Hugo Novella Round-up, 2020

I'm a bit late in posting this, even though I finished reading all the Hugo novellas weeks ago. As for many people, I'm sure, life has been a bit exhausting lately.

Anyway, below are brief summaries links to my full reviews of the Hugo novellas. The only exception is for the Ted Chiang because that's in a collection that I haven't finished reading, so I've included my full (not especially long) review in this post. Order is that used by  , out of laziness.

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Anxiety Is the Dizziness of Freedom, Ted Chiang (Exhalation)

I really enjoyed this novella. It is possibly my favourite take on the manyworlds hypothesis/parallel timelines. The story follows a few different people as they interact with a new technology that allows them to communicate (via digital information only) with parallel timelines. The character driven story is interspersed with explanations of the technology, which I thought worked well and were not at all boring infodumps (though others might disagree). Overall, a very interesting and enjoyable read.

The Deep, Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes

A key idea explored in The Deep is that if societal memory and specifically memory of trauma. The situation when the story opens is like this: one member of the wajinru people is the historian and only that person holds all the memories of past wajinru and events. ... As well as exploring how intergenerational trauma should be remembered, and by whom, The Deep questions whether it should be remembered at all, as Yetu grapples with some of these issues.

The Deep was a good read, though I found it was a little slow to start and not the sort of book I could read quickly. I recommend it to people interested in the premise and, perhaps, to fans of merpeople.

The Haunting of Tram Car 015, P. Djèlí Clark

In this story, a couple of public servants are tasked with fixing the problem of a haunted tram car in an alternate-world Cairo. Hijinks ensue. In this world, djinn exist and have helped cement Cairo and Egypt's significance on the world stage, including from a technological standpoint. (The steampunky cover is a pretty good representation of the setting, in my opinion.) Our put-upon agents have to contend with identifying the possibly dangerous being possessing the tram and then have to safely remove it. And all this is set against the backdrop of a Cairo-centred campaign to give women the vote.

In an Absent Dream, Seanan McGuire

Lundy was a mildly unhappy child before she found her door and her particular fairyland wasn't everyone's idea of a good time. But she liked it and she made friends and she felt like she belonged. She even made several trips between the two worlds, which isn't something we've seen close up before. The story spans years as Lundy goes back and forth and is more the story of her transitions than the story of adventures had on the other side of a door. It's the story of choices made, of fair value — because that's what the Goblin Market is all about — and of family.

This Is How You Lose the Time War, Amal El-Mohtar & Max Gladstone

This is a remarkable book, told in a very poetic style, with chapters alternating between snippets of our characters’ lives and the letters they send each other. Although it is written as prose, one feels as though one is reading poetry. The use of imagery and metaphor is strong and frequent and the relationship between the characters shifts as they become more obsessed with each other as they learn more about the other.

... It is the kind of book that demands your full attention to properly take in its words and worlds.

To Be Taught, If Fortunate, Becky Chambers

The premise of To Be Taught, If Fortunate is quite straightforward: a small group of scientist-astronauts are on a multi-year mission to investigate four habitable planets and catalogue whatever lifeforms and other interesting things they find. The novella is basically a chronicle of their journey and the main interest in the book is the explanations of science and discovery. ... 

I wouldn't call it fast-paced, by any stretch of the imagination, but it worked for me.

This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone is a short novel about two time-travelling agents who start corresponding with each other. It's written in a poetic style and is half-epistolary, half-prose.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading.

And thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more.

Except discovery of their bond would be death for each of them. There’s still a war going on, after all. And someone has to win that war. That’s how war works. Right?

This is a remarkable book, told in a very poetic style, with chapters alternating between snippets of our characters’ lives and the letters they send each other. Although it is written as prose, one feels as though one is reading poetry. The use of imagery and metaphor is strong and frequent and the relationship between the characters shifts as they become more obsessed with each other as they learn more about the other.

At first I had difficulty keeping the characters straight in my mind — Red and Blue, from futures Garden and Agency, wait, which was which again? — but then it became clearer as they obtained more identifying characteristics. There was [the one that had happened to] and [the one that did this thing], to keep it spoiler-free. I started reading this book while travelling and I don’t recommend reading it in a noisy environment. It was easier to enjoy at home, calmly. Or at least with noise-cancelling headphones on. It is the kind of book that demands your full attention to properly take in its words and worlds.

I don't generally like spending too much time comparing books to other things, but it feels particularly topical in this case. This Is How You Lose the Time War is a book that pushes many if the same buttons as Good Omens by Terry Pratchett and Neil Gaiman or Killing Eve but with a more poetic writing style than Good Omens and more emphasis on the relationship between enemy agents than Killing Eve. (I speak of the TV show Killing Eve, here — the books it’s based on look dreadful.) Also, in the struggle for a better future, no one side is clearly better than the other, which is not how most oppositional relationships are portrayed. In Killing Eve, Villanelle is the assassin so MI6 agent Eve clearly has the moral high ground. And things are both more and less ambiguous in Good Omens, where the two sides are literally heaven and hell. But if you liked either of those stories for their protagonist relationships, this is the book for you. Especially if you wished there was more time travel in them.

Actually, before I wrap up, I will say a few words on the time travel aspect. It's both integral to the story and sort of minimally done. No mechanics are explained, which makes sense for the style of the book, and all the time travel feats are basically magic, as far as we mere time-bound mortals are concerned. Sometimes that sort of thing bothers me, but in this case it fits in perfectly with the style of the book. The time travel is absolutely not the point, the letters between Blue and Red are, and doing it any other way would have been bizarre. For all that I've said the prose is very poetic, it's also very sparse (in the way of poetry, now that I think about it). For this reason, it took me a little while at the start of the book to feel grounded in the story (or as grounded as one can be in such a story) but, again, it makes perfect sense for what it is.

I really liked this book. I highly recommend it to fans of doomed and/or oppositional romance (is that the right term?), poetic letters and magical time travel. It's a quick read but a powerful one. If you're not sure whether the style is right for you, I think it's something you could quickly determine by reading the sample chapters on your favourite ebook store. In any case, I highly recommend This Is How You Lose the Time War.

5 / 5 stars

First published: July 2019, Jo Fletcher Books
Series: No, I don't think so
Format read: eARC
Source: Publisher via NetGalley

Hugo Short Story Reading

Since I am attending Worldcon 75 in Helsinki in August, I am eligible to vote in the Hugo awards and hence am starting to read my way through the shortlist. Happily, I've already read two of the novels, which lessens the word pile a little.

For now, I decided to start with short stories. Because they're short. Also because they're all available to read for free online (even the one originally published in an anthology) so there's no need to wait for the Hugo packet. Very convenient!

My reviews are in my reading order, which is semi-random. Publication info links go to the story itself. Final impressions of the stories as a whole are at the end.


“Our Talons Can Crush Galaxies”, by Brooke Bolander (Uncanny Magazine, November 2016)

A gloriously angry story about revenge. I started with this one because it was the shortest, but it packed a lot of emotional punch in a short space. A supernatural being (a siren?) was brutally attacked by a human and she did not rest in peace. A scathing commentary of the media response to rape and murder, both real and fictional. Not a warm, fuzzy read.


“That Game We Played During the War”, by Carrie Vaughn (Tor.com, March 2016)

A very different kind of story to the above. Longer, more drawn out, a gentler read. In the aftermath of war (or during a ceasefire, anyway) a nurse from one side goes to visit a soldier from the other, telepathic, side. Full of reminiscences about the war during which they were each other's prisoners at various times, the story culminates in a game of chess... and we learn how one can play chess against a telepath.


“A Fist of Permutations in Lightning and Wildflowers”, by Alyssa Wong (Tor.com, March 2016)

Another powerful story about desperation and helplessness and that even magic can't fix everything. Not if it's too late, not if it's been too late for too long. The narrator tells us about the world ending as she tries to use her weather-working powers to save her sister, also a weather-worker. The story begins with powerful imagery and continues in that emotional vein.


I am sensing a theme.


“The City Born Great”, by N. K. Jemisin (Tor.com, September 2016)

This one is a story about the gestation and birth of cities and the people who help them through it and protect them. Another fantasy story that felt more fantasy-ish (as opposed to science fiction-y) than "A Fist of Permutations in Lightning and Wildflowers". It was well written, but the concept didn't grab me as much as the previous stories have and I felt like it dragged a little. Also, I don't care that much about New York, which might have contributed. Not a bad story, but not one that stands out.


“Seasons of Glass and Iron”, by Amal El-Mohtar (The Starlit Wood: New Fairy Tales, Saga Press, reprinted in Uncanny)

A gorgeous story. I left the author I had read before to last (which is not to say I haven't been meaning to read the other authors for some time) and it seems I also left my favourite story to last. This is a story about how cruel fairytales can be to women, who suffer punishments while their male peers are given boons. Two women with magical burdens meet and give each other comfort. It's a seemingly gentle story that nevertheless gives the finger to the patriarchy. It also contains some lovely wry turns of phrase that I would share if this were a different style of review. Instead, I urge you to go read it for free online where it has been reprinted in Uncanny.

How do they rate overall?

The story I unequivocally loved best was "Seasons of Glass and Iron", which I will be ranking first. The remaining stories all rate pretty similarly to me and are tricky to order. I may change my mind, but I think "A Fist of Permutations in Lightning and Wildflowers" will come next, then "Our Talons Can Crush Galaxies", "The Game We Played During the War" and finally "The City Born Great" before No Award.

You might have noticed that I omitted one shortlisted story from the above. Well it's my blog and I can ignore puppies if I want to.

Overall, this shortlist has been a rewarding read. I haven't read all that many short stories of late (slush is a bit of a drawn-out burn out) and this experience reminded me of what I love about the form as well as the variety possible within our genres.

Onward to the next category!