that often puts you off SF, then I still recommend giving The Four Thousand, the Eight Hundred a shot.

4 / 5 stars

First published: November 2016, Subterranean Press
Series: No
Format read: eARC
Source: Publisher via NetGalley
Challenges: Australian Science Fiction Reading Challenge

Wednesday, 31 December 2014

Permutation City by Greg Egan

Permutation City by Greg Egan is the first book I've read by the author, although I've been meaning to pick up one of his books for some time. I have to admit, left to base my decision only on blurbs this probably wouldn't have been the one I chose to read first, but it was the book that came up as a review copy from the (new reprint) publisher. Que sera sera and I certainly don't regret reading it. I have definite plans to read more Egan in the future.
A life in Permutation City is unlike any life to which you’re accustomed. You have Eternal Life, the power to live forever. Immortality is a real thing, just not the thing you’d expect.

Life is just electronic code. You have been digitized, scanned, and downloaded into a virtual reality program. A Copy of a Copy. For Paul Durham, he keeps making Copies of himself, but the issue is that his Copies keep changing their minds and shutting themselves down.

You also have Maria Deluca, who is nothing but an Autoverse addict. She spends every waking minute with the cellular automaton known as the Autoverse, a world that lives by the mathematical “laws of physics.” Paul makes Maria an offer to design and drop a seed into the Autoverse that will allow her to indulge in her obsession. There is, however, one catch: you can no longer terminate, bail out, and remove yourself. You will never be your normal flesh-and-blood life again. The question then becomes: Is this what she really wants? Is this what we really want?

From the brilliant mind of Greg Egan, Permutation City, first published in 1994, comes a world of wonder that makes you ask if you are you, or is the Copy of you the real you?
The blurb is a bit misleading, I think, because more of the story takes place in the real world than is implied. The first two thirds or so of the book alternate between a few characters, most of whom, admittedly, are Copies (computer simulations of the original people), who mostly function if not in the real world, then as close to it as Copies can get. The two most central characters are: Paul Durham, whose point of view scenes are set about six years earlier than the rest of the story and whose story we see from the point of view of an experimental Copy (most "living" Copies are of deceased people); and Maria, a programmer who compulsively spends her free time and spare money on modelling a bacterium in a virtual world with slightly different laws of physics (and consequently chemistry and biochemistry).

My favourite sections, all the way through, turned out to be the bits from Maria's point of view. Superficially these sounded like they should be the most boring: a thought experiment featuring the molecular biochemistry of imaginary compounds does not seem like it should be interesting. But it really was. From an intellectual point of view I found those sections engaging and the idea of the Autoverse (the simulated universe) fascinating. I could very much relate to Maria's compulsive toying with it. Honestly, there doesn't seem to be much difference between that and real science simulations apart from the complexity of the models (the story is set in 2051 so computers are more sophisticated). And as for not being applicable, it didn't feel that much more abstract than modelling stars does.

Conversely, I was least engaged with the early Paul-as-Copy story. Well, not at the very start, I mean in the first half/two thirds. It starts of entertainingly enough with a missing bailout option, but it quickly shifts to a lot of philosophising on the nature of consciousness, existence and identity. Which was interesting in principle, but which I found generally less engaging. Most of the time when I put the book down to go do something else (eat, go to the shop, etc) it was during one of these sections. That said, Paul's story is certainly the driver of the plot and the story would be much poorer without it.

There are also some peripheral characters whose stories add to the general tapestry of the world and ideas being explored, but who weren't important to the overall plot (or, more accurately, had minimal impact on anyone else). I won't go into more details because a) I'm not sure I can without spoiling a major plot point and b) even if I could, it's surely more exciting to just read the book, no?

This is the first (that I can think of right now) hard/technical science fiction novel I've read by an Australian. I've read other SF novels which have been scientifically accurate and I've read hard/technical short stories/novellas, but I really can't think of another novel right now*. I'll definitely be reading more Egan in the future and I look forward to more enjoyable technical SF.

*Update: I thought of some! Many of Sean Williams' novels (including with Shane Dix) are hard SF. But that's still not a LOT of examples.

If you're a fan of hard SF definitely pick up Permutation City. I would also recommend it to fans of philosophy and computer-centred stories. For a book written 20 years ago, I have to say the computer stuff was shockingly on point. I mean, it wasn't the world we currently live in, but it is set about 35 years in our future. The only slight discrepancy was some aspects of computing having progressed further than others relative to where we are right now but it was barely noticeable. (I don't think this edition has been updated or anything, and there was one instance of sync spelt with an h, against current fashions.) Anyway, read Permutation City! Especially if you like science fiction!

4.5 / 5 stars

First published: 1994, this edition published December 2014, New South Books
Series: Standalone but apparently part of the "Subjective Cosmology Cycle" (book 2 of 3)
Format read: eARC
Source: Courtesy of the publisher
Challenges: Australian Science Fiction Reading Challenge