Gate Sinister by Tansy Rayner Roberts

Gate Sinister by Tansy Rayner Roberts is the first in the new novella series, Sparks and Philtres. It's set in a fae and magic secondary world based loosely on Victorian Britain (but with a Queen Isolde instead of Victoria).

Disguised as a governess, the last fairy in Britannia infiltrates the household of the Gloucester family to fulfil a vital mission on behalf of her exiled people.

On the run after offending the Royal family, two infamous magical engineers set out to commit the crime of the century on behalf of a wicked enchantress.

For one night only, the Gate Sinister can be opened between worlds, clearing the way to the long-lost Forest of Arden. For one night only, all things are possible…

This was an enjoyable and reasonably quick read. The story follows two sets of characters and it took me a little bit longer to warm to the second set, as is often the case with any piece of fiction; we get attached to the first characters we meet and then want to get back to their story as soon as possible! Of course, once both threads of the story started to come together, I found myself enjoying both sides of the narrative.

I appreciated that this novella stands alone fairly well. It does a lot of worldbuilding for later stories (I assume), but the story itself is self-contained. While our characters decide at the end to go off to do various things, it's not entirely obvious (to me, anyway) what story or path the next novella in the series will follow. That said, there are a lot of interesting possibilities and I am up for reading a story about any of them and curious about where the author will take the series.

Gate Sinister is an interesting start to what promises to be an enjoyable series. It is generally lighthearted but contains some darker themes and choices for the characters. It's a case of things getting darker the more you dwell on them, so there are some layers to the story and worldbuilding. I recommend Gate Sinister to fans of fairies, the ethics of love spells and novellas.

4 / 5 stars

First published: January, 2023
Series: Sparks and Philres, book 1
Format read: eARC
Source: the author
Disclaimer: Although the author is a friend, I have endevoured to write an unbiased review.

She Who Became the Sun by Shelley Parker-Chan

She Who Became the Sun by Shelley Parker-Chan is the first book in the Radiant Emperor series. Since I try not to remember blurbs, I did not realise until partway through that it was based on a historical person. This does mean that Wiki can tell you where the story is going, but this isn't much of a spoiler since the journey is very open to interpretation, as Parker-Chan shows us.

She’ll change the world to survive her fate . . .

In Mongol-occupied imperial China, a peasant girl refuses her fate of an early death. Stealing her dead brother’s identity to survive, she rises from monk to soldier, then to rebel commander. Zhu’s pursuing the destiny her brother somehow failed to attain: greatness. But all the while, she feels Heaven is watching.

Can anyone fool Heaven indefinitely, escaping what’s written in the stars? Or can Zhu claim her own future, burn all the rules and rise as high as she can dream?

I enjoyed this book a lot. Set shortly before the fall of the Yuan Dynasty, it follows a peasant girl, Zhu, who grew up in a famine and extreme poverty. Her sheer determination to survive and not  have an insignificant "nothing" destiny, sees her take on her brother's identity and join a monastery. Unlike many stories with the girl-dresses-as-boy trope, it does not involve a romance with her best monk friend but rather takes a more complicated and queer direction. I really enjoyed reading about Zhu and I appreciated the lengths she was willing to go to for her goal/dream/destiny.

The other protagonist is a eunuch general on the Yuan side (as opposed to the people who are sick of being ruled over by the Yuan, which is the side Zhu is on). He is bitter and vengeful against the Yuan but in an interesting position, since he genuinely likes the Prince he serves. He and Zhu have a few run-ins, which were quite dramatic, despite the fact that they both want similar things. I didn't enjoy his point of view sections as much, especially in the first part of the book, but they got more interesting as we learnt more about him and as events progressed. In any case, he was a good foil for Zhu.

I highly recommend this book to people who enjoy historic fantasy, especially people looking for books set in Asia. She Who Became the Sun did not end on a cliffhanger, but did leave the story unfinished, so I am very much looking forward to reading the next book, when it comes out.

5 / 5 stars

First published: July 2021, Tor Books
Series: The Radiant Emperor book 1 of ?
Format read: eARC
Source: Publisher via Netgalley

A Master of Djinn by P. Djèlí Clark

A Master of Djinn by P. Djèlí Clark is a full-length novel set in the same world as The Haunting of Tramcar 015, a novella that I previously read and reviewed. The new novel stands alone and, while there is some overlap in characters, there's certainly no required knowledge from the novella.

Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer.

So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage.

Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city - or face the possibility he could be exactly who he seems....

I really like this magical steampunk Cairo. I already liked it from when I read The Haunting of Tramcar 015 and this novel really lets the worldbuilding shine. The longer format of A Master of Djinn means that we get a much more fleshed-out view of Cairo and get to hear even more about its relevance and position on a global stage. The cameos from certain historical figures also didn't hurt.

The other great thing about this book was the characters. I really loved all three central women for different reasons. Fatma was overall competent and cool, Siti was a bit enigmatic to begin with and made for an excellent love interest. Hadia was the rookie that Fatma initially dismissed but who eventually got a chance to shine and show her unexpected (by Fatma, anyway) talents. Overall, an excellent cast of characters.

I highly recommend this book to all fantasy fans, especially people who are keen on less common settings such as steampunk Cairo. I enjoyed this book a lot and I definitely intend to read any sequels or other books and stories set in this world.

5 / 5 stars

First published: May 2021, Tor.com
Series: Yes. First novel in an ongoing series plus there is novella (The Haunting of Tramcar 015) set in the same world and some short fiction.
Format read: eARC
Source: Publisher via NetGalley

Fireheart Tiger by Aliette de Bodard

Fireheart Tiger by Aliette de Bodard is a standalone fantasy novella set in a matriarchal society inspired by pre-colonial Vietnam. It's quite short, and I was disappointed that I didn't get to spend more time in it's world.

Fire burns bright and has a long memory….

Quiet, thoughtful princess Thanh was sent away as a hostage to the powerful faraway country of Ephteria as a child. Now she’s returned to her mother’s imperial court, haunted not only by memories of her first romance, but by worrying magical echoes of a fire that devastated Ephteria’s royal palace.

Thanh’s new role as a diplomat places her once again in the path of her first love, the powerful and magnetic Eldris of Ephteria, who knows exactly what she wants: romance from Thanh and much more from Thanh’s home. Eldris won’t take no for an answer, on either front. But the fire that burned down one palace is tempting Thanh with the possibility of making her own dangerous decisions.

Can Thanh find the freedom to shape her country’s fate—and her own?

This was a fun and interesting read, with a reasonable dose of moderate peril. We have the princess Thanh, who is the spare royal child and now in a position to negotiate an alliance between her country and the country she was fostered/hostaged out to when she was younger. She still has not mentally recovered from a fire that she narrowly escaped while she was in the other (Western imperial analogue) country, not least because fire seems to follow her around in a magical way.

The story focusses closely on Thanh and her relationships with her mother, the Queeen, with her friend/lover, the foreign princess, and with the mysterious servant girl with whom she escaped the near-fatal fire. Most of the challenges Thanh faces are social, and I don't want to say too much more and spoil this relatively short read.

I enjoyed this novella a lot. I read it at a time when I wanted something fun and relaxing to read, and this book delivered. I recommend it to fans of asian-inspired fantasy and lesbian romance. If you feel that you would be troubled reading a book with literally zero men in it, this may not be the read for you.

4.5 / 5 stars

First published: February 2021, Tor.com
Series: Don't think so
Format read: eARC
Source: Publisher via NetGalley

Across the Green Grass Fields by Seanan McGuire

Across the Green Grass Fields by Seanan McGuire is the latest addition the the Wayward Children series. Like several Wayward Children books (but not the most recent few) it stands alone and just follows one child on her journey through a door to another world. You can read it first or last or in between. (If you want a bit more background on the setting, you can check out my review of Every Heart a Doorway, the first Wayward Children book, but it's not necessary to have read it first.)

Regan loves, and is loved, though her school-friend situation has become complicated, of late.

When she suddenly finds herself thrust through a doorway that asks her to "Be Sure" before swallowing her whole, Regan must learn to live in a world filled with centaurs, kelpies, and other magical equines―a world that expects its human visitors to step up and be heroes.

But after embracing her time with the herd, Regan discovers that not all forms of heroism are equal, and not all quests are as they seem…

There are several themes explored in this book. First off, Regan is a horse-loving girl, so it is no surprise she ends up in a world full of magical horse-adjacent creatures like centaurs, unicorns, kelpies, and so forth. The reason she ends up there is a bit less common, from what we've seen in the other Wayward Children books. Regan does not come from an unhappy home, but inadvertently finds herself in a difficult social situation, which is what triggers the door. 

The other really interesting thing about Across the Green Grass Fields is the way in which it subverts the portal fantasy genre. Allusions to Narnia and the Wizard of Oz serve to emphasise how silly the child-as-chosen-hero narrative is. I won't spoil the ending, of course, but I found it extremely satisfying and sensible.

Overall, another excellent read from McGuire. I highly recommend this book to fans of the Wayward Children books and general fans of portal fantasy. As I said at the start, you needn't have read any other books in the series before picking this one up, so it's a perfectly good place to start.

4.5 / 5 stars

First published: January 2021, Tor.com
Series: Wayward Children book 6 of 6 so far, but stands alone.
Format read: eARC
Source: Publisher via NetGalley

When the Tiger Came Down the Mountain by Nghi Vo

When the Tiger Came Down the Mountain by Nghi Vo is a standalone sequel novella to The Empress of Salt and Fortune, which I read and reviewed earlier this year. It features the same cleric seeking stories, but everything else about the book is quite different.

The cleric Chih finds themself and their companions at the mercy of a band of fierce tigers who ache with hunger. To stay alive until the mammoths can save them, Chih must unwind the intricate, layered story of the tiger and her scholar lover—a woman of courage, intelligence, and beauty—and discover how truth can survive becoming history.

Nghi Vo returns to the empire of Ahn and The Singing Hills Cycle in this mesmerizing, lush standalone follow-up to The Empress of Salt and Fortune

The framing narrative in this novella ends up being unexpectedly tense. Chih and their escort run into some tigers (the shapeshifter kind) during a mountain crossing. To avoid being eaten, Chih tells them a story. But unlike Scheherazade trying to entertain her audience, Chih's tiger audience scoffs and interjects when they perceive the story to be told wrong and/or with too-human values. It made for a delicate interplay between framing and framed narratives, that kept me interested and turning pages.

The framed narrative is a love story about a scholar and a tiger and all sorts of misfortunes that befall them. The story itself would be interesting enough, but having it deconstructed from a tiger perspective while still being told was excellent. I really enjoyed how this poked holes in the biases of the human story tellers.

I highly recommend When the Tiger Came Down the Mountain to fans of fairytales and asian-inspired fantasy stories. I hope Vo continues writing about scholar Chih or other people in the same world, because I'm really enjoying the collecting of stories and learning about the magical (and non-magical) beings of this world.

4.5 / 5 stars

First published: December 2020, Tor.com
Series: The Singing Hills Cycle book 2 of 2 so far (but they stand alone)
Format read: eARC
Source: Publisher via NetGalley

The Thief on the Winged Horse by Kate Mascarenhas

The Thief on the Winged Horse by Kate Mascarenhas is a standalone contemporary fantasy novel. I previously read The Psychology of Time Travel, by the same author so thought I'd give The Thief on the Winged Horse a try, even though the blurb didn't immediately appeal to me.

The Kendrick family have been making world-famous dolls since the early 1800s. But their dolls aren't coveted for the craftmanship alone. Each one has a specific emotion laid on it by its creator. A magic that can make you feel bucolic bliss or consuming paranoia at a single touch. Though founded by sisters, now only men may know the secrets of the workshop.

Persephone Kendrick longs to break tradition and learn the family craft, and when a handsome stranger arrives claiming doll-making talent and a blood tie to the Kendricks, she sees a chance to grasp all she desires.

But then, one night, the family's most valuable doll is stolen. Only someone with knowledge of magic could have taken her. Only a Kendrick could have committed this crime...

As I said, I enjoyed this book more than I particularly expected to. I think the special ingredient was the author's very readable writing style. The story follows three characters linked to a magic-doll-making family empire in Oxford: two women who are discouraged from making dolls and aren't allowed to place enchantments on them, and an outsider who arrives at the start of the book, claiming to be a long-lost relative. The women are, arguably, trying to make the best of an unfair situation, and not always making the best choices in the process.

In some ways it's a book about people in crappy situations making questionable decisions — which is not generally my cup of tea — but it worked here. The characters are interesting and their interplay makes for compelling reading. The magical dolls are a bit mundane but also very creepy. The author plays off the mundanity as we are taken through discoveries and revelations of family history to disturbing events that are not dwelt upon. The author trusts the readers to make connections and doesn't spell out every little detail. The result is I spent quite some time thinking about and being horrified by a minor event that the characters in the book did not themselves interrogate fully, even as they thought through some of the practical consequences.

This was a strange and strangely enjoyable book. I picked it up on a whim and I think I liked it more than The Psychology of Time Travel, even though the subject matter of time travel inherently interests me more. I recommend it to fans of mundane fantasy and contemporary fantasy, especially those that enjoy character-driven stories.

4 / 5 stars

First published: November 2020, Head of Zeus
Series: No
Format read: eARC
Source: Publisher via NetGalley

Phoenix Extravagant by Yoon Ha Lee

Phoenix Extravagant by Yoon Ha Lee is a fantasy book with a setting quite different to the author’s Hexarchate books. I enjoyed those very much as well, but if you didn’t, I suggest not writing off Phoenix Extravagant.

Dragons. Art. Revolution.

Gyen Jebi isn’t a fighter or a subversive. They just want to paint.

One day they’re jobless and desperate; the next, Jebi finds themself recruited by the Ministry of Armor to paint the mystical sigils that animate the occupying government’s automaton soldiers.

But when Jebi discovers the depths of the Razanei government’s horrifying crimes—and the awful source of the magical pigments they use—they find they can no longer stay out of politics.

What they can do is steal Arazi, the ministry’s mighty dragon automaton, and find a way to fight… 

Phoenix Extravagant is set in a secondary fantasy world that is based on Korea (here called Hwaguk) during the Japanese (Razanei) Occupation. The main difference being the existence of magic and magic-powered automata, and the broad acceptance of non-binary people in Hwaguk society. The protagonist, Jebi, is an artist struggling to earn money. Their friend is a collaborator and convinces them that working for the invaders is maybe not so bad if it means they get paid and out of debt. Of course, Jebi quickly gets in over their head and learns there’s more to the invaders’ automata than meets the eye.

I really enjoyed this book. It shows us an interesting mix of rebels, collaborators, traitors and invaders, and gives us the opportunity to understand the perspectives of each group. The world building is also very well done. I’m a fan of K-dramas (Korean TV series), so I had some familiarity with the time period being fantasified in Phoenix Extravagant. Lee goes beyond the standard expectations of just having a Real World Plus Magic setting, adding his own unique spin and hence giving readers a unique world to immerse themselves in. I also enjoyed how logical the magical elements were.

I hope there is another book in the series, so that we can find out what happens next to Jebi and to the nation of Hwaguk. While the ending tied up most of the loose ends in the story, there is definitely room for more, which I hope we'll get to read soon. Phoenix Extravagant was an excellent read and I highly recommend it to fantasy fans, especially those that enjoy any of: asian settings, rebellions, or dragons.

5 / 5 stars

First published: October 2020, Solaris
Series: I hope so...
Format read: eARC
Source: Publisher via NetGalley

Over the Woodward Wall by A. Deborah Baker

Over the Woodward Wall by A. Deborah Baker is the book featured/quoted in Middlegame by Seanan McGuire, written by McGuire so that she could more easily refer to it. You absolutely do not have to have read Middlegame to read this book and, if anything, reading Over the Woodward Wall might add to your experience of reading Middlegame (but I did read them in the other order). Also, completely unlike Middlegame, Over the Woodward Wall is a children's/middle grade/pre-YA book, where as Middlegame is an adult book.

Avery is an exceptional child. Everything he does is precise, from the way he washes his face in the morning, to the way he completes his homework – without complaint, without fuss, without prompt.

Zib is also an exceptional child, because all children are, in their own way. But where everything Avery does and is can be measured, nothing Zib does can possibly be predicted, except for the fact that she can always be relied upon to be unpredictable.

They live on the same street.
They live in different worlds.

On an unplanned detour from home to school one morning, Avery and Zib find themselves climbing over a stone wall into the Up and Under – an impossible land filled with mystery, adventure and the strangest creatures.

And they must find themselves and each other if they are to also find their way out and back to their own lives.

This book is definitely not similar to Middlegame, it merely exists in the universe of that book. I cannot stress this enough. If you are looking for a similar companion novel to Middlegame, then you will be disappointed. If you are looking for a portal fantasy book featuring children from a non-specified time period finding themselves in a slightly nonsensical magical world, then this is the book for you.

I liked Over the Woodward Wall. There were a lot of interesting side characters, who added to the story. There were also some creepy villain characters that the children had to contend with. There were a variety of small lessons for children to learn over the course of their adventure, which were not heavy-handed. One thing that I was not expecting is that this ended as the start of a series. This might have been mentioned in Middlegame, but for whatever reason I had been expecting a standalone story, so that's something to keep in mind if you prefer tidy endings.

Overall, this was an interesting portal fantasy for children, especially if you hold it up against the ideas explored in Every Heart a Doorway. Over the Woodward Wall is absolutely not set in the same multiverse, and has its own unique voice more suited to the kind of book it is trying to be — one that is not juxtaposed against other ideas of portal fantasy. (That said, it put me in mind of The Wizard of Oz, but that's mainly because both are portal fantasies with a road for the protagonists to follow.) I recommend this book to readers, both old and young, who find appealing the idea of two very different children thrust into a magical world together.

4 / 5 stars

First published: October 2020, Tor.com
Series: Apparently this might be a book 1 of a continuing series (based on Goodreads)
Format read: eARC
Source: Publisher via NetGalley

Burning Roses by S.L. Huang

Burning Roses by S.L. Huang is a fantasy novella that was not at all what I was expecting it to be. I would normally blame this on my intentional forgetfulness of blurbs, but in this case, I think the blurb also buries the lede. I would describe this book as an amalgamation of Asian (Chinese) fantasy and European fairytales, with a heavier dose of the latter than I expected.

When Rosa (aka Red Riding Hood) and Hou Yi the Archer join forces to stop the deadly sunbirds from ravaging the countryside, their quest will take the two women, now blessed and burdened with the hindsight of middle age, into a reckoning of sacrifices made and mistakes mourned, of choices and family and the quest for immortality.

The story in Burning Roses follows our two protagonists, Rosa and Hou Yi, as they attempt to hunt down magical sunbirds and stop them from wreaking havoc across the country. A seemingly straightforward task, until Rosa starts questioning whether the sunbirds are sentient. As we learn throughout the story, Rosa has a dark past with talking animals

The extent to which the world was supposed to correspond to real countries was not entirely clear to me. My general impression was that most of the story was taking place in fantasy-China (or fantastical China, depending on how you want to interpret it), while Rosa has travelled all the way from fantasy-Spain to be there. Having Rosa be a traveller from foreign lands was an interesting and unexpected element. She provided a reference point for readers more familiar with European fantasy, which was the part I wasn't really expecting. In any case, the fantasy aspect of the novella was clearly the pertinent point, since the backstories of both characters have them being involved in several well-known fairytales.

I enjoyed this novella, even though it wasn't what I had expected — more fairytale than wuxia. I recommend Burning Roses to fans of fantasy stories with non-European settings, especially those that also enjoy a sprinkling of fairytales.

4 / 5 stars

First published: September 2020, Tor.com
Series: Don't think so
Format read: eARC
Source: Publisher via NetGalley

The Four Profound Weaves by RB Lemberg

The Four Profound Weaves by RB Lemberg is a novella set in the author’s Birdverse world. I have previously read at least one story, "Geometries of Belonging", which I quite enjoyed. The different stories stand alone and aside from exploring some similar themes, part of the magic system was what struck me as the main link with respect to world building.

The Surun' do not speak of the master weaver, Benesret, who creates the cloth of bone for assassins in the Great Burri Desert. But Uiziya now seeks her aunt Benesret in order to learn the final weave, although the price for knowledge may be far too dear to pay.

Among the Khana, women travel in caravans to trade, while men remain in the inner quarter as scholars. A nameless man struggles to embody Khana masculinity, after many years of performing the life of a woman, trader, wife, and grandmother.

As the past catches up to the nameless man, he must choose between the life he dreamed of and Uiziya, and Uiziya must discover how to challenge a tyrant, and weave from deaths that matter.

This is a poetically written story about two people searching for themselves in different ways. I'm not sure I can explain the plot any better than the blurb does (which makes for a nice change), so I suggest reading that if you haven't yet. The story alternates between the points of view of the two protagonists, Uiziya and nen-sasaïr, and carries the reader with them across desert and city.

Uiziya's story focuses a bit more on the magic she seeks and the meaning of her aunt's magic in the greater scheme of the world. From a more simplistic understanding, we watch Uiziya's knowledge deepen through the events of the story as she is guided by misapprehensions and revelations. Nen-sasaïr, on the other hand, is guided by a more personal quest. The two team up at first only because their goals partially overlap, though their relationship grows over the course of the story.

From "Geometries of Belonging" the world building thing that stuck in my head most was the concept of magic based on deepnames, unique to the practitioner, the concept of which makes a reappearance in The Four Profound Weaves. However, as the title suggests, the main magic here, which Uiziya is — loosely speaking — chasing, involves weaving and magic carpets. Carpets which can fly, yes, but also carpets which can sing or transform people into their true bodies. The latter being related to the strong trans narrative arc for nen-sasaïr.

Overall I quite enjoyed The Four Profound Weaves. It was a gorgeously written exploration of identity with a heady dose of magic to go with it. I am keen to read more stories set in the Birdverse and other stories by Lemberg as well. I would go seek them out immediately if I wasn't so behind on other review books. I highly recommend The Four Profound Weaves to readers looking for fantasy with any of: desert settings, weaving, or trans narratives.

4.5 / 5 stars

First published: Tachyon Publications, September 2020
Series: Birdverse, but I think all the stories so far stand alone
Format read: eARC
Source: Publisher via NetGalley

Short stories 11 to 17 are late and disorderly

This batch of stories is an unusual number because I feel bad for posting them so late. I had plans to do a proper Hugo round-up post as I did for novellas, but for various reasons that didn't happen. So here are some of the short stories and novelettes that were shortlisted for Hugo awards.

~

The Blur in the Corner of Your Eye by Sarah Pinsker — An enjoyable mystery-ish story about a mystery writing a in cabin in the woods. Things inevitably go wrong, but it wasn’t quite the horror scenario I was expecting. I enjoyed it. Source: https://uncannymagazine.com/article/the-blur-in-the-corner-of-your-eye

The Archronology of Love by Caroline M. Yoachim — A long story about interesting far-future alien tech which records history. People interacting with said tech while trying to work out what happened to a failed colony planet. Also a sad love story. It was OK, but it didn’t really grab me. Source: http://www.lightspeedmagazine.com/fiction/the-archronology-of-love/

Omphalos by Ted Chiang — An unexpected story told in an unusual way. Almost an epistolary story, but told through prayers rather than letters. Set in a world a bit less technologically developed than ours, and following a scientist who knows exactly how long ago the world was created. And that it was created by a divine being. I enjoyed it more than I expected. Source: Exhalation by Ted Chiang

Emergency Skin by NK Jemisin — An entertaining read partially depicting a society sitting somewhere between Athos (Bujold, Ethan of Athos) and the alt-right. It’s also told in an unusual way, which works very efficiently to tell the story and highlight the horrors of that particular society. We actually only get half the story, but it’s more than enough. Source: Amazon Forward Collection

As the Last I May Know by SL Huang — An intriguing premise: weapons of mass destruction can only be set off if the president first murders a little girl. I enjoyed the story and was quite taken by both the power play and the moral questions raised. Source: https://www.tor.com/2019/10/23/as-the-last-i-may-know-s-l-huang/

For He Can Creep by Siobhan Carroll — An amusing story about a cat fighting Satan for a poet’s soul. It was not what I expected from the title, and was certainly entertaining enough. Source: https://www.tor.com/2019/07/10/for-he-can-creep-siobhan-carroll/

Blood is Another Word for Hunger by Rivers Solomon — A very weird story. Not sure what to make of it, to be honest. I didn’t hate it, but I also didn’t love it. I'm sorry that I have failed to adequately describe the weirdness of murder resulting in spontaneous births. Source: https://www.tor.com/2019/07/24/blood-is-another-word-for-hunger-rivers-solomon/

Riverland by Fran Wilde

Riverland by Fran Wilde is a portal fantasy book for children (aka middle grade). I first encountered it during a reading by the author at Dublin WorldCon last year. This year, I finally got around to picking up Riverland after it was shortlisted for the not-a-Hugo Lodestar Award and hence was included in the Hugo voter's packet.

When things go bad at home, sisters Eleanor and Mike hide in a secret place under Eleanor’s bed, telling monster stories. Often, it seems those stories and their mother’s house magic are all that keep them safe from both busybodies and their dad’s temper. But when their father breaks a family heirloom, a glass witch ball, a river suddenly appears beneath the bed, and Eleanor and Mike fall into a world where dreams are born, nightmares struggle to break into the real world, and secrets have big consequences. Full of both adventure and heart, Riverland is a story about the bond between two sisters and how they must make their own magic to protect each other and save the ones they love.

Riverland is not exactly an easy and relaxing read. It follows twelve-year-old Eleanor and her younger sister Mike, as they deal with an abusive family situation and periodically fall into a fantastical fantasy world made of the river and dreams. The abusive father is the hard part to read, of course, but there is not very much physical violence on the page. Wilde captures the fear, confusion and instability of an emotionally abusive household excellently. I absolutely felt Eleanor's stress as she strived to keep everything just right to avoid bad things happening, and I felt the way she was always kept off-balance by the house rules changing without warning.

The fantastical river world under her bed was where dreams come from and was also caught in a battle to maintain the delicate balance between dreams and nightmares. As well as Eleanor's responsibilities at home — to always do the right thing, to look after her sister and keep her parents happy — she finds herself tasked with fixing the leaks in Riverland; yet another burden. We watch Eleanor try to juggle more balls than a twelve-year-old should ever be expected to, and Wilde transfers some of her fear and tension to the reader.

So as I said, it wasn't a fun, light read, but it was interesting. I liked the fantasy world and I liked the fact that it was somewhere the girls kept revisiting rather than a place they went to and stayed in to have adventures, à la Narnia. And for all that I've emphasised the difficult parts of the book, there were also plenty of hopeful moments, though I don't want to spoil them. The ending was also a good one (though, again, not spoiling).

I highly recommend Riverland to anyone looking for a crunchy children's fantasy book I would probably hand it to slightly older children, because it does deal with some heavy issues. But I expect younger children in similar situation may benefit seeing themselves in the narrative.

4.5 / 5 stars

First published: 2019, Amulet Books
Series: No
Format read: PDF
Source: Hugo Voter Packet

The Haunting of Tram Car 015 by P Djèlí Clark

The Haunting of Tram Car 015 by P Djèlí Clark is a Hugo finalist novella this year. That is the main reason I read it. I didn't especially love the author's earlier novella, The Black God's Drums, and probably would have otherwise overlooked this one.

The Haunting of Tram Car 015 returns to the alternate Cairo of Clark's short fiction, where humans live and work alongside otherworldly beings; the Ministry of Alchemy, Enchantments and Supernatural Entities handles the issues that can arise between the magical and the mundane. Senior Agent Hamed al-Nasr shows his new partner Agent Onsi the ropes of investigation when they are called to subdue a dangerous, possessed tram car. What starts off as a simple matter of exorcism, however, becomes more complicated as the origins of the demon inside are revealed.

In this story, a couple of public servants are tasked with fixing the problem of a haunted tram car in an alternate-world Cairo. Hijinks ensue. In this world, djinn exist and have helped cement Cairo and Egypt's significance on the world stage, including from a technological standpoint. (The steampunky cover is a pretty good representation of the setting, in my opinion.) Our put-upon agents have to contend with identifying the possibly dangerous being possessing the tram and then have to safely remove it. And all this is set against the backdrop of a Cairo-centred campaign to give women the vote.

I really enjoyed this novella. It was entertaining and fairly amusing the whole way through. Even though I read it in lots of small chunks, I didn't have any difficulty getting back into the story when I picked it up again. I don't think I've read any other stories set in the same world, but now that I know they exist I will keep an eye out. (I have already added "A Dead Djinn in Cairo" to my Pocket reading list, which is actually the only other story I found. If you know of others, please let me know in the comments.)

I highly recommend this novella to fans of gas lamp fantasy and alternate (fantastical) history. Especially if non-European/US settings are a draw. This novella was a great read and, for me, caps off a difficult-to-judge Hugo category.

4.5 / 5 stars

First published: Tor.com, 2019
Series: Yes, other stories set in the same world exist.
Format read: ePub
Source: Hugo voter packet

The Order of the Pure Moon Reflected in Water by Zen Cho

The Order of the Pure Moon Reflected in Water by Zen Cho is a standalone novella set in an asian fantasy world with, I think, Malaysian and Chinese influences. It is a delight, like most of Zen Cho's work.

Zen Cho returns with a found family wuxia fantasy that combines the vibrancy of old school martial arts movies with characters drawn from the margins of history.

A bandit walks into a coffeehouse, and it all goes downhill from there. Guet Imm, a young votary of the Order of the Pure Moon, joins up with an eclectic group of thieves (whether they like it or not) in order to protect a sacred object, and finds herself in a far more complicated situation than she could have ever imagined.

This story is about a disenfranchised nun joining a group of bandits on a smuggling job. Amusing hijinks ensue, as is to be expected from Zen Cho. I'm not sure I can say much more about the plot without spoilers, but it includes secrets, temples and a background war.

The characters are particularly excellent, with the nun forcing her way into the team of bandits and the bandits coming around to her presence in their own different ways. This is a novella that successfully has a detailed plot and strong characterisation.

I enjoyed it very much. I laughed and was delighted and it was exactly what I needed to lift my mood during pandemic lockdown times. I highly recommend it to all fantasy fans, especially readers who enjoy a bit of humour in their stories. Fans of Zen Cho should not hesitate to pick this one up and I hope it will make more readers into fans.

5 / 5 stars

First published: June 2020, Tor.com
Series: No
Format read: eARC
Source: Publisher via NetGalley

Short Stories #6–10, mostly Hugo shortlisted

I have not "officially" read very many short stories this year. As I think I mentioned in my last short story post, this is in large part because of reading submissions for Rebuilding Tomorrow, my new anthology, coming out by the end of the year if no more apocalypses hit. Since I, of course, can't mention those on the blog, my other reading has been rather slow. This latest batch were partly inspired by the Hugo short list, except for the first one, which just jumped out at me for being a cool story.

I plan to do some proper Hugo round ups when I've read all the relevant things, but for now, here are some of them, in the random order I read them in:

Little Free Library by Naomi Kritzer — A very cute story about a woman who built a tiny community library. It has a nice mystery and a compelling ending. I liked it a lot and I won’t be surprised if it makes next year’s Hugo ballot. Source: https://www.tor.com/2020/04/08/little-free-library-naomi-kritzer/

A Catalogue of Storms by Fran Wilde — A surreal but sweet/sad (sort of) story set in a world where storms have some degrees of sentience and certain people become incorporeal to fight them. I enjoyed it. It felt quite poetic. Source: https://uncannymagazine.com/article/a-catalog-of-storms/

Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island by Nibedita Sen — An interesting story told in snippets from the points of view of a variety of people. It explores colonialism, diaspora and a few other issues, with an additional off-putting layer of cannibalism. I generally find stories told through snippets interesting, but I’m not sure I can easily like them as much as traditional narratives. Source: http://www.nightmare-magazine.com/fiction/ten-excerpts-from-an-annotated-bibliography-on-the-cannibal-women-of-ratnabar-island/

And Now His Lordship Is Laughing by Shiv Ramdas — A satisfying story of revenge against colonisers, after a detailed description of some of their atrocities. I was not a fan of the narration from the Strange Horizons podcast. Source: http://strangehorizons.com/fiction/and-now-his-lordship-is-laughing/

Away With the Wolves by Sarah Gailey — An engaging enough story about a werewolf who suffers from chronic pain when human. The story was more or less about the idea that one need not torture oneself just to find acceptance in the community. I found it got a little preachy at the very end, but overall it was fine. Source: https://uncannymagazine.com/article/away-with-the-wolves

The Deep by Rivers Solomon

The Deep by Rivers Solomon is a novella that I bought just before the Hugo finalists were announced, with this novella among them. The premise was what particularly grabbed my attention: the horrible and fascinating premise that pregnant slaves thrown overboard birthed a new species of merpeople.

Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.

Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.

Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.

As is explained in the afterword, this novella is a piece of art in conversation with two previous pieces of art. Building on and reinterpreting the same mythology. You don’t really need to know any other background to understand the story, since each retelling (for lack of a better term) is entirely self-contained. That said, I think my understanding of events in The Deep was aided with having remembered the premise from the blurb, included above. (Regular readers may remember that I rarely pay much attention to blurbs, but this is one case where I was glad to at least remember the premise.) A key aspect of worldbuilding/history is revealed slowly in the book and I think it helped me to have an idea of the characters’ origins a bit earlier. Your mileage may vary, however.

A key idea explored in The Deep is that if societal memory and specifically memory of trauma. The situation when the story opens is like this: one member of the wajinru people is the historian and only that person holds all the memories of past wajinru and events. Everyone else has a strong tendency not to dwell on or remember anything for very long. Our protagonist, Yetu, is the designated historian and not terribly happy with the role. Apart from anything else, she finds it difficult to be the repository of historical trauma for her entire species. She also finds it hard to interact with others who have such short memories, even about their own lives. As well as exploring how intergenerational trauma should be remembered, and by whom, The Deep questions whether it should be remembered at all, as Yetu grapples with some of these issues.

The Deep was a good read, though I found it was a little slow to start and not the sort of book I could read quickly. I recommend it to people interested in the premise and, perhaps, to fans of merpeople.

4 / 5 stars

First published: 2019, Saga Press
Series: Not really, but in conversation with other works
Format read: ePub
Source: Purchased from Kobo

Short stories (1–5), a seemingly slow start, amidst much hidden reading

So this is my first #ReadShortStories post of 2020. April might seem a bit late, but in defence of my short story reading consistency, I would like to point out that until the end of March I was reading a large number of stories that were submitted to Rebuilding Tomorrow. So any time I thought about reading a short story that wasn't a submission, I felt guilty. But that's over now. The submissions have all been read and responded to (either with a rejection or a hold request, bending a higher level of global stability — if you submitted something but didn't hear back, feel free to query).

Which brings me to this first batch of stories. Without further ado:

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Did We Break the End of the World? by Tansy Rayner Roberts — Reread in aid of editing a sequel story that will be appearing in Rebuilding Tomorrow. Source: Defying Doomsday edited by Tsana Dolichva and Holly Kench

The Frost on Jade Buds by Aliette de Bodard — A story of mindships, the threat of war and galactic foreigners. I didn’t get into this story as easily as I have some of the other Xuya stories. Source: The Dragon that Flew Out of the Sun by Aliette de Bodard

Meat Cute by Gail Carriger — A novelette prequel to the novel Soulless. You don’t have to have read Soulless or the Finishing School books to appreciate this story… but I do think it would help a lot. It’s cute and funny, as one expects from Carriger, and follows Alexia on the night of her very first meeting with Connal. Source: Stand-alone purchase

Inheritance by Emma Newman — An emotional slice of a character’s life, set before the events in Planetfall. A good read, but probably not as impactful if you haven’t read Planetfall. Source: Emma Newman’s newsletter

The Generation Gap by Emma Newman — A significant story (not a vignette) about a father who is worried that there’s something wrong with his kid. I loved the reversal and the plausibility of the resolution. I think it’s my favourite story of this series. Source: Emma Newman’s newsletter

The Empress of Salt and Fortune by Nghi Vo

The Empress of Salt and Fortune by Nghi Vo is a standalone novella set in a fantasy-tinged world based on imperial China. I picked it up because the blurb seemed interesting and also because it was a novella.

A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.

Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.

At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.

This story is told in two timelines: a framing narrative set in the "present", in which a cleric, Chih, is investigating the titular Empress, and a series of flashbacks as Rabbit tells Chih about slices of her life with the Empress. As we gradually learn throughout the story, the Empress was pretty awesome, as were the people she chose to associate with. I liked the way in which the story was revealed in discrete chunks that furthered our understanding of the underlying story and the worldbuilding.

Honestly, the only negative thing I have to say about this novella is that I read it during the initial intensifying part of the pandemic (for where I'm living) and as a result I found it very hard to concentrate on it properly. I am pretty sure this wasn't the book's fault, since I very much enjoyed it when I was able to focus on it better. I think this will be one I'll have to reread at some point in the future. I feel confident that I'll enjoy it even more the second time around, for spotting the foreshadowing as well as my improved concentration.

I recommend The Empress of Salt and Fortune to readers who enjoy intrigue but don't feel like reading an entire epic fantasy trilogy for their fix. Also to readers who enjoy Chinese-inspired fantasy settings and/or framing narratives and/or are excited by the idea of war mammoths. I will definitely be keeping an eye out for Vo's future work.

4.5 / 5 stars

First published: March 2020, Tor.com
Series: No
Format read: eARC
Source: Publisher via NetGalley

Songwoman by Ilka Tampke

Songwoman by Ilka Tampke is set during the time of the Roman invasion of Britain, around the 40s AD. It is technically a sequel to Skin, but actually both books stand alone fairly well. They follow the same protagonist, but the two stories are separate, if sequential. I read Skin during a blog hiatus, so there is only a mini review of it, alas.

Haunted by the Roman attack that destroyed her home, Ailia flees to the remote Welsh mountains in search of the charismatic war king, Caradog, who is leading a guerrilla campaign against the encroaching army.

Ailia proves herself an indispensable advisor to the war king, but as the bond between them deepens, she realises the terrible role she must play to save the soul of her country.

Set in Iron-Age Britain, Songwoman is a powerful exploration of the ties between people and their land and what happens when they are broken.

I started reading Songwoman after a day trip to northern Wales, during which a friend and I visited a few castles (built more than a millennium after this book was set), and drove through Snowdonia with some breathtaking views, even in winter. So I was excited to start reading a book set in roughly the same area. The setting of Songwoman did not disappoint. The plot, however, was a little slow.

The bulk of the story involves Ailia being part of the inner circle of Caradog's resistance army. Her personal journey is split between learning the mystical arts, her relationship with Caradog, conflict with some of Caradog's other advisors, and the actual war. The war is mostly a series of small skirmishes and recruitment negotiations, and hence felt like it moved slowly, but in a realistic way. I actually found the relationship with Caradog the most drawn out. I don't want to spoil too much, but I will say that it was interesting that he was portrayed in a way that could be read as bipolar, but that was the most interesting thing about him. I did not quite understand Ailia's emotional attachment to him, especially since I spent a chunk of the start of the book hoping a key character from Skin would make an appearance (he did not).

So on the one hand, Songwoman was a little slow — though not unpleasant to read, aside from a few brief atrocities — but on the other hand, I was actually surprised at how little time was covered in the book. Near the end, there's a scene in which Ailia returns somewhere and notes that it's been a year since she was last there, at the start of the book. I was honestly shocked that only a year was supposed to have passed. This is maybe because, as the author mentions in the afterword, a few years of historical events were compressed  into one year for expediency. However, given my other reaction, I'm wondering whether that was the best choice. That said, I actually liked certain events around the ending a lot. (Being vague to avoid spoilers.) It added an extra dimension to the story, confusing timing aside.

Anyway, I mostly enjoyed Songwoman, even though it took me a while to get through. I recommend it to fans of historical fantasy and, particularly, Welsh settings. While it makes sense to read after Skin, it's not entirely necessary. While I don't expect a sequel, I am broadly interested in the author's future works.

4 / 5 stars

First published: 2018 Text Publishing, with US edition March 2020
Series: sequel to Skin
Format read: eARC
Source: Publisher via Edelweiss