A Master of Djinn by P. Djèlí Clark

A Master of Djinn by P. Djèlí Clark is a full-length novel set in the same world as The Haunting of Tramcar 015, a novella that I previously read and reviewed. The new novel stands alone and, while there is some overlap in characters, there's certainly no required knowledge from the novella.

Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer.

So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage.

Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city - or face the possibility he could be exactly who he seems....

I really like this magical steampunk Cairo. I already liked it from when I read The Haunting of Tramcar 015 and this novel really lets the worldbuilding shine. The longer format of A Master of Djinn means that we get a much more fleshed-out view of Cairo and get to hear even more about its relevance and position on a global stage. The cameos from certain historical figures also didn't hurt.

The other great thing about this book was the characters. I really loved all three central women for different reasons. Fatma was overall competent and cool, Siti was a bit enigmatic to begin with and made for an excellent love interest. Hadia was the rookie that Fatma initially dismissed but who eventually got a chance to shine and show her unexpected (by Fatma, anyway) talents. Overall, an excellent cast of characters.

I highly recommend this book to all fantasy fans, especially people who are keen on less common settings such as steampunk Cairo. I enjoyed this book a lot and I definitely intend to read any sequels or other books and stories set in this world.

5 / 5 stars

First published: May 2021, Tor.com
Series: Yes. First novel in an ongoing series plus there is novella (The Haunting of Tramcar 015) set in the same world and some short fiction.
Format read: eARC
Source: Publisher via NetGalley

Hugo Novella Round-up, 2020

I'm a bit late in posting this, even though I finished reading all the Hugo novellas weeks ago. As for many people, I'm sure, life has been a bit exhausting lately.

Anyway, below are brief summaries links to my full reviews of the Hugo novellas. The only exception is for the Ted Chiang because that's in a collection that I haven't finished reading, so I've included my full (not especially long) review in this post. Order is that used by  , out of laziness.

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Anxiety Is the Dizziness of Freedom, Ted Chiang (Exhalation)

I really enjoyed this novella. It is possibly my favourite take on the manyworlds hypothesis/parallel timelines. The story follows a few different people as they interact with a new technology that allows them to communicate (via digital information only) with parallel timelines. The character driven story is interspersed with explanations of the technology, which I thought worked well and were not at all boring infodumps (though others might disagree). Overall, a very interesting and enjoyable read.

The Deep, Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes

A key idea explored in The Deep is that if societal memory and specifically memory of trauma. The situation when the story opens is like this: one member of the wajinru people is the historian and only that person holds all the memories of past wajinru and events. ... As well as exploring how intergenerational trauma should be remembered, and by whom, The Deep questions whether it should be remembered at all, as Yetu grapples with some of these issues.

The Deep was a good read, though I found it was a little slow to start and not the sort of book I could read quickly. I recommend it to people interested in the premise and, perhaps, to fans of merpeople.

The Haunting of Tram Car 015, P. Djèlí Clark

In this story, a couple of public servants are tasked with fixing the problem of a haunted tram car in an alternate-world Cairo. Hijinks ensue. In this world, djinn exist and have helped cement Cairo and Egypt's significance on the world stage, including from a technological standpoint. (The steampunky cover is a pretty good representation of the setting, in my opinion.) Our put-upon agents have to contend with identifying the possibly dangerous being possessing the tram and then have to safely remove it. And all this is set against the backdrop of a Cairo-centred campaign to give women the vote.

In an Absent Dream, Seanan McGuire

Lundy was a mildly unhappy child before she found her door and her particular fairyland wasn't everyone's idea of a good time. But she liked it and she made friends and she felt like she belonged. She even made several trips between the two worlds, which isn't something we've seen close up before. The story spans years as Lundy goes back and forth and is more the story of her transitions than the story of adventures had on the other side of a door. It's the story of choices made, of fair value — because that's what the Goblin Market is all about — and of family.

This Is How You Lose the Time War, Amal El-Mohtar & Max Gladstone

This is a remarkable book, told in a very poetic style, with chapters alternating between snippets of our characters’ lives and the letters they send each other. Although it is written as prose, one feels as though one is reading poetry. The use of imagery and metaphor is strong and frequent and the relationship between the characters shifts as they become more obsessed with each other as they learn more about the other.

... It is the kind of book that demands your full attention to properly take in its words and worlds.

To Be Taught, If Fortunate, Becky Chambers

The premise of To Be Taught, If Fortunate is quite straightforward: a small group of scientist-astronauts are on a multi-year mission to investigate four habitable planets and catalogue whatever lifeforms and other interesting things they find. The novella is basically a chronicle of their journey and the main interest in the book is the explanations of science and discovery. ... 

I wouldn't call it fast-paced, by any stretch of the imagination, but it worked for me.

The Haunting of Tram Car 015 by P Djèlí Clark

The Haunting of Tram Car 015 by P Djèlí Clark is a Hugo finalist novella this year. That is the main reason I read it. I didn't especially love the author's earlier novella, The Black God's Drums, and probably would have otherwise overlooked this one.

The Haunting of Tram Car 015 returns to the alternate Cairo of Clark's short fiction, where humans live and work alongside otherworldly beings; the Ministry of Alchemy, Enchantments and Supernatural Entities handles the issues that can arise between the magical and the mundane. Senior Agent Hamed al-Nasr shows his new partner Agent Onsi the ropes of investigation when they are called to subdue a dangerous, possessed tram car. What starts off as a simple matter of exorcism, however, becomes more complicated as the origins of the demon inside are revealed.

In this story, a couple of public servants are tasked with fixing the problem of a haunted tram car in an alternate-world Cairo. Hijinks ensue. In this world, djinn exist and have helped cement Cairo and Egypt's significance on the world stage, including from a technological standpoint. (The steampunky cover is a pretty good representation of the setting, in my opinion.) Our put-upon agents have to contend with identifying the possibly dangerous being possessing the tram and then have to safely remove it. And all this is set against the backdrop of a Cairo-centred campaign to give women the vote.

I really enjoyed this novella. It was entertaining and fairly amusing the whole way through. Even though I read it in lots of small chunks, I didn't have any difficulty getting back into the story when I picked it up again. I don't think I've read any other stories set in the same world, but now that I know they exist I will keep an eye out. (I have already added "A Dead Djinn in Cairo" to my Pocket reading list, which is actually the only other story I found. If you know of others, please let me know in the comments.)

I highly recommend this novella to fans of gas lamp fantasy and alternate (fantastical) history. Especially if non-European/US settings are a draw. This novella was a great read and, for me, caps off a difficult-to-judge Hugo category.

4.5 / 5 stars

First published: Tor.com, 2019
Series: Yes, other stories set in the same world exist.
Format read: ePub
Source: Hugo voter packet

Hugo Novella Roundup

I was in the fortunate position of having read almost all of the Hugo shortlisted novellas before the list of nominees on the ballot was announced. This meant that I didn't have much reading to do before writing this round-up, but on the other hand, some of the shortlisted books have faded a bit in my memory, since I read most of them very close to the release dates. So ranking these novellas, all of which I enjoyed, is going to be a bit tricky.

Before I get to the novellas, if this is the first of my Hugo round-ups that you're seeing, you might be interested in my round-up of Hugo shortlisted short stories, which I prepared earlier. Discussions of (some of) the other categories to come!

The full Hugo shortlist with links to my review of each novella is below, if you want to quickly scroll down to have a look at it. The list is in no particular order — I think I grabbed it from Tor.com — because it's quite tricky to rank these novellas, for a few reasons. Artificial Condition and Binti: The Night Masquerade are, respectively, a middle and final part of larger stories. Even though I very much like those stories (Murderbot 5eva), I'm not sure they work very well as standalone novellas, which they should for this award, in my opinion. In contrast, Beneath the Sugar Sky and The Tea Master and the Detective are both parts of ongoing series but stand alone perfectly well. Beneath the Sugar Sky has some characters recur from earlier novellas in the series, but is a fully self-contained story. The Tea Master and the Detective may have direct sequels or companion novellas in the future, but for the moment it is merely set in the same universe as many of the author's other stories (the overall series is also nominated for a Best Series Hugo Award). That leaves Gods, Monsters, and the Lucky Peach and The Black God's Drums as completely independent and self-contained stories (or at worst, self-contained first books in series, but I'm not sure on that last point).

But which book did I like best? It's currently a three-way tie between Beneath the Sugar Sky, Gods, Monsters, and the Lucky Peach, and The Tea Master and the Detective. Right now I'm leaning towards putting Beneath the Sugar Sky first, then tossing a coin for second and third, and for the remaining places. Once again, this is a very strong ballot and I wouldn't be disappointed by any of these novellas taking home the rocket trophy.

Artificial Condition by Martha Wells (Tor.com Publishing)

Beneath the Sugar Sky by Seanan McGuire (Tor.com Publishing)

Binti: The Night Masquerade by Nnedi Okorafor (Tor.com Publishing)

The Black God’s Drums by P. Djèlí Clark (Tor.com Publishing)

Gods, Monsters, and the Lucky Peach by Kelly Robson (Tor.com Publishing)

The Tea Master and the Detective by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

The Black God's Drums by P Djèlí Clark

The Black God's Drums by P Djèlí Clark is a novella set in a steampunk alternate history New Orleans in 1884. The alternate history aspect involves a quicker end to the American Civil War after Britain and France sent reinforcements by airship, starkly altering the sociological landscape of the world.

Creeper, a scrappy young teen, is done living on the streets of New Orleans. Instead, she wants to soar, and her sights are set on securing passage aboard the smuggler airship Midnight Robber. Her ticket: earning Captain Ann-Marie’s trust using a secret about a kidnapped Haitian scientist and a mysterious weapon he calls The Black God’s Drums.

But Creeper keeps another secret close to heart--Oya, the African orisha of the wind and storms, who speaks inside her head and grants her divine powers. And Oya has her own priorities concerning Creeper and Ann-Marie…

The most interesting thing about this novella was the setting and the worldbuilding. Clearly a lot of thought has gone into it and I would be interested in seeing the setting explored further. Since this is a novella and hence relatively short, I felt like it only scratched the surface of some aspects and that there are more stories that could be told in this setting.

I liked Creeper, the thirteen year old street girl who was quite capable of looking after herself and who also lived with the presence of a god. The other main character was also fun to read about, though we didn't see quite as much of her and mostly saw her from the perspective of Creeper. The story is written as first person narration by Creeper, which strongly overlays her interpretation of the world over the story. The dialogue is written in the accent or dialect matching the character speaking, which sometimes took me an extra second to parse, but did a lot to distinguish different characters and, to some degree, their origins.

My main disappointment with this story was that, even though it's a novella it felt very short. More like a long short story than a novella. It's not that nothing happened, but the plot was fairly limited and contained and when I neared the end it felt like it was over too quickly. I think I would have preferred a slightly meatier story that was a bit less linear. Not that the plot was bad, I have just gotten used to longer novellas, I suppose.

Overall, I recommend The Black God's Drums to readers who are intrigued by the premise of a steam punk New Orleans. It's a short read and an enjoyable one, especially if you go in with accurate expectations.

4 / 5 stars

First published: August 2018, Tor.com
Series: Not as far as I know
Format read: ePub
Source: ARC from publisher via NetGalley