Showing posts with label caroline m yoachim. Show all posts
Showing posts with label caroline m yoachim. Show all posts

Sunday, 16 August 2020

Short stories 11 to 17 are late and disorderly

This batch of stories is an unusual number because I feel bad for posting them so late. I had plans to do a proper Hugo round-up post as I did for novellas, but for various reasons that didn't happen. So here are some of the short stories and novelettes that were shortlisted for Hugo awards.

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The Blur in the Corner of Your Eye by Sarah Pinsker — An enjoyable mystery-ish story about a mystery writing a in cabin in the woods. Things inevitably go wrong, but it wasn’t quite the horror scenario I was expecting. I enjoyed it. Source: https://uncannymagazine.com/article/the-blur-in-the-corner-of-your-eye

The Archronology of Love by Caroline M. Yoachim — A long story about interesting far-future alien tech which records history. People interacting with said tech while trying to work out what happened to a failed colony planet. Also a sad love story. It was OK, but it didn’t really grab me. Source: http://www.lightspeedmagazine.com/fiction/the-archronology-of-love/

Omphalos by Ted Chiang — An unexpected story told in an unusual way. Almost an epistolary story, but told through prayers rather than letters. Set in a world a bit less technologically developed than ours, and following a scientist who knows exactly how long ago the world was created. And that it was created by a divine being. I enjoyed it more than I expected. Source: Exhalation by Ted Chiang

Emergency Skin by NK Jemisin — An entertaining read partially depicting a society sitting somewhere between Athos (Bujold, Ethan of Athos) and the alt-right. It’s also told in an unusual way, which works very efficiently to tell the story and highlight the horrors of that particular society. We actually only get half the story, but it’s more than enough. Source: Amazon Forward Collection

As the Last I May Know by SL Huang — An intriguing premise: weapons of mass destruction can only be set off if the president first murders a little girl. I enjoyed the story and was quite taken by both the power play and the moral questions raised. Source: https://www.tor.com/2019/10/23/as-the-last-i-may-know-s-l-huang/

For He Can Creep by Siobhan Carroll — An amusing story about a cat fighting Satan for a poet’s soul. It was not what I expected from the title, and was certainly entertaining enough. Source: https://www.tor.com/2019/07/10/for-he-can-creep-siobhan-carroll/

Blood is Another Word for Hunger by Rivers Solomon — A very weird story. Not sure what to make of it, to be honest. I didn’t hate it, but I also didn’t love it. I'm sorry that I have failed to adequately describe the weirdness of murder resulting in spontaneous births. Source: https://www.tor.com/2019/07/24/blood-is-another-word-for-hunger-rivers-solomon/


Friday, 20 April 2018

#ReadShortStories (65 to 70)

It's been slower short story reading of late, for me, since I've gotten myself hooked on a few novels. This batch, among other things, finishes off my Hugo short story reading. I will do a separate post soon focussing on just that shortlist and talking about how I would vote. I also started reading the novella anthology The Underwater Ballroom Society and it's first fairytale rock opera rock star and fairyland story.


Clearly Lettered in a Mostly Steady Hand by Fran Wilde — Not a terrible story but not to my taste. (I say this in light of it’s Hugo nomination.) It had an interesting vibe and the second person narration worked well but I didn’t think the end came with sufficient pay-off (for a Hugo nomination...). Source: https://uncannymagazine.com/article/clearly-lettered-mostly-steady-hand/

Welcome to Your Authentic Indian Experience™ by Rebecca Roanhorse — An eerie story that starts out as one type of science fiction, exploring (Native American) race through a commercialised lens... then turns into a different sort of horrific story. I enjoyed it and didn’t see the second half coming from the vantage point of the first half. Certainly an interesting read and I can see why it made the Hugo shortlist. Source: https://www.apex-magazine.com/welcome-to-your-authentic-indian-experience/

The Queen of Life by Ysabeau S Wilce — A novella about rockstars and fairyland, death and fame. I found the opening a little too slow, as it took a while to set the scene and establish sufficient backstory so that what felt like the “real” story could start. When that came, it was an interesting journey into fairyland filled with deception, glamour and a corgi steed (sort of). I enjoyed the second half of it more than the first. Source: The Underwater Ballroom Society edited by Stephanie Burgis and Tiffany Trent

Sun, Moon, Dust by Ursula Vernon — A cute story about a man who inherits a magic sword from his warrior grandmother, inhabited by spirits that can train him to fight. But all he wants to do is farm potatoes. I enjoyed the subversion of the magic sword trope, the goat and the tentative queer love story. Source: https://uncannymagazine.com/article/sun-moon-dust/

Carnival Nine by Caroline M. Yoachim — A lovely story about mechanical toy people who live out their lives based on the number of “turns” they get. A metaphor for energy and disability/chronic illness that, I suppose, makes more sense than spoon theory — and in fact for that very reason I’d actually heard of this story before I got to reading it. The main character has more turns than average and the story follows her life from childhood through adulthood, partnering up, and having a child. And focuses on how many turns the people around her have or don’t have. Source: http://www.beneath-ceaseless-skies.com/stories/carnival-nine/