Showing posts with label dark science fiction. Show all posts
Showing posts with label dark science fiction. Show all posts

Saturday, 3 March 2018

Waking in Winter by Deborah Biancotti

Waking in Winter by Deborah Biancotti is a science fiction horror novella, which I would not have guessed from the cover. I actually procrastinated on reading this novella for quite a while because the cover gave me the impression of a very different type of book. I have previously read the short story collection Bad Power by the same author, which is quite different to Waking in Winter (and about superheroes).

On a far, frozen desert world, Muir the pilot discovers an ancient artefact in the ice. She sees a mermaid at first, but later comes to wonder if it is Ningyo, a fish god from her homeland in Japan. A god that brings misfortune and storm. A god that—by all means possible—should be returned to the sea. The rest of Base Station Un see something else. Bayoumi the lab rat sees Sekhmet the lioness goddess, daughter of the sun god. Partholon the creep finds in its shape a ‘good, old-fashioned cruxifix’. But all of them want to possess it. All of them want it for themselves.

The setting of this novella is an icy alien planet currently being explored and studied by scientists. The main character, Muir, is a pilot for an expedition in which there isn’t a good relationship between the science and support staff. One day, out flying a bit off her mandated survey route, Muir sees a giant mermaid buried under the ice. When one of her colleagues comes to check it out, he instead sees a giant lotus flour. Where Muir saw a missing hand, he saw a missing petal. What is the object beneath the ice? Why is part of it missing? Aliens? The story of the novella answers some of these questions while others remain ambiguous. As well as the story of the investigations of the artefact, we also get some background on Muir and the other characters, including why they’re on this alien planet in the first place.

The horror elements in this novella are fairly mild; it's creepy rather than gory. It's definitely more science fiction and a bit weird. Also, while the basic premise — humans studying a weird alien artefact — has been done before, it's the specific characters that Biancotti brings to Waking in Winter which really make it. I quite enjoyed reading this novella, especially since it was much more my kind of thing than the cover suggested it would be.

This is a character-driven story, with the reactions and coping mechanisms of the characters a main strength of the novella. I recommend Waking in Winter to fans of creepy science fiction and (light) horror. It's not a book for readers who only enjoy hard SF since it leans a lot on the non-scientific mystery elements of the discovery on the ice planet.

4.5 / 5 stars

First published: 2016, PS Publishing
Series: no
Format read: ebook
Source: review copy courtesy of author

Friday, 26 January 2018

Short stories 16 to 20

This batch of stories was the point at which I realised that I should include poems in this whole keeping track of stories thing. Not because I read that many poems, but because otherwise any isolated poems aren't noted anywhere and that seemed like a wasted opportunity. I don't know that my reviews of poems are going to be any good (see first example below), but hey. Very short things are generally quite hard to review.

The stories (and poem):

Apathetic Goblin Nightmare Woman by Cassandra Khaw — An angry poem about meeting expectations, or not. Source: https://uncannymagazine.com/article/apathetic-goblin-nightmare-woman/

A Salvaging of Ghosts by Aliette de Bodard — A story about murky depths that warp reality and a mother mourning her dead daughter. Kind of a depressing story, set in the Xuya universe with additional interesting local world building. Source: http://www.beneath-ceaseless-skies.com/stories/a-salvaging-of-ghosts/

Rabbit Heart by Alyssa Wong — A brief story about short-lived replacements for rich people’s dearly departed. Source: https://firesidefiction.com/issue37/chapter/rabbit-heart/

The Spy Who Loved Wanton Mee by Vina Jie-Min Prasad — A short spy story that reminded me of the old spoof TV show “Get Smart” set in Singapore and more queer. Amusing and unserious. Source: http://queersoutheastasia.com/spy-loved-wanton-mee-vina-prasad-issue-1

How to Select a Durian at Footscray Market by Stephanie Campisi — This was a bit too over-written to properly grab me. There was an interesting story in there somewhere, but I found it drowned, a bit, in similes. Source: Sprawl edited by Alisa Krasnostein

Friday, 8 September 2017

Trees Vol 2: Two Forests by Warren Ellis and Jason Howard

Trees Vol 2: Two Forests written by Warren Ellis and illustrated by Jason Howard follows on from the first volume, titled In Shadow, which was one of my favourite comic trades ever. After waiting for a long time for Two Forests to come out, I then left it on my shelf for rather a while before I got around to reading it... but at least that means I'm now closer to the eventual (hopefully) release of volume 3?

A survivor of the Blindhail Event looks for signs of imminent global disaster among the megaliths and relics of Orkney, while the new mayor of New York plans to extract his revenge for the awful thing that happened the day the Tree landed on Manhattan.

The first volume had a lot of point of view characters but, due to events, there are fewer in this second volume. The two main story lines follow a biologist who was close to the action in the first volume, and the soon-to-be mayor of New York. We only get a small hint at the end of what some of the other characters are up to (and we don't hear from all of them) and the overall story remains incomplete, as is expected for an ongoing series.

I enjoyed the opportunity to delve into some of the story lines in more depth. It was nice to get a larger chunk of two stories rather than smaller chunks of more stories, which are harder to keep track of when the volumes are so spaced out. (There is currently no anticipated release date for Vol 3 due to the creators spending time on a TV pilot of Trees.) What we are presented with develops both personal stories and the overarching story of the Trees, and what they might be doing — not that any key questions about them are really answered.

I enjoyed this instalment but don't have quite as much to say about it as the first volume — mainly because all the background and basis for awesomeness has already been covered. If you haven't read Trees before, I highly recommend that you do and that you start with Vol 1: In Shadow. This isn't the kind of series you can pick up mid-way and expect to make full sense of. I recommend the series to fans of darker science fiction and comics/graphic novels.

4.5 / 5 stars

First published: 2016, Image Comics
Series: Trees vol 2 of ongoing series (with two volumes out so far), collecting issues #9–14
Format read: Trade paperback
Source: Some sort bricks and mortar comic book shop (I have forgotten which country it was in though)

Monday, 9 January 2017

After Atlas by Emma Newman

After Atlas by Emma Newman is a companion novel to Planetfall, which I previously reviewed here. You don't have to have read Planetfall to read After Atlas — both books stand alone entirely — but some background/historical context for After Atlas will be clearer sooner if you've read the other book first. Even if you spend most of After Atlas trying to remember the names of the Planetfall characters before caving and checking when you're near the end, as I did. Also, it should be possible to read the two books in either order.

Gov-corp detective Carlos Moreno was only a baby when Atlas left Earth to seek truth among the stars. But in that moment, the course of Carlos’s entire life changed. Atlas is what took his mother away; what made his father lose hope; what led Alejandro Casales, leader of the religious cult known as the Circle, to his door. And now, on the eve of the fortieth anniversary of Atlas’s departure, it’s got something to do why Casales was found dead in his hotel room—and why Carlos is the man in charge of the investigation.

To figure out who killed one of the most powerful men on Earth, Carlos is supposed to put aside his personal history. But the deeper he delves into the case, the more he realizes that escaping the past is not so easy. There’s more to Casales’s death than meets the eye, and something much more sinister to the legacy of Atlas than anyone realizes…

Planetfall wasn't exactly a cheerful book, so I picked up After Atlas because I was in the mood for a depressing read. Boy, did it deliver in that regard! Set on a dystopian Earth forty years after the colony ship in Planetfall left, After Atlas follows a detective assigned to a murder case. Carlos the detective, also the first person narrator, is owned and enslaved by the Ministry of Justice and contractually forbidden from revealing that fact. Because of the NDA included in his contract, most free people don't believe slaves like him exist, which makes for some interesting social interplays (and bitterness).

A large part of After Atlas is a murder mystery, with the victim the leader of a cult Carlos escaped when he was sixteen. The cult insist on having Carlos be the investigator and, of course, the situation brings up a lot of difficult memories for him which also serve to fill in the reader on his backstory. The story of the cult and of Carlos's connection to the departed spaceship end up being key components of the story, along with the murder itself.

Newman paints a pretty bleak picture of humanity in this series and especially in this book. Honestly, I was surprised at how bleak some parts were and I recognise that's not for everyone. But I really enjoyed the book and the story and the issues it raised. I will definitely read any more books that come out in this series, although I'm not sure more are planned. I recommend After Atlas to fans of dark SF (I wouldn't call it horror, though) and to anyone who enjoyed Planetfall, although it's a pretty different read in many respects. I've enjoyed all of Newman's books that I've read, but I should warn you that if you've only read the Split Worlds series, this series is very different, so be warned.

5 / 5 stars

First published: November 2016,
Series: Planetfall series, book 2 of 2 so far (but both stand alone)
Format read: eARC
Source: Publisher via NetGalley

Sunday, 22 May 2016

The Forever Song by Julie Kagawa

The Forever Song by Julie Kagawa is the conclusion to the Blood of Eden trilogy. I previously reviewed the first two books, The Immortal Rules and The Eternity Cure. While I enjoyed the first book, I didn't particularly like the second, which is why it took me so long to get around to the third. In the end, I picked it up on a whim when I saw it in the library. In case you can't be bothered clicking on the links for the first two books, the worldbuilding premise of the series is that there have always been vampires, but when a plague threatened to wipe out humanity, the vampires, concerned about their blood supply, took over and more or less started farming humans. The main character, Allison, came from one city-farms, but was turned into a vampire at the start of book one. Anyway, the rest of this review, including the blurb, contains spoilers for the earlier books.

Vengeance will be hers.

Allison Sekemoto once struggled with the question: human or monster? With the death of her love, Zeke, she has her answer.

Monster.

Allie will embrace her cold vampire side to hunt down and end Sarren, the psychopathic vampire who murdered Zeke. But the trail is bloody and long, and Sarren has left many surprises for Allie and her companions - her creator Kanin, and her blood brother, Jackal. The trail is leading straight to the one place they must protect at any cost - the last vampire-free zone on Earth, Eden. And Sarren has one final, brutal shock in store for Allie.

In a ruined world where no life is sacred and former allies can turn on you in one heartbeat, Allie will face her darkest days. And if she succeeds, her triumph will be short-lived in the face of surviving forever alone.

THE FINAL HUNT IS ON.

When I started reading this book, I couldn't actually remember exactly why I'd disliked the second book. I did remember the cinematic fight scenes from the first book, though, and the general premise if not all of the details. It was actually very easy to pick this book up even with a three year gap since reading book two; the author does a good job of reorienting the reader at the start. And the fight scenes are, again, cinematic.

As is to be expected from a book three of a trilogy, the plot was mostly centred on the Allie and friends completing their saving-the-world mission. The story opens with Allie not caring about anything else after the death of her boyfriend in the previous book. She is travelling with her sire and Master vampire Kanin (who taught her how to fight and is all about honour and being nice to humans), and the significantly less honourable Jackal, and there is a nice rapport between the three of them, even when Allie is in the depths of despair and anger.

Although I think the prose could have been tighter, I enjoyed this concluding volume of this trilogy. I certainly liked it more than the second book, and I'm glad to have finally finished the series. In general, I'd recommend it to fans of vampires, post-apocalyptic tales and YA. If the premise sounds interesting to you, give it a go. If you got through book two but haven't read book three yet, I do recommend doing so.

3.5 / 5 stars

First published: 214, Harlequin Teen
Series: Blood of Eden book 3 of 3
Format read: Paper *gasp*
Source: Borrowed from the library

Friday, 17 July 2015

Trees Vol 1: In Shadow by Warren Ellis

Trees Vol 1: In Shadow written by Warren Ellis and illustrated by Jason Howard collects the first eight issues of the ongoing comic book series Trees. I read Issue #1 back in May and was intrigued and then picked up the first volume when I came across it in my local genre bookshop. If you read my short review of issue #1, let me just say, the first issue barely begins to scratch the surface of the awesomeness contained within this series.

Ten years after they landed. All over the world. And they did nothing, standing on the surface of the Earth like trees, exerting their silent pressure on the world, as if there were no-one here and nothing under foot. Ten years since we learned that there is intelligent life in the universe, but that they did not recognize us as intelligent or alive.

Trees looks at a near-future world where life goes on in the shadows of the Trees: in China, where a young painter arrives in the “special cultural zone” of a city under a Tree; in Italy, where a young woman under the menacing protection of a fascist gang meets an old man who wants to teach her terrible skills; and in Svalbard, where a research team is discovering, by accident, that the Trees may not be dormant after all, and the awful threat they truly represent.

First things first, there are no chapter breaks in this volume, so it was impossible to tell where issue #1 ended and issue #2 began, which was slightly confusing at first but not a hardship to reread the first issue again. And the issue covers are included at the end so you're not missing out. This lack of structure makes Trees feel much more like a continuous story than a lot of other comics I've read. Even Marvel's multi-issue arcs tend to have little recaps at the start of the issues, something that was completely lacking in Trees. A good choice, I think, lending a sense of coherence.

As I had already seen in issue #1, Trees follows several groups of characters in different parts of the world — a world in which towering alien structures have landed and then done not much else. A lot of the story doesn't directly involve the Trees, but some of it does and, of course, what kind of a story would it be if nothing continued to not happen? (Answer: a boring one.) But Trees doesn't stick to tired tropes when dealing with weird things happening with the alien structures. It subverts tropes and brings the Volume to a close with an unexpected bang. I have no idea what to expect in Volume 2, aside from maybe some of the things a couple of characters were planning.

Genre tropes aren't all that Trees subverts. What I found wasn't at all hinted at in Issue #1 was the scope of the gender issues dealt with in this comic. Most obviously there's the story in the Chinese artists' enclave under a tree, where the new boy a) learns that trans people exist, b) explores his own sexuality and c) deals with everything better than anyone particularly expected him to. I'd say it's worth reading just for those bits (actually, I'd say Trees is worth reading for any one of the individual storylines). There's also a strong feminist story in Italy, where a gangster's girlfriend learns some life skills from an older guy and takes matters (and the town) into her own hands. There was one thing the older guy said to her that particularly struck me. I was going to quote it but looking at it again it doesn't quite work out of context. But it's along the lines of the older guy feeling bad for contributing to a world where women like her (no money, minimal education, etc) are marginalised. He's helping her to redress the balance and has zero interest in her sexually, which I appreciated.

The other storylines involved scientists studying the Trees, which I don't think I can say too much about, a politician in Manhattan who will obviously be relevant in Volume 2, and the president of an African country. The latter story was left on a bit of a cliffhanger and I'm particularly interested in seeing what happens next. Hopefully it will be developed further and, hopefully we will eventually get some answers as to what the Trees want, where they came from and why they're here. I look forward to finding out.

Trees Vol 1: In Shadow was an excellent read and I highly recommend it to all SF and comic fans. In particular, I think readers who enjoyed Saga but are (also) interested in a more down-to-Earth SF read would do well to have a look at Trees. I am very much looking forward to the next volume, which I'm sure will be just as though-provoking.

5 / 5 stars

First published: February 2015, Image Comics
Series: Trees, ongoing series. Volume 1, collecting Issues #1–8
Format read: Trade paperback
Source: Purchased from a physical book shop

Wednesday, 7 August 2013

When the World Was Flat (And We Were in Love) by Ingrid Jonach

When the World Was Flat (And We Were in Love) by Ingrid Jonach is the author's first book for young adults (her earlier works are for younger readers) and the first book to be released by Strange Chemistry by an Australian author.

This book was awesome and a lot about it was not what I had expected. I have to say, prior to reading, the title conjured up images of a love story set on the flat world at the top of the Magic Faraway Tree... for some reason. This book is (unsurprisingly) nothing like that. And, in fact, the title doesn't really make sense until about halfway through when mysteries start to be revealed. That is part of the problem with writing this review; I want to talk about a lot of the things that come up in the second half of the book, but that means a lot of spoilers. If you don't care about spoilers (although I think you should in this case because not knowing adds to the mysterious vibe of the first half), you can read my spoilery thoughts under the jump and also by highlighting the white text.

When the World Was Flat (And We Were in Love) is about Lillie, a teenage girl in small-town USA who starts having weird and disturbing dreams in which she dies, every single night. And not just dies, is murdered by a figure in a balaclava. Her resulting unsettled demeanour gives the narrative a dream-like quality with a dark vibe that I really enjoyed. Probably my favourite thing about the first part of the book is the eeriness Jonach effectively evokes with her writing.

A reasonable amount of the story involves Lillie's interactions with her two best friends, Jo and Sylv, and their former-friend, now-cool-girl-enemy, Melissa. Jo and Sylv were less thoroughly detailed characters than Lillie (as often happens with first person narratives) but they weren't two dimensional, both with their own issues which, although we only see the surface, hint at complexity. Sylv wants to be a model and in her day-to-day, hams up being a "slut". Of course she cops flack for it from the cool crowd, but doesn't really care what anyone thinks of the image she's projected. Jo has to deal with her father's cancer after his relative absence in her younger years and issues at school which I won't spoil. There isn't much change in the main group's relationship with Melissa throughout the book — the popular girl exists mostly to be annoying. I wondered at first if there might be some sort of reconciliation with her during the story, as I've seen in other YA books, but thinking back on my own high school experiences, that doesn't seem realistic and — more importantly — would have sidetracked the main thrust of the book.

The main thrust, of course, being Lillie's nightmares and the mysterious new boy in town, Tom. She does spend a lot of time dwelling on him, but I was glad to see her being annoyed at his "hot and cold" attitude towards her, before his mystery was revealed (which is a spoiler). I also liked that while there was another boy in the picture, he was never a serious love-interest for Lillie and Jonach avoided a pointless love-triangle (huzzah). On the other hand, I thought Lillie's feelings towards Tom jumped to "love" a little bit too quickly, but I was willing to overlook that given how much I was enjoying the book otherwise.

You might be wondering why I've tagged When the World Was Flat (And We Were in Love) as science fiction but haven't talked about the SF aspects at all yet. (And if you know me at all, you'll know that I can't refrain from talking about science for very long.) That's because the science fictional premise is a massive spoiler. If that doesn't bother you, I do talk about it below the jump. If you're after hard science fiction, this is not the book for you. The scientific concepts, when they do come up, are introduced in a very hand-wavey way, which works in context and serves to reduce potential errors, but hard SF it does not make.

When the World Was Flat (And We Were in Love) is an excellent read. Even if you ignore the premise and just look at the mundane interactions between the characters, it doesn't read like a stock-standard YA yarn. The mood evoked by the writing sets it apart from many other YA novels. I recommend it to YA fans looking for something a little bit off the beaten track.

5 / 5 stars


First published: September 2013, Strange Chemistry
Series: I don't think so
Format read: eARC
Source: the publisher, via NetGalley
Challenges: Australian Women Writers Challenge, Australian Science Fiction Reading Challenge

More discussion below and in white, but beware of spoilers! I have also included non-white headings for you, in case you only want to be spoilt on some topics.