Flyaway by Kathleen Jennings

Flyaway by Kathleen Jennings is a novella from an Australian author whose short fiction I have previously enjoyed. She is, perhaps, most well-known for her artwork, including book covers such as the one for Flyaway, among others.

In a small Western Queensland town, a reserved young woman receives a note from one of her vanished brothers—a note that makes question her memories of their disappearance and her father’s departure.

A beguiling story that proves that gothic delights and uncanny family horror can live—and even thrive—under a burning sun, Flyaway introduces readers to Bettina Scott, whose search for the truth throws her into tales of eerie dogs, vanished schools, cursed monsters, and enchanted bottles.

In these pages Jennings assures you that gothic delights, uncanny family horror, and strange, unsettling prose can live—and even thrive—under a burning sun.

Going through the tags for this review, I couldn't not include "Australian gothic". This book is a tangle of fairytales brought by settlers into the unique Australian landscape, all of them twisted and variously creepy. Flyaway is, above all, a story composed of many other stories, told as flashbacks or asides. The layers are slowly peeled back as our unreliable narrator, Bettina Scott, slowly learns more of her recent past and starts to realise what she's forgotten.

The fact that part of the story is told as Bettina's memories unfurl means that we come at the main story — for lack of a better term, I mean the story most important to Bettina — from an oblique angle. We know something strange has happened, but the pieces don't come together until very close to the end. But in the meantime, Jennings keeps the reader entertained and/or horrified with the extra stories peppered throughout the narrative.

I recommend Flyaway to readers who like weird narratives and who don't mind feeling creeped out by the bush or western Queensland. I think non-Australian readers will also find much to connect with in this book, since a lot of the fairytales are recognisably based on European folklore, despite the strong presence of the Australian landscape in the book.

4 / 5 stars

First published: July 2020, Tor.com
Series: No, I don't think so
Format read: eARC
Source: Publisher via NetGalley

Come Tumbling Down by Seanan McGuire

Come Tumbling Down by Seanan McGuire is the latest novella in the ongoing Wayward Children series. It’s another ensemble story, but as you can probably guess from the title, the story is mostly about Jack (and to a lesser degree, her sister Jill). While I have enjoyed all of the Wayward Children books, only a couple of the prequels are needed, in my opinion, to enjoy and make sense of Come Tumbling Down. The first Wayward Children novella, Every Heart A Doorway, can be thought of a direct prequel to Come Tumbling Down, and Down Among the Sticks and Bones is a prequel to both, giving the origin story of Jack and Jill. The other novellas are great and provide background on the side characters in Come Tumbling Down, but aren't as essential to following the story.

When Jack left Eleanor West's School for Wayward Children she was carrying the body of her deliciously deranged sister--whom she had recently murdered in a fit of righteous justice--back to their home on the Moors.

But death in their adopted world isn't always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome.

Eleanor West's "No Quests" rule is about to be broken.

Again.

This was a pretty dark story. But that's true of this entire series, so if you've come this far (even if you only read the prequels to this book), you should have some idea of what to expect. Come Tumbling Down engages more directly with what it means to be a monster and about becoming monstrous. As the blurb suggests, there is also a quest, which a band of heroes sets out on. Although Jack's story is the most central in this book, I enjoyed the way in which the narrative jumped around to follow different characters as they stepped into or out of the action. It was Jack's book, but Christopher and Kade and Cora and Sumi were important parts of it, and they all had a little bit of character development.

It seems that this marks the end of Jack's story (for now, anyway), which seems fitting after playing a central role in three books. I have enjoyed the story of Jack and Jill, and I have also enjoyed the ensemble cast nature of this book (and also Beneath the Sugar Sky). Honestly, I will be happy to read either type of story (ensemble or single character focussed) set in the world of the Wayward Children.

If you haven't read any Wayward Children books, I highly recommend them. In particular, I suggest starting with Every Heart A Doorway, both because it's the first book written and also because it's where we first meet Jack and Jill. It's not that Come Tumbling Down doesn't work standing alone... but I don't think it would be as enjoyable without at least some background on the characters and world building.

4.5 / 5 stars

First published: January 2020, Tor.com
Series: The Wayward Children book 5 of 5 so far (ongoing series)
Format read: ePub
Source: Publisher via NetGalley and also purchased from Apple Books

The Dragon Republic by R F Kuang

The Dragon Republic by R F Kuang is the sequel to The Poppy War, which I previously read and reviewed. Unlike the first book in the series, which I read in only a few days, I ended up reading The Dragon Republic over almost two and a half months. It’s not because I disliked the book that I kept putting it down, rather I needed breaks to read something lighter and it didn’t quite suck me in as much as the first book. I still enjoyed it.

The war is over.

The war has just begun.

Three times throughout its history, Nikan has fought for its survival in the bloody Poppy Wars. Though the third battle has just ended, shaman and warrior Rin cannot forget the atrocity she committed to save her people. Now she is on the run from her guilt, the opium addiction that holds her like a vice, and the murderous commands of the fiery Phoenix—the vengeful god who has blessed Rin with her fearsome power.

Though she does not want to live, she refuses to die until she avenges the traitorous Empress who betrayed Rin’s homeland to its enemies. Her only hope is to join forces with the powerful Dragon Warlord, who plots to conquer Nikan, unseat the Empress, and create a new republic.

But neither the Empress nor the Dragon Warlord are what they seem. The more Rin witnesses, the more she fears her love for Nikan will force her to use the Phoenix’s deadly power once more.

Because there is nothing Rin won’t sacrifice to save her country . . . and exact her vengeance.

The Dragon Republic takes place not long after the conclusion of The Poppy War and is not the sort of book I’d recommend reading without having read the prequel. That said, I didn’t really remember much about the secondary characters when I picked this one up, but I found it not to be a huge problem. The book did a good job of orienting me and reminding me who everyone was (and if worst comes to worst, there’s a list of characters in the back, although I didn’t realise this until I finished reading).

In this book, we mostly see Rin and friends preparing for and fighting skirmishes and battles. We also see a lot of character growth from Rin, who goes from who she was at the end of The Poppy War to a more competent and assured commander towards the end of the The Dragon Republic. It’s not a painless journey, however, and some frustration at Rin possibly contributed to me putting the book aside temporarily, especially in the first half.

Overall, if you enjoyed The Poppy War, I definitely recommend reading The Dragon Republic. In many ways it’s a less intense book, but it has its moments. The overarching story is left incomplete at the end and I am expecting a third book to come, rounding this series out into a trilogy. (It doesn’t end of a cliffhanger, but a lot is unresolved.) If you haven’t ready any of this series yet, definitely start with The Poppy War, but be warned it is not a gentle read, especially not as the story progresses.

4 / 5 stars

First published: August 2019, Harper Voyager
Series: The Poppy War book 2 of 2 so far (but I think it will be a trilogy)
Format read: ePub
Source: Purchased from Apple Books

Middlegame by Seanan McGuire

Middlegame by Seanan McGuire is a standalone novel set in a world similar to the real world, but bursting with alchemy. As far as I’m aware, it is not linked to any of McGuire’s other books or series.

Meet Roger. Skilled with words, languages come easily to him. He instinctively understands how the world works through the power of story.

Meet Dodger, his twin. Numbers are her world, her obsession, her everything. All she understands, she does so through the power of math.

Roger and Dodger aren’t exactly human, though they don’t realise it. They aren’t exactly gods, either. Not entirely. Not yet.

Meet Reed, skilled in the alchemical arts like his progenitor before him. Reed created Dodger and her brother. He’s not their father. Not quite. But he has a plan: to raise the twins to the highest power, to ascend with them and claim their authority as his own.

Godhood is attainable. Pray it isn’t attained.

The opening of this book grabbed me immediately with the in media res working particularly well thanks to the unusual timeline structure of the book. While we do get a lot of the main story in chronological order, it is interspersed with bits that come out of order, as well as the point of view sections of the antagonist and a thematically-linked children’s fairytale. Overall it makes for an interesting reading experience. That said, I did feel like the book dragged a little in the middle and to me it felt quite long, which is the worst thing I can say about it. (Note, also, that it is objectively on the long side, but it still should not have felt that way.)

Back to the content, this is a story of alchemically created twins, separated by the length and breadth of the USA, and left to grow up in isolation. They were created to channel immense power for their maker but a lot of their upbringing was left to chance. We follow them through their lives as they learn about each other, push each other away, meet by chance, push each other away and so forth. At first I found the story a little confusing — while the start grabbed me, it took a little while to fully understand what was happening. Then I grew more invested in the characters and wanted to know what would happen next, despite the slower middle section. The climax came not a page too late, to kick off the last portion of the book.

This is a dark fantasy book, shading to the horrific, that I expect fans of McGuire’s other books will enjoy. In general tone I found it most similar to the Wayward Children books, although the story structure (and length) was quite different. It’s certainly not science fiction horror like the Mira Grant books are, though this was not immediately apparent to me when I started reading. All in all, a structurally interesting read that I recommend to fans of dark fantasy.

4.5 / 5 stars

First published: May 2019, Tor.com
Series: No.
Format read: eARC
Source: Publisher via NetGalley

#ReadShortStories highlighting colonialism and other things (91 to 95)

In this batch there's three more stories from Not So Stories, raging against colonialism in their own ways, and a couple of randoms, including one that's a spin off from a YA series that I read the first book of in 2012. The Not So Stories stories are all a bit emotionally heavy so I expect I will continue to intersperse them with miscellaneous stories. Stay tuned.


Queen by Joseph E. Cole — A story about slavery and human cruelty. Not exactly an enjoyable read but not a bad story either. It didn’t particularly grab me but it was still told in an evocative way (and I think I spotted several references to “Just So Stories”. Source: Not So Stories edited by David Thomas Moore

Utopia, LOL? by Jamie Wahls — This story was silly and fun but also serious. In a post-singularity future, a cryogenic-frozen man is reintroduced to society by an easily distracted tour guide. Not perfect, but I liked it. Source: http://strangehorizons.com/fiction/utopia-lol/

The Department of Alterations by Gennifer Albin — Set in the same world as a YA series I read the first book of several years ago. I haven’t got around to finishing the series even though I love liked the first book (Crewel) enough to track down books 2 and 3 from the US. This story was a little confusing with the world building quite hazy in my mind. The emotional impact was still there, however. Source: https://www.tor.com/2012/09/27/the-department-of-alterations/

Best Beloved by Wayne Santos — A Singaporean guardian of the living against the dead has taken up with a British official while still finding time for her duties. Until those duties become more difficult and she learns more of what the British are up to. A powerful story of love and devastation. Source: Not So Stories edited by David Thomas Moore

The Man Who Played With the Crab by Adiwijaya Iskandar — A father and daughter come across a westerner killing animals and demanding to be taken to their sacred crab so that he can kill it. A story that’s about as positive as possible, given colonial history. Source: Not So Stories edited by David Thomas Moore

The Poppy War by R F Kuang

The Poppy War by R F Kuang is the author's debut novel and, I have just learned, the first in a trilogy. It's a fantasy book set in an Asian-inspired part of its world (compared with the multitude of fantasy books set in European-inspired parts of their worlds), and follows a teenage girl as she goes from being a poor rural shop girl to playing a prominent role in the titular war.

When Rin aced the Keju—the Empire-wide test to find the most talented youth to learn at the Academies—it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard—the most elite military school in Nikan—was even more surprising.

But surprises aren’t always good.

Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power—an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive—and that mastering control over those powers could mean more than just surviving school.

For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away . . .

Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity . . . and that it may already be too late.

This book is many things, and long enough to fit them all in. It starts out with Rin, our main character, working hard to escape a crappy life of being married off to some old guy by her foster parents. Once her hard work pays off, the book takes on the feel of a boarding school story while she trains at the prestigious military academy and butts heads with other students — and, of course, stands out for being the poor girl from a southern province. The school part of the book was probably my favourite. It sets up a lot of relationships for Rin, builds up the world and some of its history, and introduces the shamanic aspects that become so central to Rin’s story. This section and what preceded it made me love this book. 

Rin’s time at school culminates in the outbreak of war. For all that it happens around the halfway mark, I don’t think talking a bit about it is a spoiler, given the book’s title. The war heralds another change of fortune for Rin and the story shifts from boarding school yarn to a) being about a ragtag band of misfits and b) a brutal war. (And who doesn’t live ragtag bands of misfits?) The brutality of the war sort of snuck up on me, although perhaps it shouldn’t have since the signs were there. I don’t want to get spoiler-specific, but I do want to give a massive trigger/content warning for pretty much all the wartime atrocities you can think of, many of which are described in horrifying detail. I was not fully prepared, and it took me some time to process enough to keep reading and to write this review when I was done.

The thing is, because this book ends in war — especially war that isn’t fully resolved because there’s a sequel to come — it’s easy to focus on that aspect and overlook the earlier and more general aspects of the book. For example the world building was excellent. It’s clear that the main setting is based on China and the nation they are at war with is based on Japan. However, there isn’t an obvious/specific real-world analogue for everything, the geography is quite different to that of China (looking at the map, there is, for example a west coast) and of course magic plays a significant role in the story. It felt a lot less artificially “and here is what not-Japan did next” than other books I have read (The Tiger’s Daughter immediately springs to mind). Instead, for a lot of the book, it felt like the Asian version of non-specific European fantasy books, which I really appreciated. That said, I do have to note that some events towards the end of the book clearly were inspired by real-world events, which kind of undermines my point, but whatever.

The important things to take away from this review are that this is a really good book and that it contains a brutal account of war. It grapples with class divides (until these suddenly matter much less), drug use (which is also entwined with the magic system), and vengeance. Rin's conversations and internal monologue are interspersed with dry/dark humour, which I enjoyed and which made me snort out loud several times. I highly recommend this book to all fans of fantasy, especially those that enjoy the elements I mentioned above (poor girl does great things, military boarding school, asian setting, horrifying war, etc). Although it's the first in a trilogy (according to the author — it's really not made clear elsewhere), it does wrap up a lot of the story at the end. There are a few loose ends and a strong sense of "well, here's what we need to do next" but it doesn't feel unfinished. No need to fear cliff hangers or put off reading until the rest of the series is out. Personally, I'm glad of the gap so I can finish processing before moving on to the next in the series, which I will definitely be reading.

5 / 5 stars

First published: May 2018, Harper Voyager
Series: Apparently the first book of a trilogy, no series name as yet
Format read: eARC
Source: HarperVoyager UK on NetGalley

Under the Pendulum Sun by Jeannette Ng

Under the Pendulum Sun by Jeannette Ng is the author's debut novel and a somewhat strange read on a few fronts. It's a gothic Victorian novel about missionaries sent to fairyland. Content warning for the book: non-coercive incest (but it's not mentioned again in this review because spoilers).

Catherine Helstone's brother, Laon, has disappeared in Arcadia, legendary land of the magical fae. Desperate for news of him, she makes the perilous journey, but once there, she finds herself alone and isolated in the sinister house of Gethsemane. At last there comes news: her beloved brother is riding to be reunited with her soon - but the Queen of the Fae and her insane court are hard on his heels.

I have to admit when this book first came to my attention I wasn't sure that I would enjoy it. I'm not a huge fan of non-humorous Victorian books and I've recently been drawn more to science fiction, so I did not immediately jump on the book. Instead I picked it up when it was on sale. As it turned out, I mostly enjoyed Under the Pendulum Sun, but "weird" is certainly a primary descriptor for it.

The story follows Catherine, who convinces the mission organisation that sent her brother as a missionary to Arcadia, the land of the fae, to send her after him when he hasn't been heard from for a while. We follow Catherine as she makes the journey to Arcadia (which requires getting lost along the way — and, to my amusement, is a land discovered by Captain James Cook, who also died there — and the weirdness she finds there. I particularly liked the titular pendulum sun: the sun in Arcadia is not the ordinary Earthly sun but rather a lantern on a pendulum that swings back and forth across the land. Distance isn't measured in the time taken to complete a journey, but rather the number of revelations or childhood memories one experiences along the way. And of course, the fae are not terribly nice people, but this last assertion is hardly unique.

Seeing a dark fairyland through the lens of devout christianity, and especially from the angle of trying to convert people, was really interesting. I'm not particularly into religion, but this was an aspect that really worked for me. Overall, I mostly enjoyed this book, but I found the various quotes at the starts of chapters slowed down the pacing of the story a little bit too much for me. The quotes themselves were often interesting in how they twisted real-world ideas or developed the world, but a lot of the time I also felt like the bogged down the main story too much. I was tempted to skip them, but they did add to the book overall (and there were a few particularly important ones near the end). I found myself enjoying the main prose sections a lot more although I did wonder at times where the story was going. The answer to that became a bit less mysterious once I realised that this was actually a character-driven book rather than a plot-driven one as I had originally assumed. The story is not in the sequence of events, per se, but in the characters internal journeys over a period of time (and the external journeys are very much a manifestation of the internal).

I would highly recommend Under the Pendulum Sun to fans of fantasy who enjoy having religious ideas entwined in their fiction. As the book itself proclaims a lot (notably in the dedication), it deals with apocrypha and as well as the fraught task of trying to convert fae to Christianity. I also recommend it to fans of gothic fantasy. I still have complicated feelings about this book but I am at least interested to see what else the author comes up with. (I'm not sure how eagerly I'd jump at a sequel, though.)

4 / 5 stars

First published: 2017, Angry Robot
Series: No
Format read: ePub
Source: Purchased from Kobo

The Dream-Quest of Vellitt Boe by Kij Johnson

The Dream-Quest of Vellitt Boe by Kij Johnson is a Hugo-shortlisted novella, which is why I picked it up. The last time I read a Kij Johnson story, it was "Spar", which was shortlisted for a Hugo Award in 2010, the year of Aussiecon 4. As you might guess from my referencing it seven years later, it was a little burned into my brain, and not in a good way. So I was a little wary approaching The Dream-Quest of Vellitt Boe, but that turned out to have zero weird alien sex, so bonus!

Professor Vellitt Boe teaches at the prestigious Ulthar Women’s College. When one of her most gifted students elopes with a dreamer from the waking world, Vellitt must retrieve her.

But the journey sends her on a quest across the Dreamlands and into her own mysterious past, where some secrets were never meant to surface.

So I didn't enjoy this novella. The start was kind of interesting and the ending was OK. The middle mostly consisted of endless travel and descriptions of scenery, both somewhat surreal and completely weird. At one point I had some theories about twists we might see for the ending, but the gruelling middle pushed them out of my memory.

The thing is, the story isn't badly written (unless your definition of "well written" perforce encompasses "not boring") and there are several interesting elements like the main character — a mature university professor who had travelled in her youth and now finds herself on a quest to save her university and town — a cat that follows her, the concept of the dream world, and the prose is smooth. But so many words are spent on describing the lands Vellitt travels through, most of them not directly relevant to the interesting parts of the overall plot, that I had a lot of difficulty staying interested in the novella. I put it aside for a little while because of that and because I just kept falling asleep when I tried to read it in bed. The only reason I bothered finishing it was because I wanted to write as many reviews of Hugo shortlisted works as I could.

I was told, when I was around halfway through The Dream-Quest of Vellitt Boe that it was written in conversation with an HP Lovecraft novella. I haven't read any Lovecraft and have no intention of doing so, so that didn't really help. I will note that the afterword from the author explained this a little more; Johnson had loved the Lovecraft novella as a ten year old and wanted to reinterpret the original sexist and racist work as an adult.

I don't particularly recommend this novel except to people interested in comparing it with the original Lovecraft novella or who are interested in, er, stories about journeys, I suppose. While it wasn't as memorable as "Spar", it hasn't encouraged me to try further Kij Johnson stories in the future. I don't expect I'll be reading any unless they're shortlisted for future Hugo Awards I have voting rights for.

2.5 / 5 stars

First published: 2016, Tor.com
Series: I don't think so
Format read: ePub
Source: Hugo voter packet

Monstress Vol 1: Awakening by Majorie Liu and Sana Takeda

Monstress Vol 1: Awakening written by Majorie Liu and illustrated by Sana Takeda is the first collected volume in the ongoing comic book series. It's set in a dark steampunk magic world, and is a very female-centric story.

Set in an alternate world of art deco beauty and steampunk horror, Monstress tells the epic story of Maika Halfwolf, a teenage survivor of a cataclysmic war between humans and their hated enemies, the Arcanics. In the face of oppression and terrible danger, Maika is bother hunter and hunted, searching for answers about her mysterious past as those who seek to use her remain just one step behind… and all the while, the monster within begins to awaken… 

My first impression of Monstress was one of violence. The beginning doesn't pull any punches and was very dark and violent with torture and death up front. I found it a bit off-putting, since I wasn't prepared for it. But the further I read, the more I enjoyed it. A large part of that, I think, is the world building which was revealed gradually throughout the volume — partly told through the medium of a cat professor — and my growing interest in the mystery of Maika's past.

As we learn more of the story world, we learn that there are different races (exactly what makes some of them different confused me at first, as did the names of races versus groups within them), including a race of cats and of immortals. (And who doesn't like cats, right?) The main character is on  a mission that we don't know all the details of, she picks up a stray fox-girl and meets up with a cat. And also something monstrous lives inside her. Hence the title.

I think if I had only read one issue of Monstress I might not have kept going. I mainly did because I had the ARC and I wanted to get through it for Hugo-voting purposes. I'm glad I did because after a reluctant first half, I got into it. It reminded me a little bit of Saga, but more fantasy and less SF, and more violence and fewer penises. And fewer men. In fact, most of the cast is female, the evil, the innocent and the deeply morally questionable. There are only a few men and they're not very important. Even random guards — many of whom die — are mostly female, which is great to see.

I would recommend this volume to fans of dark fantasy and steampunk who don't mind reading about a lot of violence and (supernatural) death. It's a bit heavy and not for everyone but I'm glad I finished the volume. I wasn't sure while I was reading whether I'd be picking up the next volume, but I am interested in seeing what happens next.

4 / 5 stars

First published: 2016, Image Comics
Series: Volume 1 of ongoing series, containing issues #1–6
Format read: eARC
Source: Publisher via Edelweiss (although it was also in the Hugo packet)

Singleton Short Stories

I read a few isolated short stories and thought I'd post a few words about them. So here we are.

First Kill by Jennifer Fallon is set in the same world as the Hythrun Chronicles, the Demon Child trilogy and The Lyre Thief. It features Kiam Miar, an assassin who is one of the main characters in The Lyre Thief. This story, like the title suggests, is about the young assassin's first — graduation — kill. As far as I can it's set before the events at the end of the Demon Child trilogy, but you don't have read any of Fallon's books for this story to make sense. That said, if you have read The Lyre Thief and enjoyed the character of Kiam Miar, this is a good story to read.

When I started reading, I wasn't sure how Fallon was going to make the story interesting rather than a straight recounting of Kiam killing someone. I obviously don't want to spoil it, but there is more going on than a straightforward assassination and the story showcases young Kiam's cleverness.

You can read the story on Tor.com or pick it up from your favourite ebook retailer.

~

Finnegan's Field by Angel Slatter is another Tor.com original and, being a Slatter story, how could I not read it? It was horrifying. (Intentionally so.) I will note that at one point, maybe halfway through, I caught myself thinking "Oh, but that's one horror element, the rest of the story doesn't feel that much like horror..." But then I got to the end. This story is definitely horror. Also, if you don't like reading about bad things happening to children, don't read this one. Like, really, don't. Read The Bitterwood Bible or something instead.

The story is about a little girl who goes missing one day, like children sometimes do. Unlike other missing children, she shows up again three years later. The first thing her parents notice, once she's home and safe and clean, is that she didn't grow as much as they would have expected in three years. The subsequent things her mother notices are a bit more dire and a bit more supernatural. Set in small town Australia with a helping of Irish folklore, this is an excellent read for fans of dark fantasy and horror and, of course, fans of Slatter.

You can read the story on Tor.com or pick it up from your favourite ebook retailer.

~

Glass Slipper Scandal by Tansy Rayner Roberts is an original short story podcast on Sheep Might Fly, the author's fiction podcast. I listened to all eight episodes of it in one go during a car trip, which added up to less than two hours. I was quite glad to get it all in one go since I am very much not a fan of episodic stories, especially when the episodes are so short (10-15 minutes each).

The story itself is set in a magical kingdom where Prince Charming is being forced to look for a wife and a large ball is being held. The protagonists are a relatively new journalist and one of the princesses, who has motivations beyond wanting to marry the prince. Told with Roberts' characteristic humour, this is a light-hearted tale that twists several fairytale tropes. The newspaper element also leant itself well to exaggerated proclamations of scandal, which added to the amusement. Recommended for fans of light-hearted and humorous fantasy.

You can listen to the story by subscribing to the Sheep Might Fly podcast, or by following the links here.

Of Sorrow and Such by Angela Slatter

Of Sorrow and Such by Angela Slatter is a novella released as part of Tor.com's new novella line. It's set in the same world as The Bitterwood Bible and Other Recountings and Sourdough and Other Stories, two collections that have either won awards or been shortlisted. However, that doesn't mean you have to have read anything else to enjoy this book. Of Sorrow and Such stands quite nicely alone.

Mistress Gideon is a witch. The locals of Edda's Meadow, if they suspect it of her, say nary a word-Gideon has been good to them, and it's always better to keep on her good side. Just in case.

When a foolish young shapeshifter goes against the wishes of her pack, and gets herself very publicly caught, the authorities find it impossible to deny the existence of the supernatural in their midst any longer; Gideon and her like are captured, bound for torture and a fiery end.

Should Gideon give up her sisters in return for a quick death? Or can she turn the situation to her advantage?

This novella is about an older woman living alone with a teenage adopted daughter, who dispenses herbal medicine to the residents of her village. It's mostly women that come to her or people with urgent problems who can't wait for the "real" (i.e. male) doctor's next visit. There is a lot of social commentary on how women are treated patriarchal societies when they don't have any power. And also how they're treated when they do, inconveniently, dare to have power. Because the main character, Patience, is a witch and spends a lot of her time looking out for both disadvantaged women and fellow witches. She's not a nice person, but she is a practical one, which is part of her charm. I quite liked her and her philosophy of doing what was needed. I haven't read Sourdough and Other Stories, yet, so this was my first introduction to her.

Of Sorrow and Such starts off by setting the scene, which can make it feel a bit slow, but Slatter's writing is so lovely that it's a consistently very readable story. It does pick up in the second half, however, and I had difficulty putting it down at that point (despite my desperate need for sleep).

I quite enjoyed this novella and it definitely makes me want to get around to Sourdough sooner rather than later (not sure that will be possible, alas). I highly recommend this story to fans of Slatter's other stories and to fans of fantasy generally. It's a little bit dark, but it's definitely not horror.

4.5 / 5 stars

First published: October 2015, Tor.com (available from ebook shops rather than on their website)
Series: Set in the same world as The Bitterwood Bible and Sourdough and Other Stories, but stands alone fine
Format read: eARC
Source: Publisher via NetGalley
Challenges: Australian Women Writers Challenge

The House of Shattered Wings by Aliette de Bodard

The House of Shattered Wings by Aliette de Bodard is a novel in a new universe that stands alone well. I have, however, been informed that there is a sequel coming, as yet unnamed.

In the late Twentieth Century, the streets of Paris are lined with haunted ruins. The Great Magicians’ War left a trail of devastation in its wake. The Grand Magasins have been reduced to piles of debris, Notre-Dame is a burnt-out shell, and the Seine has turned black with ashes and rubble and the remnants of the spells that tore the city apart. But those that survived still retain their irrepressible appetite for novelty and distraction, and The Great Houses still vie for dominion over France’s once grand capital.

Once the most powerful and formidable, House Silverspires now lies in disarray. Its magic is ailing; its founder, Morningstar, has been missing for decades; and now something from the shadows stalks its people inside their very own walls.

Within the House, three very different people must come together: a naive but powerful Fallen angel; an alchemist with a self-destructive addiction; and a resentful young man wielding spells of unknown origin. They may be Silverspires’ salvation—or the architects of its last, irreversible fall. And if Silverspires falls, so may the city itself.

The characters are what really stood out for me in this book. They all have complex motivations that do not necessarily have much to do with each other's. The rich setting comes in a close second. For a start, it's refreshing to have  a fantasy book with an urban setting — albeit a ruined urban setting — set in Paris rather than in the US. And then there's the detailed way Bodard has destroyed Paris, and the world, before the opening of the story. The city is in ruins, but they are ruins that people have built lives around. But aside from mentioning that it's also a world in which not everything is as it seems, I don't think I can really do the worldbuilding justice. You'll just have to read the book yourself to see.

On to the characters! There's Philippe, a Vietnamese (or Annamite, as the alternate history of the book has it) ex-Immortal who ended up in Paris thanks to the sweeping force of colonialism. Although on the surface he may seem to have something in common with the Fallen, in that he's on Earth after being kicked out of the Jade Emperor's court, he hates the Fallen for what they've done to the world and their House system for what they've done to him personally. Despite this, the story opens with him getting caught up with House Silverspires, setting the main plot of the book into motion.

Then there's Isobelle, a new Fallen with an unshakable link to Philippe, his efforts to get away from all the Fallen notwithstanding, who is taken into House Silverspires. She unquestionably changes the most throughout the book, partly because new Fallen start off naive and clueless (so there's nowhere to go but up) and partly thanks to the events of the book. She ends up getting close to Madeline, Silverspires' House Alchemist who has secrets and a traumatic past.

As far as these things go, I'd say Philippe and Madeline were my favourite characters. I also found Morningstar, who is not really physically present in the story, to be a very powerful echo of a character, resonating throughout the story. The repercussions of his actions are far reaching and Bodard did a commendable job of making him come to life as not much more than a memory. Selene, the currently leader of House Silverspires, constantly lives in his shadow and measures herself against him while trying to keep the house together. I sympathised with Selene, although she wasn't exactly my favourite person.

The House of Shattered Wings is a gorgeously written fantasy novel set in a world of post-apocalyptic/war decay. I don't usually like angel books, but this one definitely worked for me. I suspect the combination of Christian mythology with Annam mythology probably helped in that area. I have to admit I wasn't sure if it was going to be a stand alone or part of a series while I was reading. The end was quite self-contained but there are a few more minor loose ends that I'm looking forward to seeing explored in a sequel. But there are definitely to cliffhangers and the main plot is resolved.
I highly recommend The House of Shattered Wings to all fantasy fans. Anyone looking for a different kind of urban fantasy should definitely give it a try.

4.5 / 5 stars

First published: August 2015, Penguin (US, cover above) and Gollancz (UK)
Series: Apparently there will be a sequel, but this volume stands alone well.
Format read: eARC
Source: Publisher via NetGalley

Shatterwing by Donna Maree Hanson

Shatterwing by Donna Maree Hanson is the first book in the Dragon Wine series. It's a secondary world fantasy with dragons (as you may gather from the series title) and more astronomy that we usually see in a fantasy book. I've previously reviewed a couple of Donna's books, Rayessa and the Space Pirates, and Bespelled. What strikes me most about Donna as a writer is how flexible she can be. These three books have very little in common stylistically or even thematically, yet she pulls them off.

Dragon wine could save them. Or bring about their destruction.

Since the moon shattered, the once peaceful and plentiful world has become a desolate wasteland. Factions fight for ownership of the remaining resources as pieces of the broken moon rain down, bringing chaos, destruction and death.

The most precious of these resources is dragon wine – a life-giving drink made from the essence of dragons. But the making of the wine is perilous and so is undertaken by prisoners. Perhaps even more dangerous than the wine production is the Inspector, the sadistic ruler of the prison vineyard who plans to use the precious drink to rule the world.

There are only two people that stand in his way. Brill, a young royal rebel who seeks to bring about revolution, and Salinda, the prison's best vintner and possessor of a powerful and ancient gift that she is only beginning to understand. To stop the Inspector, Salinda must learn to harness her power so that she and Brill can escape, and stop the dragon wine from falling into the wrong hands.

The blurb is a bit deceptive in that it only covers about half the book. And I mean that in the most literal sense; part two breaks from the first set of characters to follow a new group of characters. It could almost have been published as two separate books and the structure really highlights how this is only the first book in the series. Having said that, the first section ended in a fairly conclusive way that didn't leave me so desperate to get back to those characters that I couldn't pay attention to the new characters. If anything, I'd argue that the first part was a bit more conclusive than the second, which ended on a minor cliffhanger.

But enough about structure. The most obvious thing to note about the content of this book that's not necessarily obvious is that it's dark fantasy. Dark as in brutal or "grimdark". There is rape and there is violence. Most of the worst rape happens off the page, but there's enough on the page that if you don't want to read about rape (or molestation or brutal beatings), then probably give this series a miss. The characters can be more or less divided into main characters and other "good guys" and "horrible men that don't think women are real people". And, I suppose, miscellaneous bystanders who are afraid of witchcraft.

I really enjoyed the story but there were times when the brutality got a bit much for me. Mainly this was towards the end of part one where Salinda, our first main character, is being brutally tortured. It's not that it's not relevant to the plot, but it wasn't fun to read (nor, I think, should it have been). Then, in part two, I was probably a bit over-invested in a new main character, Laidan, not being raped and it was a nail-biter for a while there. (I won't spoil which way it went.)

Anyway, the main thrust of Shatterwing is setting up the world and the overarching plot for the series. The worldbuilding is quite nice, with two moons in the sky, one of which broke up hundreds of years ago (called the "Shatterwing" because it's shattered and looks like a wing). There's some historical background that remains mysterious for the time being and I look forward to learning more about that in subsequent books. There's also the matter of the dragon wine, which has magical properties, and which is apparently the main thing keeping the human population alive. How did this come to be? I'm not sure, but I'm looking forward to finding out.

Shatterwing is not for everyone and I wouldn't recommend it to people who wish to avoid reading about violence. However, I would recommend it to fans of dark and grim fantasy. The world may have dragons that eat people, but the real monsters here are other people.

4 / 5 stars

First published: September 2014, Momentum Books
Series: Dragon Wine book 1 of ? (possibly 4?)
Format read: eARC
Source: Publisher via NetGalley
Disclaimer: Author is a friend but I've endeavoured to write an unbiased review
Challenges: Australian Women Writers Challenge

Last Year, When We Were Young by Andrew J McKiernan

Last Year, When We Were Young by Andrew J McKiernan is the author's first short story collection and, indeed, his first solo book. I should note up front that, once upon a time, the author and I were in the same writing critique group. What this mainly means is that I'd seen early drafts of a few stories, a long time ago, and had very vague memories of them. But I thought I should disclose that up front.

There was a decent variety of stories in Last Year, When We Were Young, with most of them tending towards the horror side of the spec fic triangle. (Spec fic is a triangle now. Or maybe a triangular Venn Diagram, but I digress.) Some were more contemplative and serious, while others were more... gory. One was even science fiction. Looking over the table of contents again, most of the stories have very good titles.

I found I most enjoyed the more contemplative stories. My favourites were "The Memory of Water", "White Lines, White Crosses" and the titular "Last Year, When We Were Young", although the latter is perhaps less contemplative per se. The former two stories deal with loss and death in a poignant way.

Actually, I liked most of the stories in this collection. My least favourite tended to be the most gruesome, which is reflective of my horror preferences more generally. And although I am using the term horror to describe the collection as a whole, I'm not sure the three circus-based stories (for lack of a more accurate phrase) count as horror. Certainly not "Calliope: A Steam Romance" nor "The Dumbshow". "All the Clowns in Clowntown" is perhaps more borderline since it definitely has a well executed feeling of dread to it, but on the other hand, it's about clowns. I suspect coulrophobiacs may disagree with me on that point.

I also liked "The Haunting that Jack Built" — in part for the name — and "The Desert Song", both of which were set in rural Australia and both of which had fairly traditional horror elements. I liked the Australian angle and difference between the Australia of the past and the Australia of a not-so-nice future. I also liked "The Message", which packed a powerful punch, nonetheless.

All in all, this was a pretty solid collection and I would recommend it to horror fans and fans of dark speculative fiction. With a few exceptions, there was nothing too extremely horrific in the stories and I think most of them would be enjoyed by a fairly broad audience.

~

The Memory of Water — A story I found difficult to put down. Siblings remember their departed parents.

White Lines, White Crosses — A teenaged boy and his family move from Sydney to a country town that is eerily obsessed with hooning. It was a disturbing story with a creeping sense of foreboding.

Calliope: A Steam Romance — A patent clerk is captivated by a woman playing a calliope (a steam-powered musical instrument). True steampunk set in Sydney, even more steampunky when we learn that the woman is actually an intelligent automaton. Also, points for many physicist/scientist shout-outs.

Love Death — A young man brings his new wife to a necromancer, hoping to get her back. I may be a bad person, but I found the circumstances around her death pretty (blackly) funny.

The Message — You know when you read a genre book and you know you're reading a genre book but the characters in it don't know they're in a genre book? This story made me think about that phenomenon. A woman takes a job answering a mysterious phone. Obviously, it's far from an ordinary phone and certain aspects of the past resurface...

All the Clowns in Clowntown — Surprisingly epic for a short story. In this world clowning isn’t just something someone does, it’s who they are. The clowns have clustered together in Clowntown, living their lives, until one day <cue ominous music> the circus comes to town.

Daivadana — a disturbing tale of a diplomat (sort of) who gets caught up in an old Tajik religion. Pretty gruesome at times.

The Dumbshow — Another story in the same universe as "All the Clowns in Clowntown", set (I think) shortly after the events of the previous story. It's much less eerie and, being shorter, a more straightforward story. Honestly not sure how it would stand on its own without the earlier background.

The Final Degustation of Doctor Ernest Blenheim — A little hard to get past the self-cannibalism. And honestly once past that it was still a weird story. As far as revulsion goes, I think it did improve as it went along.

Torch Song — The speculative element sneaks up on you in this one, but I quite liked it. A shot tale, good punch. Title very apt.

The Wanderer in the Darkness — Sci-fi horror, so it automatically put me in mind of Alien. My only issue with it was a character leaving an airlock without his helmet and then not dying. Oh well.

A Prayer for Lazarus — I think I read part of this before, possibly an earlier version. Anyway, creepy story told from a young girl's point of view about her mother's descent into a form of zombie-ism.

The Haunting that Jack Built — I quite liked this story. Set in a rural, small town in the Australian 1950s, Jack builds a house while the townspeople can't help but notice women disappearing when they come to visit him. (I think I'd read at least part of this story before.)

They Don’t Know That We Know What They Know — A weird story with a fitting title. Reminded me a little of "Daivadana", although it's actually pretty different in the details. A seer interrogating the dead body of a young terrorist.

The Desert Song — A sort of zombie story, set in rural future post-something bad Australia. I liked it and the ideas in it but I found it a little inconsistent.

Last Year, When We Were Young — One of my favourite stories in the collection. And it's a great title, which works well for the collection as a whole. A speed ageing plague has infected humanity and the concept is taken to its horrifying conclusion.

4 / 5 stars

First published: May 2014, Satalyte Publishing
Series: No
Format read: ePub
Source: review copy courtesy of the author
Disclaimer: although the author is a friend, I have endeavoured to give an unbiased review
Challenges: Aussie Horror Reading Challenge

Bound by Alan Baxter

Bound by Alan Baxter is the first novel I've read by the author, although I have read short stories in the (recent) past. I have to admit I wasn't entirely sure what to expect from this book (aside from accurate fight scenes) and I don't think I could've predicted what I did get.

Alex Caine is a martial artist fighting in illegal cage matches. His powerful secret weapon is an unnatural vision that allows him to see his opponents’ moves before they know their intentions themselves.

An enigmatic Englishman, Patrick Welby, approaches Alex after a fight and reveals, ‘I know your secret.’ Welby shows Alex how to unleash a breathtaking realm of magic and power, drawing him into a mind-bending adventure beyond his control. And control is something Alex values above all else…

A cursed grimoire binds Alex to Uthentia, a chaotic Fey godling, who leads him towards chaos and murder, an urge Alex finds harder and harder to resist. Befriended by Silhouette, a monstrous Kin beauty, Alex sets out to recover the only things that will free him - the shards of the Darak. But that powerful stone also has the potential to unleash a catastrophe which could mean the end of the world as we know it.

Probably the simplest way to describe Bound is as an origin story for Alex. At least, that's how it felt when I got to the end. I'm probably getting ahead of myself saying that, though. Let me go back to the beginning.

Alex has a small talent for magic and is discovered by a more experienced magic user after using his magical intuition to win a cage match. After that, he picks up magic pretty quickly. Too quickly I thought, until the main thrust of the novel revealed itself. There were two really interesting aspects to the story, I thought. First, there's the effect the cursed grimoire has on him. Being cursed, it is inherently evil and its magic insinuates its way into Alex's mind. It doesn't exactly control him, but it has a negative influence. I found Alex's struggle with what's inside of him fascinating. He wonders, during the book, whether he is becoming evil himself and I found myself asking the same questions. I really wasn't sure how it was going to go, which made it a more exciting read.

I can't not mention the main antagonists (aside from the cursed grimoire, that is). We are exposed to the magic relic dealer, Hood, through the eyes of his PA, Sparks. Hood has no scruples and spends the book trying to get his hands on whatever it is that Alex and Silhouette have (he doesn't actually know). Sparks is a more difficult and interesting character. At first, I thought she was another of Hood's victims under some sort of spell. That may have been just misinterpretation on my part because later on it becomes clear that she does actually care about him and stays with him by choice. On the one hand, this did make the character feel a bit inconsistent, but on the other hand I quite liked reading about her (I won't go so far as to say I liked her as a person...). It's unclear whether she will appear in the next book (my guess is not, but who knows), but I certainly wouldn't object if she did make an appearance.

Until the end, I was expecting Hood and Sparks to be the antagonists in subsequent books, but it looks like their storyline has been resolved. That's part of what makes me say that I see Bound as an origin story for Alex. The other things is... I feel silly for not noticing until the very end that Hood and Sparks were named for certain friends of the author's. I wasn't sure whether to laugh or headdesk (or headiPad, as the case may have been), when I realised.

Bound was an action-packed and fast-paced read with elements of moral ambiguity and horror. You could also call it a dark urban fantasy, if you were so inclined. If you are looking for a darkish and violent read, then Bound is the book for you. It's also self-contained if sequels aren't your thing. Mind you, I think I remember reading that books 2 and 3 will be out soon (like months, rather than years, apart), so there won't be a long wait until we get more of Alex and Silhouette's story, if long waits aren't your thing. I have no idea where the story might go next, but I want to find out.

3.5 / 5 stars

First published: July 2014, Voyager AU
Series: Alex Cain book 1 of 3
Format read: eARC
Source: Publisher via NetGalley
Challenges: Australian Horror Reading Challenge

The Dreaming (Volumes 2 and 3) by Queenie Chan

The Dreaming (Volume 2) by Queenie Chan is the second part of the three-volume story begun in (gasp!) Volume 1. My review of Volume 1 is here. Because they really are part of the same story, this review will also include Volume 3 below. Also note that the blurb and the review contain spoilers for Volume 1.

Greenwich Private College grinds to a complete halt after the discovery of Millie's body. As gloom and despair sets in, most of the students leave the school. But Jeanie's curiosity keeps her on campus, and when she's led down the path of the Greenwich's dark history, has she awakened a ghostly curse?

In Volume 2 the story picks up right where Volume 1 left off. Somewhat unsurprisingly, it mostly serves as a chance for Jeanie to learn more about the history of the school — y'know, the history no one wanted to talk about in the first Volume before everything went wrong. And on top of that, there aren't many students left at the school, to make the building extra creepy.

We are also treated to a build up of creepiness which is obviously setting up the story for the concluding volume. What will happen next? Who will survive? Will anyone get out of the school alive, or will it just merge into the surrounding bushlands, never to be seen again? And what's with the Victorian dresses?

To answer these questions, (and more!) I read on to the last volume...

4 / 5 stars

~

Finally, The Dreaming Volume 3 concludes the story.

Where did the ghostly girls come from? And what do they want? Before the students know it, the missing girls enter the school, where Amber spots Millie, who speaks to her almost as if to warn her of something. Is there more to this supernatural mystery than just the school itself? The answers to why these girls have come back and what caused their death are revealed in this haunting series finale.

This final instalment mostly focusses on Jeanie and Ms Anu gradually unravelling the mysteries of the school. And a side note I didn't really think about until this Volume, it's nice to see a story where the main characters are Asian and Indigenous rather than defaulting to Anglo.

Of course it turns out there's more to the weird goings on at the school than there initially seemed and — no spoilers — there was a twist I didn't see coming. Oh and there was more creepiness, building on what was already established in the earlier two volumes.

Overall I quite enjoyed reading this manga. It's quite different, especially in form, to anything else I've read and I'll definitely be seeking out other work by Chan in the future. (Perhaps starting with Small Shen in collaboration with Kylie Chan, or maybe her Legend of Zelda fancomic.) I highly recommend The Dreaming to fans of horror/dark fantasy, including those who might not usually read manga.

I'm also interested in checking out a few other manga authors if anyone has any suggestions as to where to go from here. (Though I won't be switching over from predominantly text-based reading any time soon.)

4.5 / 5 stars

First published: 2006 and 2007, respectively; Tokyopop
Series: The Dreaming Volumes 2 and 3 of 3
Format read: ebook (e-manga?)
Source: Purchased from ComiXology amid much angst and shouting at the iPad
Challenges: Australian Women Writers Challenge, Aussie Horror Reading Challenge

Cracked by Eliza Crewe

Cracked by Eliza Crewe is the author's début novel. This review contains only very minor spoilers. The blurb is rather long but relatively spoiler free (yay, Strange Chemistry has improved) so I'm including all of it here.

Well, technically, she eats their soul. But she totally promises to only go for people who deserve it. She’s special. It’s not her fault she enjoys it. She can’t help being a bad guy. Besides, what else can she do? Her mother was killed and it’s not like there are any other “soul-eaters” around to show her how to be different. That is, until the three men in suits show up.

They can do what she can do. They’re like her. Meda might finally have a chance to figure out what she is. The problem? They kind of want to kill her. Before they get the chance Meda is rescued by crusaders, members of an elite group dedicated to wiping out Meda’s kind. This is her chance! Play along with the “good guys” and she’ll finally figure out what, exactly, her ‘kind’ is.

Be careful what you wish for. Playing capture the flag with her mortal enemies, babysitting a teenage boy with a hero complex, and trying to keep one step ahead of a too-clever girl are bad enough. But the Hunger is gaining on her.

The more she learns, the worse it gets. And when Meda uncovers a shocking secret about her mother, her past, and her destiny… she may finally give into it.

I have to say, the opening scene did not endear me to Meda. Not because of what happened in it, but because of her internal monologue. I'm usually pretty tolerant of characters that most would consider annoying — including when they're evil — but Meda set my teeth on edge with her self-congratulatory cockiness. Also her ableist commentary didn't help, particularly in the "insane asylum" the story opened in. Although the story redeems itself later on with respect to ableism (the day is saved by the girl with the damaged leg), Meda is not (although she does become less cocky). I warn that if ableist language is something that bothers you, Cracked may not be the book to read. Personally, I put it down at the end of the opening and when I came back to it a few days later I found it much more tolerable.

As the story goes along and, especially, after the other three central characters were introduced, I found it became much more enjoyable. There was an element of humour in banter and in Meda's commentary that came out more as the story went along. The other characters, Chi, Jo and Uri really make the story. They are the driving force behind Meda's personal journey through the book.

I'm not sure I've read a book with such a marked development of character as Cracked. Meda went from barely tolerable to someone whose fate I actually cared about. Admittedly, her growth wasn't based only on events taking place in the book, but also came from coming to terms with past events, learning what she is and understanding that who she is doesn't have to be dictated by expectations. That aspect was quite fascinating. There were a lot of reasons for her and others to assume that she was evil — end of story — but there were also people who assumed the best of her and they were ultimately her salvation. If not for people believing that she could be good, Meda would never have been able to overcome her natural evil tendencies. There's a moral in there; don't assume the worst of people if you want to give them room to be their best. Like Kurt Vonnegut wrote, "We are what we pretend to be."

Although it didn't start off well, I ended up enjoying Cracked quite a bit. Although the ending didn't leave an obvious hook for the next in the series, there are a few different directions it could go in. Personally, I'm looking forward to meeting Meda again, since it will be the Meda from the end of the book. I recommend Cracked to fans of paranormal YA.

4 / 5 stars

First published: November 2013, Strange Chemistry
Series: The Soul Eaters Series, book 1 of ?
Format read: eARC
Source: Publisher, via NetGalley

The Beckoning by Paul Collins

The Beckoning by Paul Collins is a contemporary horror novel set in Warrnambool and Melbourne. Featuring a satanic cult, lots of psychic weirdness and plenty of death. Blurb:

When evil intent is just the beginning...

Matt Brannigan is a lawyer living on the edge. His daughter, Briony is psychic and trouble shadows his family wherever they go.

Cult guru Brother Desmond knows that the power within Briony is the remaining key he needs to enter the next dimension. Once he controls this, he will have access to all that is presently denied him.

When Briony is indoctrinated into the Zarathustrans, Matt and psychic Clarissa Pike enter the cult’s headquarters under the cover of night to rescue her.

So begins Armageddon…

This book was not for me. Followers of this blog will probably have noticed my quest to read more Australian horror books. For the most part, that's been a successful venture and I've read some excellent books. In general, they've been more subtle than The Beckoning, which was competently written, but the content was not my thing. I have to admit, it was the kind of thing I was into in my early teens but apparently not so much any more. Ultimately, I found the exciting bits dull and the horrific bits uninteresting. I strongly suspect others' mileage will vary.

The Beckoning is written in omniscient third person. There was more head-hopping than I'm used to, but I have to say it was done well and I was generally not confused about who was thinking what. However, I was slightly confused at the start as to who the main characters were. Because it took me a while to work out, I didn't feel very attached to anyone which, unfortunately, made their life-threatening situations less exciting.

I did like that it was set in Australia — I've been particularly enjoying Australian-set books of late — although I was a bit disappointed to see it "translated" into American English. It's jarring to see an Australian teenager talking about her "cell" phone. Of course, that's less of an issue with the book itself and more the (location of the) publisher.

As I've said, this book was not for me, but I think people into psychic antichrist cult type books will enjoy it. And I think it would probably work as a movie. Fans of straightforward horror, with violence, creepy cult leaders and potentially world-ending doom will probably enjoy this one more than I did.

3 / 5 stars

First published: September 2013, Damnation Books
Series: Don't think so.
Format read: e-Review Copy
Source: A bit convoluted, but the author via a mutual friend
Challenges: Aussie Horror Reading Challenge

Mistification by Kaaron Warren

Mistification by Kaaron Warren is a strange book. I'm not sure what I was expecting — perhaps to be scarred for life as with Slights — but it's not really like any of Warren's other books/stories (that I've read so far). I'm including the blurb, but with the caveat that it's a bit misleading.

Marvo is a stage magician. His magic is real.

Marvo grows up without knowing his parents, without knowing his heritage, without knowing much about life.
The magicians have always been with us, since the beginning of civilisation. They fill our heads with the mist, keeping us from witnessing the stark reality of existence. But are things so bad that Marvo will bring it down on all of us, forever?

Marvo begins to understand those around him, and his place in the world; he discovers that his remarkable powers can be put to good, or to evil.

He only has to choose...

The misleading thing is that yes, Mistification is Marvo's story. It is, more or less, his life story. But it's also a book about stories. Marvo is driven to understanding the world and people and magic, and he searches for understanding by searching for stories. The book is interspersed with stories that the people he meets throughout his life tell him. Don't get me wrong though, this is not a thinly veiled short story collection. The stories Marvo gathers are short and in a way more like parables (although not in any biblical sense!). For me this made Mistification a difficult book to consume quickly, much like I find anthologies difficult to read straight through. I ended up reading it over the course of several weeks, with breaks to read other books in between. I don't feel that lessened the experience for me, as it might have with another book.

The setting was a bit odd (not in a bad way). Mostly it felt sort of generically non-specific and a bit Australian. If it weren't for a few references to the UK and America being not Marvo's home, I would've guessed it was vaguely British (although he does travel a lot). In fact, the opening put me in mind of somewhere perhaps South American, when a revolution or military coup (or something) had Marvo and his grandmother confined to a large family house. In the end, I could only conclude that Mistification is set nowhere or anywhere.

From a subgenre perspective, Mistification defies classification. It's not horrific in the same way as other Warren books and stories I've read have been, but it's still a bit eerie. Nothing terribly horrible happened (well, not to the main characters anyway), but it was far from a cheery tale. And there was magic, it could've been magical realism if not for the way the existence of magic was stressed. It's also quite literary — character, not plot, driven — and that might not be for everyone. I think it's a book that will be enjoyed much more by people who can appreciate the writing rather than demanding an action-based plot. I liked it, but it's not the kind of book I want to read every day.

One last thing I want to mention is the depth of research on folklore and folk-healing and so forth that evidently went into Mistification. There are five appendices (not required reading to enjoy the novel!) which add background information and small details to the story. And there are footnotes which also add little titbits. (Well, they were endnotes in the ebook edition, formatted quite well from a navigational point of view, but perhaps they're footnotes in the print version? Let me know in the comments if you have a print copy, I'm curious!) Both of these I think made the book easier to dip in and out of. And I'm dying to know how many of the folk-healing and little history snippets were "real". This is another aspect which I enjoyed because it fit well with the style of the book.

Mistification was an interesting read. Rather different to most of the books I read (and review on this blog). I think it has to be approached with a certain mindset to be appreciated (a conclusion drawn from skimming through some unfortunate goodreads reviews) and it's not going to be a book for everyone. People after a fast-paced plot-driven adventure need not apply. But if a more ponderous read is what you're in the mood for, and if my comments above have piqued your interest or if you really love to read stories about the nature of stories, then this is the book for you.

4 / 5 stars

First published: 2011, Angry Robot
Series: No.
Format read: ePub
Source: Purchased from Angry Robot store
Challenges: Australian Women Writers Challenge, Australian Horror Reading Challenge