This batch of stories was the point at which I realised that I should include poems in this whole keeping track of stories thing. Not because I read that many poems, but because otherwise any isolated poems aren't noted anywhere and that seemed like a wasted opportunity. I don't know that my reviews of poems are going to be any good (see first example below), but hey. Very short things are generally quite hard to review.
The stories (and poem):
Apathetic Goblin Nightmare Woman by Cassandra Khaw — An angry poem about meeting expectations, or not. Source: https://uncannymagazine.com/article/apathetic-goblin-nightmare-woman/
A Salvaging of Ghosts by Aliette de Bodard — A story about murky depths that warp reality and a mother mourning her dead daughter. Kind of a depressing story, set in the Xuya universe with additional interesting local world building. Source: http://www.beneath-ceaseless-skies.com/stories/a-salvaging-of-ghosts/
Rabbit Heart by Alyssa Wong — A brief story about short-lived replacements for rich people’s dearly departed. Source: https://firesidefiction.com/issue37/chapter/rabbit-heart/
The Spy Who Loved Wanton Mee by Vina Jie-Min Prasad — A short spy story that reminded me of the old spoof TV show “Get Smart” set in Singapore and more queer. Amusing and unserious. Source: http://queersoutheastasia.com/spy-loved-wanton-mee-vina-prasad-issue-1
How to Select a Durian at Footscray Market by Stephanie Campisi — This was a bit too over-written to properly grab me. There was an interesting story in there somewhere, but I found it drowned, a bit, in similes. Source: Sprawl edited by Alisa Krasnostein
Showing posts with label alyssa wong. Show all posts
Showing posts with label alyssa wong. Show all posts
Friday, 26 January 2018
Wednesday, 31 May 2017
Hugo Novelette Reading
Reading the novelette category of the Hugo shortlist is a little bit less simple than reading the novellas because two of the stories are not available for free online (the Stix Hiscock and the Fran Wilde). I'm going to wait until the Hugo packet comes out for the Wilde and I'm not sure that I'll get through/bother with all of the Hiscock when it comes. I'll probably glance at the opening. We'll see.
Luckily the Hugo packet arrived promptly. The stories below are listed in the order I read them.
“The Art of Space Travel”, by Nina Allan (Tor.com, July 2016)
This story is about a woman who works in a hotel near Heathrow, which happens to be the hotel the group of astronauts going to Mars will stay at before departing. The bulk of the story deals with her feelings surrounding space travel, which is inextricably tied up with her family history, especially her mother. The major emotional journeys for the protagonist, Emily, are her search for her father — whose identity she doesn't know — and her mother's illness, caused by proximity to space travel.
It's not a bad story, but nothing very much happens in it. We get a bit of a sense for a future in which a large mission is being attempted for the second time, but not much else about the future world is revealed. Emily's emotional journey isn't boring, but neither is it thrilling. The most interesting bits, for me, were about what happened to her mother. Mind you, part of the point there is that no one really understands her illness in full, so it's not really a plot thread with a resolution. I enjoyed "The Art of Space Travel", but I didn't love it. I am hoping that I will enjoy some of the other novelettes more.
The Jewel and Her Lapidary, by Fran Wilde (Tor.com, May 2016)
My first impress of of this novelette was that it had too much world building for a relatively short story. In retrospect, if someone had told me up front that it was a novella, I probably would not have felt that way. This is a story about the fall of a royal family and the gem-based magic they used to keep their people safe and maintain peace. The story opens with a coup and mass murder, which should have been exciting but was bogged down a little with the explanation of how the gems worn by the Jewels and controlled by lapidaries works. I found myself rereading part of the opening, trying to get it straight.
That said, "The Jewel and Her Lapidary" wasn't bad, but it didn't grab me very strongly and it didn't wow me. I did feel affected by the ending, but it took me several days to read this not very long story, a sign of my generally lukewarm interest. I expect that others might feel differently (and obviously enough people loved this story to nominate it), so your mileage may vary.
“You’ll Surely Drown Here If You Stay”, by Alyssa Wong (Uncanny Magazine, May 2016)
This was a gothic western, I think is the best way to describe it. In terms of feel, it reminded me of the Pretty Deadly comics, although the actual story is quite different. "You'll..." is about a darkly magical orphan boy, his best friend, and the crappy situation the both of them live in. And death and the desert.
It's written in second person, but not jarringly so. I am, however, curious as to why the author made that choice — it didn't seem integral to the story like the use of second person does in John Chu's "Selected Afterimages of the Fading" (in Defying Doomsday), for example. Westerns aren't really my thing, but this story didn't bore me or feel like it was dragging, so I expect it will ultimately rank well on my ballot.
“The Tomato Thief”, by Ursula Vernon (Apex Magazine, January 2016)
This is another story set in the American west, which is really very coincidental of my reading order. The protagonist of this one is an old lady, not entirely human or unmagical, who is very keen on her tomato plants. And then someone steals her nice tomatoes and she acquires a mission.
"The Tomato Thief" is much more plainly written than the other Hugo stories I've read so far. I wasn't a huge fan of the style, but it didn't grate or offend me either. The story itself wasn't bad but, as with all the novelettes so far, I didn't love it either. My guess is it will rank in the middle somewhere for me.
“Touring with the Alien”, by Carolyn Ives Gilman (Clarkesworld Magazine, April 2016)
Luckily the Hugo packet arrived promptly. The stories below are listed in the order I read them.
“The Art of Space Travel”, by Nina Allan (Tor.com, July 2016)
It's not a bad story, but nothing very much happens in it. We get a bit of a sense for a future in which a large mission is being attempted for the second time, but not much else about the future world is revealed. Emily's emotional journey isn't boring, but neither is it thrilling. The most interesting bits, for me, were about what happened to her mother. Mind you, part of the point there is that no one really understands her illness in full, so it's not really a plot thread with a resolution. I enjoyed "The Art of Space Travel", but I didn't love it. I am hoping that I will enjoy some of the other novelettes more.
The Jewel and Her Lapidary, by Fran Wilde (Tor.com, May 2016)
My first impress of of this novelette was that it had too much world building for a relatively short story. In retrospect, if someone had told me up front that it was a novella, I probably would not have felt that way. This is a story about the fall of a royal family and the gem-based magic they used to keep their people safe and maintain peace. The story opens with a coup and mass murder, which should have been exciting but was bogged down a little with the explanation of how the gems worn by the Jewels and controlled by lapidaries works. I found myself rereading part of the opening, trying to get it straight.
That said, "The Jewel and Her Lapidary" wasn't bad, but it didn't grab me very strongly and it didn't wow me. I did feel affected by the ending, but it took me several days to read this not very long story, a sign of my generally lukewarm interest. I expect that others might feel differently (and obviously enough people loved this story to nominate it), so your mileage may vary.
“You’ll Surely Drown Here If You Stay”, by Alyssa Wong (Uncanny Magazine, May 2016)
This was a gothic western, I think is the best way to describe it. In terms of feel, it reminded me of the Pretty Deadly comics, although the actual story is quite different. "You'll..." is about a darkly magical orphan boy, his best friend, and the crappy situation the both of them live in. And death and the desert.
It's written in second person, but not jarringly so. I am, however, curious as to why the author made that choice — it didn't seem integral to the story like the use of second person does in John Chu's "Selected Afterimages of the Fading" (in Defying Doomsday), for example. Westerns aren't really my thing, but this story didn't bore me or feel like it was dragging, so I expect it will ultimately rank well on my ballot.
“The Tomato Thief”, by Ursula Vernon (Apex Magazine, January 2016)
This is another story set in the American west, which is really very coincidental of my reading order. The protagonist of this one is an old lady, not entirely human or unmagical, who is very keen on her tomato plants. And then someone steals her nice tomatoes and she acquires a mission.
"The Tomato Thief" is much more plainly written than the other Hugo stories I've read so far. I wasn't a huge fan of the style, but it didn't grate or offend me either. The story itself wasn't bad but, as with all the novelettes so far, I didn't love it either. My guess is it will rank in the middle somewhere for me.
“Touring with the Alien”, by Carolyn Ives Gilman (Clarkesworld Magazine, April 2016)
Another disappointing story. It had promise, from the first few sentences, but the main premise is no longer that original (except, why did the aliens only visit the US? This fact is stated but never addressed) and the secondary premise was interesting but not explored in enough depth. A shockingly egregious quarantine violation near the end really annoyed me and wasn't even used to show something interesting about character, like I half-expected.
The story wasn't badly written aside from the lack of depth mentioned above. But it clearly annoyed me too much for me to vote it very highly. Alas. I suspect I was also disappointed that the tour with the alien took place on Earth rather than in space.
Alien Stripper Boned From Behind By The T-Rex, by Stix Hiscock (self-published)
Pass, after some indecision.
A disappointing novelette shortlist, all in all. The short stories were a stronger category. I didn't hate any of these either, and actually I found them all to be of similar quality which does make ranking harder. That said, “You’ll Surely Drown Here If You Stay” was my top contender since it was well-written and so forth, even if I didn't love the subject matter. Then it's close between "The Art of Space Travel" and "The Tomato Thief", followed by "The Jewel and Her Lapidary", then "Touring with the Alien". But this category really did feel like much of a muchness.
The story wasn't badly written aside from the lack of depth mentioned above. But it clearly annoyed me too much for me to vote it very highly. Alas. I suspect I was also disappointed that the tour with the alien took place on Earth rather than in space.
Alien Stripper Boned From Behind By The T-Rex, by Stix Hiscock (self-published)
Pass, after some indecision.
~
A disappointing novelette shortlist, all in all. The short stories were a stronger category. I didn't hate any of these either, and actually I found them all to be of similar quality which does make ranking harder. That said, “You’ll Surely Drown Here If You Stay” was my top contender since it was well-written and so forth, even if I didn't love the subject matter. Then it's close between "The Art of Space Travel" and "The Tomato Thief", followed by "The Jewel and Her Lapidary", then "Touring with the Alien". But this category really did feel like much of a muchness.
Wednesday, 17 May 2017
Hugo Short Story Reading
Since I am attending Worldcon 75 in Helsinki in August, I am eligible to vote in the Hugo awards and hence am starting to read my way through the shortlist. Happily, I've already read two of the novels, which lessens the word pile a little.
For now, I decided to start with short stories. Because they're short. Also because they're all available to read for free online (even the one originally published in an anthology) so there's no need to wait for the Hugo packet. Very convenient!
My reviews are in my reading order, which is semi-random. Publication info links go to the story itself. Final impressions of the stories as a whole are at the end.
“Our Talons Can Crush Galaxies”, by Brooke Bolander (Uncanny Magazine, November 2016)
A gloriously angry story about revenge. I started with this one because it was the shortest, but it packed a lot of emotional punch in a short space. A supernatural being (a siren?) was brutally attacked by a human and she did not rest in peace. A scathing commentary of the media response to rape and murder, both real and fictional. Not a warm, fuzzy read.
“That Game We Played During the War”, by Carrie Vaughn (Tor.com, March 2016)
A very different kind of story to the above. Longer, more drawn out, a gentler read. In the aftermath of war (or during a ceasefire, anyway) a nurse from one side goes to visit a soldier from the other, telepathic, side. Full of reminiscences about the war during which they were each other's prisoners at various times, the story culminates in a game of chess... and we learn how one can play chess against a telepath.
“A Fist of Permutations in Lightning and Wildflowers”, by Alyssa Wong (Tor.com, March 2016)
Another powerful story about desperation and helplessness and that even magic can't fix everything. Not if it's too late, not if it's been too late for too long. The narrator tells us about the world ending as she tries to use her weather-working powers to save her sister, also a weather-worker. The story begins with powerful imagery and continues in that emotional vein.
I am sensing a theme.
“The City Born Great”, by N. K. Jemisin (Tor.com, September 2016)
This one is a story about the gestation and birth of cities and the people who help them through it and protect them. Another fantasy story that felt more fantasy-ish (as opposed to science fiction-y) than "A Fist of Permutations in Lightning and Wildflowers". It was well written, but the concept didn't grab me as much as the previous stories have and I felt like it dragged a little. Also, I don't care that much about New York, which might have contributed. Not a bad story, but not one that stands out.
“Seasons of Glass and Iron”, by Amal El-Mohtar (The Starlit Wood: New Fairy Tales, Saga Press, reprinted in Uncanny)
A gorgeous story. I left the author I had read before to last (which is not to say I haven't been meaning to read the other authors for some time) and it seems I also left my favourite story to last. This is a story about how cruel fairytales can be to women, who suffer punishments while their male peers are given boons. Two women with magical burdens meet and give each other comfort. It's a seemingly gentle story that nevertheless gives the finger to the patriarchy. It also contains some lovely wry turns of phrase that I would share if this were a different style of review. Instead, I urge you to go read it for free online where it has been reprinted in Uncanny.
The story I unequivocally loved best was "Seasons of Glass and Iron", which I will be ranking first. The remaining stories all rate pretty similarly to me and are tricky to order. I may change my mind, but I think "A Fist of Permutations in Lightning and Wildflowers" will come next, then "Our Talons Can Crush Galaxies", "The Game We Played During the War" and finally "The City Born Great" before No Award.
You might have noticed that I omitted one shortlisted story from the above. Well it's my blog and I can ignore puppies if I want to.
Overall, this shortlist has been a rewarding read. I haven't read all that many short stories of late (slush is a bit of a drawn-out burn out) and this experience reminded me of what I love about the form as well as the variety possible within our genres.
Onward to the next category!
For now, I decided to start with short stories. Because they're short. Also because they're all available to read for free online (even the one originally published in an anthology) so there's no need to wait for the Hugo packet. Very convenient!
My reviews are in my reading order, which is semi-random. Publication info links go to the story itself. Final impressions of the stories as a whole are at the end.
“Our Talons Can Crush Galaxies”, by Brooke Bolander (Uncanny Magazine, November 2016)
A gloriously angry story about revenge. I started with this one because it was the shortest, but it packed a lot of emotional punch in a short space. A supernatural being (a siren?) was brutally attacked by a human and she did not rest in peace. A scathing commentary of the media response to rape and murder, both real and fictional. Not a warm, fuzzy read.
“That Game We Played During the War”, by Carrie Vaughn (Tor.com, March 2016)
A very different kind of story to the above. Longer, more drawn out, a gentler read. In the aftermath of war (or during a ceasefire, anyway) a nurse from one side goes to visit a soldier from the other, telepathic, side. Full of reminiscences about the war during which they were each other's prisoners at various times, the story culminates in a game of chess... and we learn how one can play chess against a telepath.
“A Fist of Permutations in Lightning and Wildflowers”, by Alyssa Wong (Tor.com, March 2016)
Another powerful story about desperation and helplessness and that even magic can't fix everything. Not if it's too late, not if it's been too late for too long. The narrator tells us about the world ending as she tries to use her weather-working powers to save her sister, also a weather-worker. The story begins with powerful imagery and continues in that emotional vein.
I am sensing a theme.
“The City Born Great”, by N. K. Jemisin (Tor.com, September 2016)
This one is a story about the gestation and birth of cities and the people who help them through it and protect them. Another fantasy story that felt more fantasy-ish (as opposed to science fiction-y) than "A Fist of Permutations in Lightning and Wildflowers". It was well written, but the concept didn't grab me as much as the previous stories have and I felt like it dragged a little. Also, I don't care that much about New York, which might have contributed. Not a bad story, but not one that stands out.
“Seasons of Glass and Iron”, by Amal El-Mohtar (The Starlit Wood: New Fairy Tales, Saga Press, reprinted in Uncanny)
A gorgeous story. I left the author I had read before to last (which is not to say I haven't been meaning to read the other authors for some time) and it seems I also left my favourite story to last. This is a story about how cruel fairytales can be to women, who suffer punishments while their male peers are given boons. Two women with magical burdens meet and give each other comfort. It's a seemingly gentle story that nevertheless gives the finger to the patriarchy. It also contains some lovely wry turns of phrase that I would share if this were a different style of review. Instead, I urge you to go read it for free online where it has been reprinted in Uncanny.
How do they rate overall?
The story I unequivocally loved best was "Seasons of Glass and Iron", which I will be ranking first. The remaining stories all rate pretty similarly to me and are tricky to order. I may change my mind, but I think "A Fist of Permutations in Lightning and Wildflowers" will come next, then "Our Talons Can Crush Galaxies", "The Game We Played During the War" and finally "The City Born Great" before No Award.
You might have noticed that I omitted one shortlisted story from the above. Well it's my blog and I can ignore puppies if I want to.
Overall, this shortlist has been a rewarding read. I haven't read all that many short stories of late (slush is a bit of a drawn-out burn out) and this experience reminded me of what I love about the form as well as the variety possible within our genres.
Onward to the next category!
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