#ReadShortStories (51 to 55)

Another mixed bag of stories. I am not keeping up with Uncanny, despite my subscription: I read one more story in the Jan/Feb issue and, meanwhile, the March/April issue arrived. Whoops. But hey, better than nothing and I think I'm a reasonable way through the fiction. The other stories were a bit random and older. I realised that sorting my Pocket queue by oldest at the top was going to make getting through the stories I've had on there the longest easier. We'll see how that goes.

The two best stories in this batch were easily "Lines of Growth, Lines of Passage" by Marissa Lingen and "Fiber" by Seanan McGuire (which I just really want to spell correctly — ugh, US English, why?). Both were funny, in different ways, and thoughtful too.


The Egg by SB Divya — Sad flash about uterine replicator-type technology as a solution to infertility. Source: https://www.nature.com/articles/519256a

Lines of Growth, Lines of Passage by Marissa Lingen — A delightful story about a sorceress who was betrayed and who went on to solve a somewhat military problem with communication rather than force. I quite liked it. Source: https://uncannymagazine.com/article/lines-growth-lines-passage/

Fiber by Seanan McGuire — A really fun and entertaining story about cheerleaders with supernatural inclinations, yoghurt and other monsters. A very enjoyable read. Source: http://www.tor.com/2015/12/01/reprints-fiber-seanan-mcguire-unbound/

Ten Days’ Grace by Foz Meadows — A story set in a dictatorially Christian future, about a woman who was forced to marry a stranger to be allowed to keep her daughter. Not a bad read. Source: http://www.apex-magazine.com/ten-days-grace/

Let There Be Light by Chen Quifan  — A series of glimpses at a high tech future world where, despite convenient technology, people aren’t magically happy. Some interesting ideas, but light on plot. Source: http://dailysciencefiction.com/science-fiction/future-societies/chen-qiufan-translated-by-ken-liu-/let-there-be-light_scifi

A Tyranny of Queens by Foz Meadows

A Tyranny of Queens by Foz Meadows is the sequel to An Accident of Stars, which I reviewed earlier this year, and the concluding volume of the duology. I didn't actually realise it was a duology until I was nearing the end — I had assumed trilogy by default — and I'm still not sure whether I'm ultimately disappointed about that.

Saffron Coulter has returned from the fantasy kingdom of Kena. Threatened with a stay in psychiatric care, Saffron has to make a choice: to forget about Kena and fit back into the life she’s outgrown, or pit herself against everything she’s ever known and everyone she loves.

Meanwhile in Kena, Gwen is increasingly troubled by the absence of Leoden, cruel ruler of the kingdom, and his plans for the captive worldwalkers, while Yena, still in Veksh, must confront the deposed Kadeja. What is their endgame? Who can they trust? And what will happen when Leoden returns?

This book continues the story of Saffi, Yena, Gwen and friends, following on directly from the events at the end of An Accident of Stars. This is not a book to read if you haven't read the prequel as pretty much all of the story depends on what went before it. In A Tyranny of Queens we follow each of the characters as we find out first what happens next and then how everything wraps up.

That was the thing I didn't expect about A Tyranny of Queens. I went into it assuming it was book two of a trilogy and, as I was approaching the climax/end, realised that it was going to wrap up too much of the main plot to leave much for a book three. And then it felt like it was over too quickly, with everything wrapping up a book earlier than I originally expected. This is partly my own fault for not realising this was a duology but it's also an effect that was amplified by the opening of A Tyranny of Queens being a bit slow. I was mostly interested in Saffi's story — initially back on Earth — but more  time was spent on what was going on back in Kena, not all of which was as interesting, initially (although it was all ultimately relevant to the overarching plot).

The other thing was, I didn't find the overarching plot across the two books as innovative as I would have liked. Most of the interesting and exceptional elements were in the social worldbuilding (not to say that the physical worldbuilding wasn't also interesting). The overarching plot wasn't boring but kind of didn't go far enough to be really interesting. Part of it was interrogating the portal fantasy premise, but part of it could have dealt at least a little bit with colonial ideas, or at least have given us more of a historical context for <spoilers redacted>, but didn't. The antagonist side of the story was fine, but there just could have been... more.

Basically, I liked this book but I didn't love it. I'm glad I read it because I enjoyed seeing how everything was resolved and what Saffi ultimately decided to do with her life. Also, it kept my interest enough that at no point did I actually put it down to go read something else.

I recommend A Tyranny of Queens to readers who enjoyed An Accident of Stars and I recommend the whole Manifold Worlds series to fans of portal fantasy or readers who like seeing less conventional gender roles and family groupings in their fantasy stories. Indeed, the latter is one of the really strong points of the series. Although I don't expect a direct sequel, I would be more than happy to read more books set in the same universe since there's a lot of scope there to tell a lot of different stories.

4 / 5 stars

First published: March 2017, Angry Robot
Series: Manifold Worlds book 2 of 2
Format read: eARC
Source: Publisher via NetGalley
Challenges: Australian Women Writers Challenge

An Accident of Stars by Foz Meadows

An Accident of Stars by Foz Meadows is the first book of the Manifold Worlds series and, as the series title kind of suggests, is a portal fantasy novel. It, loosely speaking, follows the story of a teenaged Australian girl when she follows someone through a portal and into a world of magic.

When Saffron Coulter stumbles through a hole in reality, she finds herself trapped in Kena, a magical realm on the brink of civil war.

There, her fate becomes intertwined with that of three very different women: Zech, the fast-thinking acolyte of a cunning, powerful exile; Viya, the spoiled, runaway consort of the empire-building ruler, Vex Leoden; and Gwen, an Earth-born worldwalker whose greatest regret is putting Leoden on the throne. But Leoden has allies, too, chief among them the Vex’Mara Kadeja, a dangerous ex-priestess who shares his dreams of conquest.

Pursued by Leoden and aided by the Shavaktiin, a secretive order of storytellers and mystics, the rebels flee to Veksh, a neighboring matriarchy ruled by the fearsome Council of Queens. Saffron is out of her world and out of her depth, but the further she travels, the more she finds herself bound to her friends with ties of blood and magic.

Can one girl – an accidental worldwalker – really be the key to saving Kena? Or will she just die trying?

The most interesting thing about An Accident of Stars was the way in which the story is told both from the perspective of the teenaged Saffron going through a portal for the first time (and, of course, not finding what books like Narnia and Alice in Wonderland and The Wizard of Oz promised) and from the perspective of Gwen, a woman in her fifties who is now a veteran of "worldwalking" and people who travel between worlds are known in the book. On the one hand, Saffron has an almost standard reaction to being in a fantasy world, although her thoughts are more culturally sensitive than some of the older works would have been. On the other hand, Gwen understands what Saffron is going through but from a standing of "been there, done that" as well as a standing of much greater maturity and world experience, tells the story from a different view. If Saffron is the main character, Gwen is watching the story and putting things into context that Saffron can't (immediately).

That said, Gwen is certainly still one of the protagonists, watching the story while being a part of it. Which is ironic given the religious sect based around doing just that. And is kind of meta when you start to think about things which are spoilers.

The third protagonist is Zech, a girl more or less both Kenan and Vekshi (details being spoilers) who gets involved first with Saffron when the Earth girl is lost and alone in a strange world, and then in larger world events. Zech was cool and I liked that despite her being 14 and two years younger than Saffron, the two were able to be friends without age mattering too much (except for spoilers).

This was a very enjoyable read. I'm not sure I'd call it fun because a lot of bad things happen to Saffron. Bad things which are pretty par for the course in fantasy books, but which become extreme trauma when put into the context of happening to an average contemporary Earthling teenager. I liked the way the book highlighted how horrible some fantasy tropes are when not normalised by all the characters they're happening to. Like how traumatic a short battle can be, for example. Overall, I didn't have any complaints except maybe that sometimes Saffron's inner thoughts were more socially aware than I would have expected, but not implausibly so.

The book ended a little abruptly and with very little having been resolved. I am very keen to read the next book and I'm hoping I won't have to wait too long. The publisher's website indicates that it's coming in May, so not too long away. I highly recommend An Accident of Stars to fans of portal fantasy and to any readers looking for a feminist fantasy read.

4.5 / 5 stars

First published: 2016, Angry Robot
Series: The Manifold Worlds book 1 of ?
Format read: eARC
Source: Publisher via NetGalley
Challenges: Australian Women Writers Challenge

Monstrous Little Voices: New Tales From Shakespeare's Fantasy World

Monstrous Little Voices is a novella anthology, containing five somewhat interlinked novellas written by Jonathan Barnes, Emma Newman, Kate Heartfield, Foz Meadows and Adrian Tchaikovsky. They are more or less set in the world of some of Shakespeare's plays, but extended beyond what happens in the original play, and tweaked so that all the referenced plays actually happened in the same world of fairies, magic and politics.

Mischief, Magic, Love and War. 

It is the Year of Our Lord 1601. The Tuscan War rages across the world, and every lord from Navarre to Illyria is embroiled in the fray. Cannon roar, pikemen clash, and witches stalk the night; even the fairy courts stand on the verge of chaos. 

Five stories come together at the end of the war: that of bold Miranda and sly Puck; of wise Pomona and her prisoner Vertumnus; of gentle Lucia and the shade of Prospero; of noble Don Pedro and powerful Helena; and of Anne, a glovemaker’s wife. On these lovers and heroes the world itself may depend. 

These are the stories Shakespeare never told. Five of the most exciting names in genre fiction today – Jonathan Barnes, Adrian Tchaikovsky, Emma Newman, Foz Meadows and Kate Heartfield – delve into the world the poet created to weave together a story of courage, transformation and magic. 

This was an interesting read, even when the stories touched upon Shakespearean plays I was not very familiar with. My favourite story was definitely the opening one, "Coral Bones" which extended the story of The Tempest beyond where the play ended and included some neat genderfluid characterisation. My second favourite story was probably the closing one, "On the Twelfth Night", mainly for the way it played with narrative by writing in the second person. That story would not have really made sense without all the stories preceding it, however. I was particularly impressed by how the later stories seemed to be aware of events in the earlier stories. An excellent feat of narrative planning.

I definitely recommend this anthology to fans of Shakespeare and fans of fantasy fiction generally. And theatre. These novellas push Shakespeare's plays into new territory, giving them some modern sensibilities without literally modernising the settings. As always, individual comments on the stories are below.

~

"Coral Bones" by Foz Meadows — What happens after The Tempest. Miranda has left the island, but the real world did not bring her as much joy as she hoped. Luckily, she still has Ariel, the genderfluid fairy who helped raise her and keep her sane. This was a very strong start to the anthology, which had me wanting to come back for more every time I had to set it aside. The main story is neatly intertwined with flashbacks to the island, which serve to build up our understanding of and sympathy for Miranda's relationship with Ariel. In the meantime, we also see quite clearly Miranda learning about herself and the world and, thanks to Ariel's influence (or really, just her presence from an early age), questioning her place and identity in it.

"The Course of True Love" by Kate Heartfield — This novella involves some of the characters from Midsummer Night's Dream but mainly focused on a hedge witch (well, a wyrtwitch) who stumbles upon a prisoner of Titania's and ends up helping him out. This wasn't a bad novella but I just didn't love it as much as the previous one, which set the bar quite high. I suspect if I'd read it in isolation without the comparison, I would have enjoyed it more. As it was, it was well written enough, but didn't push the envelope like "Coral Bones" did.

"The Unkindest Cut" by Emma Newman — A young woman is fated to marry her love in an alliance that will end a war. But even though it has been foretold, nothing is straightforward when Prospero is involved, or the cursed knife from Macbeth. Not a bad story, but I thought it ended a little abruptly. I didn't dislike the ending, but wouldn't've minded seeing more, or more immediately before the end. (Also, it was a depressing ending, which I wouldn't have wished upon the main character. :-/ ) It was a nice touch to have the Miranda from "Coral Bones" appear and I am impressed with the planning that must have gone into this anthology.

"Even in the Cannon’s Mouth" by Adrian Tchaikovsky — I felt a bit lost during the middle of this story. I think it might have been because of the more theatrical/script-like scene changes the author used. It took me a little while to get used to paying attention to them properly. That said, I liked the version of Macbeth that appeared in this one (and had sort of been mentioned in earlier stories, but not nearly as clearly). I especially loved the ending as it involved Macbeth. Not to be too obvious with the spoilers, but a favourite loophole-fail is resolved. I also got the impression that this story was leading into some sort of climax in the last story...

"On the Twelfth Night" by Jonathan Barnes — This last story was fascinating in many ways. It did sort of tie up some of the weirder elements of the plot brought up in the previous story, but that wasn't what really made it stand out. Usually, it was written in second person... and (very minor spoiler) the second person was Shakespeare's wife. Not quite the wife of the Shakespeare that we know, though, but rather a non-playwright from a parallel universe. I found it quite a compelling read (especially compared with the previous novella, which did not hold my interest). Unfortunately, for readers who might have picked these novellas up individually rather than in the collected volume, I'm not sure that this novella would work as well as a standalone. But it does make an excellent conclusion to this anthology.

4.5 / 5 stars

First published: January 2016, Rebellion
Series: No, unless you count Shakespearian as a series
Format read: eARC
Source: Publisher via NetGalley