Showing posts with label Classic SF. Show all posts
Showing posts with label Classic SF. Show all posts

Sunday, 6 September 2015

The Starry Rift by James Tiptree Jr

The Starry Rift by James Tiptree Jr is one of only two collections of short stories readily available as ebooks. I admit I chose to buy it first partly because it was only $3 and partly because it was shorter and I could more easily fit it in before getting to Letters to Tiptree.

These are the heroes of the Starry Rift, a dark river of night that flows between the arms of our galaxy: A headstrong teenaged runaway who makes first contact with a strange alien race. A young officer on a deep-space salvage mission who discovers an exact double of a woman he thought he'd lost. The crew of an exploration ship who must plead for the human race to avert an interstellar war.

The Starry Rift is set up with a framing narrative about two students seeking library materials for class. The books the librarian gives them form the three stories contained within this collection. The stories are all set around the same general region of space: Federation Base 900, the frontier outpost on the edge of the Rift. (Hence the title.) The Rift is an area of space devoid of stars, apparently not quite in between spiral arms of the Milky Way, but something like that.

I have to say, the science in this book was a bit off. Some of it was quaint — as in, not up to date, as would be expected of an older book like this — and some of it did not entirely make sense. I was a bit confused about the relativistic and also normal time passing effects of space travel which didn't seem to be addressed in the first story but were explained more in the third. On the other hand, the scientific points in these stories were generally not dwelt upon, decreasing the likelihood of an egregious error. None of the stories were about new inventions; they were all, first and foremost, about characters in unusual situations. (But aliens who have FTL comms but not pretty fundamental chemistry? Come on!)

Anyway, as per usual I have made comments on the individual stories which you can find below. In general, I would recommend this collection as a good example of classic SF. While the science may not have stood the test of time, the concepts explored in the stories mostly have.

The Only Neat Thing to Do — A fourteen year old girl (with rich parents) gets a space coupe from her parents, tricks it out with extra fuel tanks and goes exploring to the edge of Human-explored space. It started out as a fun adventure, if a little unlikely since fourteen year olds can't have cars, and took some interesting and then emotional turns. (I really wasn't expecting the sort of ending it had.) There were a few weird science-related moments but they weren't dwelled on by the narrative, so I found them easier to skip over than in most books. (Why do so many books use bad science as a lynchpin?) As a first introduction to Tiptree, I found it a solid story. (Coming back after finishing the collection, this was my favourite of the three.)

Good Night, Sweethearts — A space salvager/repairman/portable refueller comes across a stranded ship that's out of fuel. It transpires that it contains someone from his past. A past that, almost interestingly (it could have been explored further), he doesn't remember due to what I gathered to be PTSD-type treatment he received after being in a war. Some external action provides excitement and the climax and the main character is left with some difficult decisions. I was disappointed with how much these objectified the female characters. I also found his final choice baffling, though perhaps less so, given some of what I've recently learnt about the author's life.

Collision — This is the story of first (well, second) contact between the human Federation and a large alien empire. Told from points of view on both sides, we learn a lot about the culture and unusual biology of the aliens before the human protagonists come across them. The biological procedure of reproduction was very unusual — honestly it struck me as a bit inefficient — for all that the aliens resemble kangaroos in superficial ways. I liked that after explaining the mechanics of it, the notion turned out to be relevant to the plot in an unexpected way. On the human side of things, the story starts off being told through long-delayed communications capsules. We listen to the story along with the people at base, knowing only that the explorers survive long enough to send the capsule, but nit whether there'll be another capsule. Although this is actually a relatively cheery story in the end, there is still some death, notably of the only two human women (although they didn't die because they were women). It's still less bleak than the first story in this collection.

4 / 5 stars

First published: 1986, this edition SF Gateway
Series: Well, not really but there are other stories and a novel set in the same universe
Format read: eBook
Source: Purchased on iBooks

Tuesday, 8 October 2013

Storm Over Warlock by Andre Norton

Warning: this is not a proper review. This post is basically my reward for listening to this book all the way through. There are spoilers, but not huge ones.

Storm Over Warlock is the first book by Andre Norton that I've read. I don't think it will be the last either, but that's more because I'm interested in experiencing other things she wrote, than because I enjoyed Storm Over Warlock. I didn't hate it, it didn't annoy me, but — and I think part of this is definitely due to consuming it in audiobook form — I just found it boring. And dated.
The Throg task force struck the Terran survey camp a few minutes after dawn, without warning, and with a deadly precision which argued that the aliens had fully reconnoitered and prepared that attack. Eye-searing lances of energy lashed back and forth across the base with methodical accuracy. And a single cowering witness, flattened on a ledge in the heights above, knew that when the last of those yellow-red bolts fell, nothing human would be left alive down there. And so Shann Lantee, most menial of the Terrans attached to the camp on the planet Warlock, was left alone and weaponless in the strange, hostile world, the human prey of the aliens from space and the aliens on the ground alike.

I listened to it on my drive to and from work (so in chunks of no more than twenty-five minutes at a time) and my mind kept wandering. I'd try to pay attention when I realised I was doing it, but I definitely missed chunks. There were several "wait, how did they get over there?" moments. There were also quite a few interesting issues raised that I wished were explored more deeply (yes, yes, I know I've admitted to zoning out, but it wasn't for that long at a stretch.

I found it interesting that although the main character and the other human came from a fairly patriarchal society, the Warlockian aliens they encounter were aggressively matriarchal, to the point of males belonging to the females and not being able to think for themselves. I liked that Norton included that, although it's definitely one of the aspects I would've liked to see explored in more detail.

There was also some promising things happening with mind control and psychic communication. It made the story a bit more trippy, but that actually worked with the zoning out (confusion for all!). At one point, near the start, Shann makes a reference to having seen "mind-controlled" people before coming to Warlock and I kind of want to know more about that. On the other hand, it's entirely possible more was divulged while I was thinking about what to have for lunch the next day.

I strongly suspect that I would have absorbed more of this book if I'd read it with my eyes rather than my ears. I probably still wouldn't have found it particularly exciting (despite the interplanetary war...) but at least I would have taken it in more coherently. For audiobooks to work for me, I need them to keep me interested the entire time. I've mostly had good luck with that in the past, but not with Storm Over Warlock, unfortunately.

So does anyone have any suggestions of other Andre Norton books for me to try reading? I'm thinking of trying Star Hunter next but I'm open to suggestions.

First published: 1960
Series: Apparently book 1 of 5.
Format read: Audiobook
Source: Librivox.

Friday, 12 July 2013

The Colours of Space by Marion Zimmer Bradley

The Colours of Space by Marion Zimmer Bradley is not the first book I've read by Bradley, but it is the first I've read in several years. I listened to the LibriVox public domain recording, which is free to download from their website and from Project Gutenberg. On the other hand, compared with audiobooks read by professional voice actors, the quality of the books I've sampled from LibriVox (this one included) leaves somewhat to be desired. I suggest readers decide for themselves how problematic they find the quality (different chapters read by different people with a variety of accents). My review — henceforth — is about the story,  not the quality of the recording.

The Colours of Space was written in 1963. I think if it was written now, it would certainly be counted as YA and would probably have been written with a different tone. I'm not sure it stands up to today's market. As it is, it provides an interesting view of science (fictional) ideas from the 60s including a misconception that the title is based on.

The main character, Bart, is seventeen and has just graduated as an astro(navi)gator. When waiting to meet his father at the spaceport, a different man shows up, claiming to be his father. Bart goes along with it because he doesn't want to put the man's life in danger from the alien Lhari who have a monopoly on interstellar travel. Supposedly, this is because humans can't survive the warp drive without being in suspended animation sleep but as Bart soon learns as he becomes embroiled in interstellar events, this isn't the entire story.

The main thing, I found, which distinguished this book from more modern YA is how stupid the main character was. Of course many YA characters make stupid decisions to drive the plot along and it wasn't really that. It's more that in recent books the characters appear to be cleverer and less... emotionally ignorant. I'm not sure that's the right phrase to use, but ignorant in different ways. By contrast, I was frequently (and incredulously) frustrated by how stupidly Bart was acting. Especially when he embarked on a dangerous saving the world mission without being in possession of very many facts or reasons (to motivate him, I mean). Mind you, his fumblings in the dark were amusing at times, just not intentionally. And he did get a bit smarter and more with it as the book progressed.

An other major source of amusement for me was the outdated science. The title of the novel — The Colours of Space — refers to the stars being much more brightly coloured when seen in space, as compared with when seen from inside the Earth's atmosphere. (There's another reference there to plot elements as well, which I won't spoil, but I read the main reference as being to the multi-coloured stars.) The thing is, the phenomenon, as described in the story, is not entirely real. Yes, stars come in different colours, but those colours range from red to yellow, white and blue. There are no green stars. More on this over at my science in fiction blog.

And then there's the hilarious retro-futuristic technology. The humans of the future frequently travel between planets and, with alien help, between stars, but they can't easily transmit an image. Law enforcement is forced to rely on merely a description to catch a fugitive — not even with a name attached! And they all have papers (as in travel documents) made out of actual paper. Apparently also without photos attached, which is slightly baffling since passports have had photos since before the book was written.

But anyway, I enjoyed The Colours of Space despite its dating flaws. It was a fun story and I always enjoy seeing how science understanding has changed in science fiction. I'm not sure who to recommend it to other than other fans of retro science fiction (I certainly don't regret reading it over another audiobook). As I mentioned earlier, I'm not sure it would be entirely appreciated by a teen used to modern YA.

3.5 / 5 stars

First published: 1963. Edition read: LibriVox, 2007
Series: No.
Format read: Audiobook
Source: LibriVox